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Exclusive Clifford Hoad Interview - Kings Of The Sun

Sarah Steinberg has a brief chat with Clifford Hoad, drummer from Kings Of The Sun fame, one of Australia's most successful export bands of ALL time. Clifford answers a few questions about his career, what lies ahead for his music and sleeping on buses. An honest approach to some aspects of the music industry and the grainy, tiresome 'not so glamorous' side of being an international touring rock god!

Clifford Hoad - Drummer - Kings Of The Sun
Clifford Hoad - Drummer - Kings Of The Sun



Q: Firstly, Clifford, for your fans and industry that are wondering what you have been up to. What have you been up to since the late 90's and early 2000's and are you still actively creating and performing music?
A:"Well, that makes all of us because I'm wondering too !!! OK aside from trying to stay alive, I've managed to keep my love of music going. Starting with the making of the 4th Kings Of The Sun "Daddy Was A Hobo Man" CD which took quite a lot of soul searching. Eg. Trips to Byron Bay & disastrous relationship's activities which all ended in tears usually by me!  

Finding a new direction musically from the one we had just been on, was tough! This CD was shelved for 15yrs, unreleased until now, it goes to show how wrong you can be when one is too critical of their own music. This sparked The Rich & Famous new name, new attitude, new drum kit, new hair do, new girlfriend. I'm feelin' good now , it's all showing on the CD's. Stardom & Riches had eluded us, but we tried to keep living the dream which had been recreated by The Rich & Famous. 3 brilliant Hoad Brothers CD's later, I'm staring at my reflection in my cymbals asking "what was all that about!"


Clifford Hoad - Drummer - Kings Of The Sun
Clifford Hoad - Drummer - Kings Of The Sun and Foreground - Jeffrey Hoad - Kings Of The Sun Front man


Q:Looking back on your amazing career, as an entirety, what stands out the most that led to your ultimate success in the beginning, when was your first big break?
A:With a big smile and a laugh, Cliff replies, "Did we get one?"

Q:Besides Jeff, are you from a musical or talented family? what led you to take up music? and as a youngster did you always know you wanted to be a musician? Where did your main avenue/s of support come from when you were developing your career?
A: "Mum had a great voice, she never did anything with it but was very supportive with my drumming, protecting me from my over zealous maniac father who wasn't too keen on the noise, but as temperamental as he was, he had a great hippness to him & would tend to point out when things got a little too corny & safe. Thanks Dad, this contributed to my over the top drumming style. I can remember one day about 1965 wandering around with a group of kids with sticks in our hands on the stinking hot bitumen streets of Ultimo, Sydney, and I said "Lets form a band", someone had a tennis racket for guitar, another had a pretend microphone, & I chose the drums beating on an upside down dog bowl. It all happened so fast, I remember looking into the sky at the telegraph wires & having an eerie sense of knowing what I was to become, a drummer in a band. From that moment on, all questioning & anxiety about myself seemed to leave in receiving this information."

Clifford Hoad - drummer - Kings Of The Sun
Clifford Hoad - drummer - Kings Of The Sun


Q:As Kings Of The Sun, what is your creative process in writing and composition? Is there a certain style or rule that you stick to? What did you feel worked best for yourself and what was the quickest song you ever wrote to completion?
A: "Isn't that giving our secrets away? Like a magician, you have to find your own way as an artist.
Rules were, You must rehearse & keep on writing until something came up, no matter how stressful the situation! Very army, very disciplined. We called ourselves "The Cliff & Jeff Hoad Song Fighting Machine" even the love songs were written with this trauma"

Q: What is your personal favorite song that you have written and composed? And from your video clips, what is your personal favorite? What makes them your favorites?
A: "Drop The Gun from Full Frontal Attack says it all, great clip, great feel, tight but explosive, great message. I believed we peaked on that track. It did stay in the charts dribbing & drabbing for over 6 weeks until it fell from grace. It should of been our "Highway To Hell". I remember hearing it on KROC radio driving along Pacific Coast Highway, out at Malibu in my Roadrunner thinking "Oh my god! We've made it, its gonna happen" & then I ran out of fuel "

