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1950 continued.

April 14th 2010 18:06
In my previous post I discussed the music of the year 1950. I then it would be fitting to give my choices for the best songs of that year and which song I thought was the best of all for 1950. Of course you will know my love and respect for the late great Les Paul. With Mary Ford on vocals he gives his own special take on classics like Tennessee Waltz and How High The Moon.
The Fat Man is terrific early rock and roll. Fats Domino rises above the pack to give the music world a sound so unique at the time.
Rollin' Stone is Muddy Waters at his cheeky best. Smart, self assured blues guitar that thumps like thunder and crawls like a hound dog as each story is told with realistic emotion.
But my choice for best single of 1950 is the beautiful and haunting Mona Lisa by the beautiful and talented Nat "King" Cole. I first heard this song as a seven year old boy. Even back then I was captivated. It is such a perfect tune. What more can be said than that? It deserves all it's accolades if only because of the spot on voice of it's late singer. Using the metaphor of Da Vinci's famous painting, the song tells of a mysterious woman, little of which is known due to the fact that she "hides" herself away.
Another "lovely work of art" by the great master. That's Nat, not Leonardo.
Good listening.
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The best of 1950.

April 12th 2010 03:52
Today I look back on the wonderful music of 1950. The early rock and roll songs are so intriguing. The "singing" guitar of Les Paul is something of a trademark of the times. It's distinctive sound is perfectly completed by the charm of Mary Ford's voice.
Charlie Parker's jazz instrumentals of this year are beautiful pieces; simple and captivating. The glide smoothly and faultlessly into the ear; each bar a work of art itself.
Also this year, the songs of Hank Williams, haunting and honest; The smooth sound of Nat "King" Cole, and the always entertaining Louis Armstrong and Ella Fitzgerald. They duet on "Dream A Little Dream Of Me". It is one of the best collaborations of all time. Both sound as if they were having so much fun; it's virtually a jam session between two of the greats. Armstrong's improvisation proves, as always, to be miles ahead of some of the arranged music of his contemporaries. He was 52 years old when he recorded this song. He just kept getting better.
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Remembering the roots

March 30th 2010 12:39
How much do the stars of today owe to the pioneers of rock and roll? It's long been known that "The Beatles" were influenced by Chuck Berry and Buddy Holly. That fact is evident in the Fab Fours early recordings, many of which were covers of late 50s, early 60s gems.
"The Rolling Stones" took their name from a Muddy Waters song. The blues legends influence can be heard in the works of Clapton, Jeff Beck and Kurt Cobain. The young Jagger and Richards certainly had a good listen to Waters edgy, risqué lyrics before writing their own chapter in boundary shifting music.
Yet later "musicians" and "stars", tend to name Michael Jackson as an influence, followed by Madonna and Prince. But should they be giving more credit to the men who pioneered and paved the way. You only have to listen to a Bo Diddley record or watch an old Chuck Berry performance to appreciate that without them there would be no Prince.
Michael Jackson grew up listening to The Supremes and The Drifters, as well as the lesser known Orioles (from Baltimore of course) and The Dominoes. Yet rarely do modern day popstars mention these bands as indirect influences. That's unfortunate, because The Orioles, The Dominoes and The Swallows pretty much invented the break up song. A great debt of gratitude is owed to these men and women. If only because they knocked down the racial barrier with mind blowing riffs and well written melodies.

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