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The Kinks...crumbs

July 25th 2008 12:10
English popular music hit a peak in the 1960s, with unprecedented and near unrepeated success in the lucrative and highly influential American market, a phenomenon that became known as the ‘English Invasion’. One of the most influential bands of this movement were The Kinks, who were led primarily by the brothers Ray and Dave Davies. The Kinks, as part of the ‘English Invasion’ became highly successful in America in the 60’s, touring almost continuously before being somewhat mysteriously banned from re-entering the U.S. for a period of four years from 1965. It must have been such a devastating blow for the band, being very much a part of the social upheaval of the time. America was the place where it was all happening and to be excluded from this has proved, with the benefit of hindsight, to be a particularly harsh punishment.

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Following their exclusion from America The Kinks’ music became increasingly insular and anglicised and actually as a result far more interesting. While all of their peers from the British R&B scene busy aping American music The Kinks went on to deliver a catalogue of well-observed, slightly eccentric invocations of British society in a time of great social change, their music acting as a documentary of a time and place that really wasn’t served as well as it should have been. That is not to say that Ray Davies’ writing would have not reached the same heights had The Kinks been allowed back into America, but their lone documentation of British life helps to mark them out that little bit more.
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Ok, instead of reading all of the above (too late now) just listen to ‘Waterloo Sunset’ and try and recall such a beautiful evocation of a British scene in the popular music of the 60s or any age for that matter.


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The Velvet Underground...crumbs

June 18th 2008 10:49
‘ello there,
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Last time I proclaimed a desire to try and describe to you with due diligence the most towering musical achievements heard through my ears in the mere 25 years of their existence. Looking (hearing?) back a little further I’d like to write some on the wonder that is The Velvet Underground and if we are talking about The Velvet Underground then we better bloody well be talking about ‘Venus in Furs’. A song that I can only describe as a gutter-dwelling squelch of sound and words ringing heavy with overtones of drugs and sexual oblivion. But then this song is based on the novel of the same by Leopold von Sacher-Masoch, who’s writings coined the term ‘Masochism’ (what a legacy!) so what else can you expect. The song itself sounds like it’s from another world, dominated from the start by the scoring drones of John Cale’s viola and the blunt chopping of Lou Reed’s ‘Ostrich’ guitar, whose strings were all tuned to the same note (I think to H, they were that experimental, but then it was the 60’s).
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‘Venus in Furs’ was undoubtedly one of the high points of a relatively short history and short catalogue of albums, just 4, count ‘em. Numerous line up changes (and I would suspect lots of drugs) can’t have helped their output but they should be remembered as one of the most important bands of all, if for nothing then for ‘Venus in Furs’… oh and ‘I’m Waiting for the Man’ and ‘Heroin’ and ‘Candy Says’ and ‘Pale Blue Eyes’ and ‘I’m Beginning to See the Light’ and ‘All Tomorrow’s Parties’ and ‘White Light/White Heat’, oh and for being the coolest band ever…
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yes?
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Introducing...crumbs

June 13th 2008 07:47
Hklsjflk, , , , , jsalkdfjjj-kjkjkjkj- kkjkj... dig?
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Language degrades the truth of the world; to try and describe anything with a finite vocabulary (and mine is very finite believe me) can do nothing but dilute its true meaning; yet we keep trying. Is this one of the things that makes us human? We will always attempt to create language in order to explain the world. As a result of this, I too feel compelled to add a few of my own words, and in particular to talk about what I feel is the most affecting and prominent art from of all, music. It’s said Hendrix liked to talk about music in colours, I’m predicting that this blog will mostly be a lovely shade of brown (especially this opening gambit) but we shall see.
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At first I intend to talk in general terms about music, about those artists who create (and created) music that is absolutely vital. From there, hopefully I can expand my palette somewhat and start to talk about what is new and what is becoming as this alone is likely to put taps on my toes.
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ok
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