Q: Looking back at your time overseas and on the road touring? What was your favorite place of all? And what was it like touring? Was it draining? Emotionally taxing? What did you find the best strategy to cope with hard days on the road?
A: "A lot of my time spent overseas was in California out at Malibu. We had a little shack up in one of the Canyons, this went on for 6 yrs. This was my favorite place of all! It incorporated all the things that I loved. Surf, Jazz, Hotrods, beach girls, rock n roll with L.A. just 30 miles inland. A dreamers paradise for all those that never wanted to grow up

Touring was spent in buses finding it incredibly hard to sleep, eat, & shit. No privacy what so ever for months. I remember waking up one morning gasping for air, I was asphyxiating in my little bunk from heat & petrol fumes. The bus had pulled up on the side of the road overnight & everyone was still asleep at 10am in the morning including the driver. It was the worst feeling, of my life being taken out of my own hands! We had lost time getting to the next gig, so went the big anxious charge towards New York. Spinal Tap had nothing on this tour.

How did we cope, by amusing ourselves! I preferred to see how many breakfasts I could have without paying, half hoping I'd be caught & sent home. Nice character reference! Buses certainly break up bands! No wonder the bigger acts end up with a bus for each member, ho ho! I remember the story of John Bonham from Led Zepplin that Eddie Kramer told me of how he would travel behind the band bus in his new hotrod or motorbike.

If only I'd known, I would've done the same, but us drummers definitely need our sleep unless you fall victim to the endless drug supply that follows bands around."  

Q: Looking back on the entire music industry, from the 50's, 60's, 70's, 80's and through until now, the industry itself has changed quite a lot, from what it was and what it currently is. How do you feel it has changed and how do you think the digital age helps or hinders bands in promotion?
A: "I think bands have had it tough always, which I've never been able to understand, because music is so loved yet so much wonderful music is never heard, whole lives & careers never see the light of day. I have an incredible record collection since a young boy & 3/4's of the artists are unknown to the average listener. There doesn't seem to be any true appreciation for the people who did give their whole lives to learning an instrument & trying to put it all together. Sometimes not even knowing why they are doing it themselves, just driven to lighten the load of life & raise up peoples spirits. Speaking for myself, if I had my time again, I wouldn't be a musician, there's been good times but just too much sacrifice & heartache, so don't make my life in vain, enjoy the music, it came at a very high cost!"

Q: If anyone was to ask you, the one most important tip for an up and coming musician or band? From your own experiences what one tip would you give?
A: "You must live it, even if it means radical self doubt at times, don't expect others to be as excited about what your doing as you are, there not in your body, they will not understand your need to create & do the things that you need to do, to establish your individual self. From the way you look, to the way you behave, it all has meaning helping you to write. Get to a point where only you know what is good, without asking for others opinions. However they do at times count, but are secondary to the creator. If you don't believe in yourself, you can't expect others to and you will need those other important people to help you achieve your goals. God love them, for they need to believe in you big time!"

Q: Now, the big question for Kings Of The Sun fans...Do you have any upcoming plans that you can reveal? Either for Kings Of The Sun or for yourself. Upcoming releases etc.
A: "With the new technology, Facebook, websites, Youtube, Myspace etc.... is the only hope to reconnect bands with fans who have gone astray due to the old world of burn out & be forgotten.

Music that never left, can come back to life & ignite new interest, this is the power of music & to hell with it. With $20,000 extreme makeovers in Thailand being offered, I think there is every chance for Kings Of The Sun to return. All we need is $80,000 for 4 members, maybe a discount for rock bands. Seriously though, I'm off to Thailand tomorrow, I'm going to lead by example, I'll keep you posted   

You see, I'm going to have to do this to continue with my own Rock N Roll fantasies. I've recently written an album of songs that I needed to write. All included on, wait for it! the words of tragedy, MY SOLO VENTURE! which I hope to record in completion next year. Learning the guitar has been a lot harder than I expected, but I'm loving it & some great songs have been written."

Q: Where can your fans find more information online? Can media contact you at this same place? Do you have a website, youtube, facebook, myspace etc.
A: "People can speak directly with me on my Facebook Fanpage, look forward to hearing from you, come on, make my day!"

Clifford Hoad @ Facebook

Official website

Clifford Hoad Youtube Channel

clifford hoad, hoad brothers, kings of the sun
Clifford Hoad - Drummer - Kings Of The Sun


And a big big Thank you to Sarah A true patron of the arts. Your interest & support creates a foundation for any artist to thrive & keep on writing new music. All musicians need this security blanket which only comes from someone like you Sarah Steinberg making it all seem worthwhile, I applaud you, without visionaries like yourself, it just doesn't happen. Thanks for the interview.

Clifford Hoad -

Kings Of The Sun/ The Rich & Famous.
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Clifford Hoad Kings Of The Sun upcoming interview

Best news, just confirmed.

There will be an upcoming interview to be posted here with Clifford Hoad from Kings Of The Sun.

Australia's most successful export band of all time.

Until the review is posted, you can check the guys out here.

View Kings Of The Sun

Genre: Rock
Location: Queensland, AU
Website: Official Kings of the Sun
Type of Label: The Rich And Famous

Discography - Kings Of The Sun
Ressurection - Mushroom - 1993
Full Frontal Attack - RCA - 1990
Kings Of The Sun self titled - RCA - 1988

Discography - The Rich And Famous
Daddy Was A Hobo Man - 2011
Stand Back.. Prepare To Be Amazed - 2007
Like A Superstar - 2006
The Rich And Famous - 2003
Airborn Love Spirits - 2003

Clifford Hoad - originally started The Young Lions in 1981 with his brother Jeff and Bob Spencer (ex Finch & Skyhooks).

The band went on to become 'The Kings Of The Sun' which became one of the most talked about, and loved, hard rock acts Australia has ever produced internationally.

The band signed to Mushroom Records with their first release "Bottom Of My Heart" which enjoyed chart success, music clip and an appearance on countdown in 1986.

On the strength of their exciting live act, Kings Of The Sun were signed to RCA Records, New York by Simon Lowe for 4yrs in 1987 making their classic debut 1st LP self titled Kings Of The Sun produced by Eddie Kramer (Hendrix, Zepplin & Kiss). Included were the singles and videos, 'Serpertine and Black Leather' (which was banned on MTV for being too risque).

Strong chart success, a USA tour followed by a European tour with KISS in 1989, strengthened their profile and secured their place amongst the rock and roll heavy weights.

Living in Malibu Beach California, the Hoad brothers Cliff and Jeff set out to write their 2nd L.P in 1990, Full Frontal Attack.

2nd L.P, Cliff say's is their finest!, boasted 2 singles.
1st 'Drop the Gun' , a rock n roll classic held position in the charts for 6 weeks teetering on the edge as RCA Records closed their doors in a corporate take over by BMG Records.

2nd 'Lock Me Up', Bad timing still didn't dim their blazing light as U.S and Australian tours followed. Strong enough to be granted a 3rd LP from BMG Records, New York.

Ressurection, their 3rd L.P, their final statement. An excellent and now hard to find CD was never released in the U.S.A. They returned to Australia in late 1993 and released a single and video 'Road To Nowhere' and a 2nd single 'Trapped Inside Your Heart'.

Australian tour with Jimmy Barnes in 1996.

Cliff and Jeff recorded 4th LP unreleased!

Toured with Sammy Hagar in Australia, in 2000, for the KINGS final hurrah.

Exhaustion and recovering from a near fatal car accident in 1999 caused Cliff a long needed lay off until 2002.

Enter, The Rich And Famous, collabrating with brother Jeffrey Hoad, they produced 3 cd's, all great, and uplifting, rock n roll contributions, adding to their already full bag of tricks and musical history.
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Door deals and GST

When I first started my business many years ago I was oblivious to door deals placed on bands, but I quickly learned the hard and fast way.

Being a business that does OK financially, it is registered for GST (Goods and Service Tax)

Wanting to run my business to correct and fair way at an ATO level, one issue that I found amazing was...and worth a good thought...Door deals and venues.

A band performing in a venue is a service? Correct? and could almost be classed as Goods, as music is regarded as 'product'.

Therefore, literally speaking, GST would need to be forced on to door deals if the business running the event is registered for GST. Which comes another issue in my eyes.

A door deal is obviously for most part administered by the venue to the band. IE..."Yes, you can play here but you will need your own person on the door to collect money from the patrons and then, we as the venue may or may not take a cut out of that deal. EG...Venue will Take $4 per entry from a full entry amount of $7 per person.

Now, does that not mean we as business owners running door deals are forced to charge GST on each entry amount? Which I found quite disturbing that theoretically, the entry cost plus GST has to be placed on to the consumer...your punters or fans.

It was a reasonable query that I researched in to and yes, it is fact, a band is a service, their music is the product, therefore, any business registered for GST and running door deals does need to add the cost of GST on to the patrons, now that stinks and is another issue I found in venue to band door deals...placing the responsibility of funding on to the patron and even enforcing GST on to that cost.

GST in Australia is 10%, so for a door deal to be run by a business registered for GST, the entry price for example would not be $7, it would actually be $7.70. Then classed as earnings for the business taking the door deals, the final GST amount would then need to be paid to ATO for your BAS statement.


So, if GST registered business on door deal makes $7 per entry and is charging their GST, but venue takes their $3 or $4 cut from that...then...the venue is making free money and theoretically, the GST would have to be charged again to the venue on the money that the venue takes from your earnings...profit and loss...but this does not happen.

If you are not registered for GST then this would not relate to yourself, but this is a topic I have never seen enforced on standard door deals. Ticket sales, yes, but not door deals, it is one issue that is constantly overlooked.
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venues verses bands

I am constantly left wondering about the situation of the music industry here in Australia. I am not writing about majors or large scale stadiums..I focus this post on unsigned acts, acts without management, publishers or the like and the smaller scale and mid scale venues.

There seems to be a cycle to which there is no conclusion nor no outright immediate fix. I do not hold judgments, grudges maybe, yes, but I am in no position to place judgment or to ask who is to blame in the below issue as I believe that everyone, venues and bands are to blame in some form, unprofessional and even rude acts giving venue owners a bad experience and vice versa.

The big kick in the backside for the venues is that instead of working on and in their business, their venue and marketing and advertising it, they place unrealistic demands on the bands, and as logic would say, there are only a small percentage of indie acts that can pull enough punters in to a small venue to not be an embarrassment to both venue and band. So if a band says they can pull 180 and only 17 turn up, don't feel ripped off or used, that's reality...you need to work at your venue popularity and quality of acts to pull the numbers you want. If you are not getting the patron numbers you want, then consider actually paying for acts with a name that have a following.

So what comes first? The Chicken or the Egg? No one Knows...

I believe that...no venue should expect any miracles from a small local indie band and then be offended when it does not go to plan, this happens more often than not and seriously, venue owners and managers, if you cannot work on advertising and marketing your own venue, then you certainly cannot expect a miracle band to come in and patch it all up for you in one night, this is unrealistic and totally unfair.

As for the bands, most bands I have come across and most venues for that matter have been great to work with and professional, but then, I have worked with mid to high tier acts. I have seen some utterly embarrassing things done by bands while performing in some other persons venue, using the venues equipment, like..for example...using the venues microphones and swinging them around by their cord, or abusing venue equipment, stuffing with the levels on the mixer if it set correctly in the first place, abusing venue drum kits and cymbals, seriously, it may not be yours but have some respect if this equipment is being lent to you out of good will and trust...do you really think the venue owner appreciates this abuse of his or her gear?

Don't do this stuff out of spite either...you're not the only band. Doing this kind of thing will only leave a bitter taste for other bands going in to that venue after you.
Tantrums when you don't get a rider after pulling 8 punters...however it goes...just grin and bare...there is no need to have a hissy fit and make things even worse.

There are more topics that surround this fact and it can go and on as to why venues have pay to play, play for free, BYO crowd, percentage of bar and on and on.

There are good business people who can handle good and bad deals the right way without showing offence...then there are the not so good business people who are maybe in the wrong industry...If you cannot handle bad deals then don't be offended by them, just say thanks but no thanks and walk away. In these instances we all must learn to walk away with it as a learning curve..not to add damage to an already battled industry.

In Victoria alone there is something like 30,000 bands, unsigned and hungry, this figure does not include soloists or cover bands who get paid a fortune sometimes thousands to perform other peoples songs. Some bands for the long serious international haul, some happy for a few gigs locally.

In Melbourne there is also stream after stream of venues, in some areas you can't walk five shops without seeing a venue, it is also majorly over saturated with small venues.

From the largest stadiums to the smallest venues that maybe should not be in operation, this all adds to the strain of gaining punters, why would a punter spend $7 on a door deal to randomly see a band they've never even heard of when they can walk 50 or 100 metres and get in to a venue for free...the massive choice for your punter is endless.
Only a small percentage of your immediate demographics are genuine punters.

Then for both venues and bands, you both have a new competitor now and it is one that would be near impossible to dodge or beat, and that competitor is the digital age itself.
This blame cannot be placed on to the bands nor the venues, it is a new fact of life and both venues and bands need to learn how to strategise their marketing around this topic.

Another massive competitor is street violence...and when you combine the two above competitors, you will realise that many people have an awesome option...and that is to stay at home, on the internet, order DVD'S, video games, home delivery pizza with their mates where they will be safer from random attacks. It all intermingles with the changing face of evolution as a whole and also the music industry at live performance level.

I have seen both sides, the venues side and the bands side. Many of the general public are also uninterested in supporting indie acts...see! the challenges are endless...

Sure! There are lazy venues that expect miracles at the hands of others, then there are lazy bands that expect miracles on the success of a venue...but in reality, it's this simple...

If a venue cannot afford to pay for a band and market the shows correctly, in either the face of success or failure, then I would presume that the particular venue is not financial enough to fund live entertainment.

Whereas, the band should not have burden dumped on them by the venue and should work as equally hard in marketing their gig. Don't just sit around doing nothing...how will people know you're on if you don't spread the word?

If a band is happy to do door deals or percentage of bar then, that's great and many bands are happy to do this as a first option in getting their first live gigs, and some venues are happy to offer these services and at a fail or success there may be no damage done to the venue...and there are venues set out that if it is a bad night, there will be no loss...

Either way..bands, if you don't want door deals or pay to play or play for free then simply, don't do it...you're not forced, so don't do the gig, have a bad night then complain...and venues, on the other hand, don't hold payments from bands because of patron numbers, that stuff is nasty.

If the night goes well for that parties, then awesome...you have just developed a good working relationship and a mutual respect. If the night is a disaster, then be rational about it, even from a disastrous night, if handled the right way, things may still be patched up, but...if either party finds themselves in an abusive situation, and yes this does happen, then you need to realise that the abuser is not a professional in his or her chosen field and their name needs to be kept on your "to remember" list for next time.

Sadly people do clash, but, in all, music itself and venues are both businesses, and the people in them should treat it as such.

If you don't like what you see then don't go there, if you feel like there may be a risk of loss then don't book.

bands and venues should also really settle dates on agreement as well...not verbal. This will help to leviate proof in issues of payment or other matters.

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The Medicine Show @ Bucca Hotel

The Medicine Show @ Bucca Hotel
Dec 4 from 1pm.

The Medicine Show @ Bucca Hotel, Dec 4, 2011 from 1pm.
The Medicine Show @ Bucca Hotel. Dec 4, 2011 from 1pm.


Top 30 charting band The Medicine Show will be performing at Bucca Hotel in support of their label signed world wide album launch in their only Australian live show. December 4, 2011 from 1pm.

date and Time:
December 4, 2011 from 1pm.
Venue Address:
Bucca Hotel - 5 Nth Bucca Road, Bucca, QLD, 4670.
Venue Phone:
07 415 78171
Venue website:
www.buccahotel.com
Venue email:
buccahotel@bigpond.com
Email band management:
bandmanagement@mmapp.com.au
View The medicine Show here:
Really Long Link
The Medicine Show at Facebook:
Really Long Link

Register your attendance here:
Really Long Link

Press
Media release excerpt – August 24, 2011


Born and bred in Brisbane, Australia, The Medicine Show (comprised of front man, singer and guitarist Harry Gilbeys, bass player Scotty “Burnin’ Log” Dawkins and drummer Christian “Dog Boy” Puglisi), conjure images of a stomp through the swamp, complete with gaters and 12-guages, undulating rhythms and heavy, growling prose; a hybrid of traditional blues and folk formulae in a lyrical, contemporary context. Gilbeys said “I’ve learned over time that I need music to live. It’s crap. Seriously, I would prefer it if I could simply be a tradesman and have that be my thing, but unless I am in a band and writing, I get physically sick. I need it as a creative outlet.”

The Medicine Show, who have recently been signed to the Valleyarm Digital record label, are indeed a force to be reckoned with, and the upcoming release of their first single (a cover of ‘Bad to the Bone,’ the very song used to underscore Arnie’s bad-a** bar-clobberin’ in Terminator 2: Judgment Day) is a fiery burst back into the Australian and International music scene.

As a supporting act for bands such as Wolfmother, Beasts of Bourbon and Nashville Pu*sy, The Medicine Show gained an enthusiastic fan base across several continents; however, their stance on their home turf remains comparatively smaller.

Each member has grown within vastly different environments. Gilbeys speaks of his time on the streets and his subsequent career as a Youth worker, both of which inspired him to create – largely as a means of distraction from the detrimental effects of, what is famously renowned as, draining and emotionally taxing work. The music, however, is what brings the eclectic trio together – embracing a unique style that draws from the visceral, raw elements of blues, country and rockabilly music that rests on a classic folk and engaging lyrical sensibility.

So, tighten your boot straps. The Medicine Show are here to stay, and deliver a sound not easily forgotten.
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29
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The Medicine Show @ Bucca Hotel

The Medicine Show @ Bucca Hotel
Dec 4 from 1pm.

The Medicine Show @ Bucca Hotel, Dec 4, 2011 from 1pm.
The Medicine Show @ Bucca Hotel. Dec 4, 2011 from 1pm.


Top 30 charting band The Medicine Show will be performing at Bucca Hotel in support of their label signed world wide album launch in their only Australian live show.


Date and Time:
December 4, 2011 from 1pm.
Address:
Bucca Hotel - 5 Nth Bucca Road, Bucca, QLD, 4670.
Venue Phone:
07 415 78171
Venue website:
www.buccahotel.com
Venue email:
buccahotel@bigpond.com
Email band management:
bandmanagement@mmapp.com.au
View The medicine Show here:
Really Long Link
The Medicine Show at Facebook:
Really Long Link

Register your attendance here:
Really Long Link

Press
Media release excerpt – August 24, 2011


Born and bred in Brisbane, Australia, The Medicine Show (comprised of front man, singer and guitarist Harry Gilbeys, bass player Scotty “Burnin’ Log” Dawkins and drummer Christian “Dog Boy” Puglisi), conjure images of a stomp through the swamp, complete with gaters and 12-guages, undulating rhythms and heavy, growling prose; a hybrid of traditional blues and folk formulae in a lyrical, contemporary context. Gilbeys said “I’ve learned over time that I need music to live. It’s crap. Seriously, I would prefer it if I could simply be a tradesman and have that be my thing, but unless I am in a band and writing, I get physically sick. I need it as a creative outlet.”

The Medicine Show, who have recently been signed to the Valleyarm Digital record label, are indeed a force to be reckoned with, and the upcoming release of their first single (a cover of ‘Bad to the Bone,’ the very song used to underscore Arnie’s bad-a** bar-clobberin’ in Terminator 2: Judgment Day) is a fiery burst back into the Australian and International music scene.

As a supporting act for bands such as Wolfmother, Beasts of Bourbon and Nashville Pu*sy, The Medicine Show gained an enthusiastic fan base across several continents; however, their stance on their home turf remains comparatively smaller.

Each member has grown within vastly different environments. Gilbeys speaks of his time on the streets and his subsequent career as a Youth worker, both of which inspired him to create – largely as a means of distraction from the detrimental effects of, what is famously renowned as, draining and emotionally taxing work. The music, however, is what brings the eclectic trio together – embracing a unique style that draws from the visceral, raw elements of blues, country and rockabilly music that rests on a classic folk and engaging lyrical sensibility.

So, tighten your boot straps. The Medicine Show are here to stay, and deliver a sound not easily forgotten.
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19
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The Medicine Show reach iTunes charts on eve of single release.

The Medicine Show through their label released single, Black Betty exclusively to iTunes on September 7, 2011.

The single reached position 30 in the Australian Blues Charts on iTunes within the first 24 hours of it's release. Entering the charts at position 31 and then bumping up to position 30 of the daily charts for September 8.

This was great news to all who had been working on the album and the entire release project. Now the band and label are excitedly waiting for the next few days and the songs charting progress.

Black Betty was The Medicine Show's debut single release, so, reaching the charts within a few hours of the songs release was the greatest outcome for The Medicine Show's tireless efforts and a bold statement to their quality of music.

Long before Black Betty was released there were expectations and plans for international success, and landing such a great position in the iTunes charts at such an exceptionally rapid pace has only enhanced the drive and knowledge that the band is on the right path with their plans.

The Medicine Show consists of
Harry Gilbeys - Principal song writer, front man, and guitarist
Burning Log Dawkins - Bass
Dogboy Puglisi - Drums

If you would like to know more about The Medicine Show, view images, watch their music videos you can at this link.
The Medicine Show promo page

You can track The Medicine Show's chart progression at this link.
The Medicine Show chart rankings.

You can view The Medicine Show chart standings at this link.
The Medicine Show chart info for all time.

You can listen to a sampler and purchase single from this link.
Go to iTunes page for Black Betty.

itunes, music charts, the medicine show, black betty, music release, latest music release, single release
The Medicine Shows single, Black betty - cover artwork.


the medicine show, black betty
From left to right - Dogboy Puglisi - Drums, Harry Gilbeys - front man, Burning Log Dawkins - Bass

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The Medicine Show release single 'Black Betty' Sept 7, 2011 via iTunes

The Medicine Show's anticipated single 'Black Betty' will be released via iTunes on Sept 7.

As an early release and prequel to long awaited album due for launch coming in late 2011 also via iTunes.

View and purchase the single, Black Betty by The Medicine Show at Black Betty single by The Medicine Show @ iTunes

View The Medicine Show at MMAPP
The Medicine Show promo page

Contact management at Contact The Medicine Show management

the medicine show, black betty, music charts
The Medicine Show release single, Black Betty. Exclusive to iTunes worldwide.


The medicine show
The Medicine Show - Major expectations for the international scene
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Friday 15th May @ Route 31, Dandenong, Vic, Aust

This Friday will be a great night for Route 31.

With an incredibly gifted line up of acts for the night.

Doors open at 8pm

9pm - Bad Co Experience
10.30 - Twin Lizzy
12.00 - Last Chance (Covers Band)

Strictly over 18s only
$10 Entry - All money from the door is the bands wages 100%

Nicely priced drinks as well.

So, as usual, get the proverbials moving in youre in the area and come and rock it out with some very cool bands.

Every Friday from 8pm

31A Langhorne St, Dandenong

www.myspace.com/clubroute31




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Mark Cashin & the Lil Hussy's @ Route 31, Dandenong, April 24

Simple and to the point..

Catch Mark Cashin & the Lil Hussy's before they head to U.S.A for tour.

Friday April 24
Mark Cashin & the Lil Hussy's @
Route 31

Doors open 8pm
9pm - Sleeplever
10.30pm - Zeptepi
12.00 - Mark Cashin & the Lil Hussy's

31A Langhorne Street, Dandenong
Victoria
Australia
3175

Over 18's event
$10 entry
Casual dress

http://www.mmapp.com.au
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