Mike Crowl

Dunedin, NEW ZEALAND


Joined December 25th 2006

Number of Posts:
804

Number of Comments:
435

Karma:
10



About Me
I've been a journal writer and a blogger for several years - on and off. I've also published articles in 'real' newspapers and magazines, and am working on doing more publishing in the e world.

Blogs

Mike Crowl's Blogs

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Blogs I Follow

Recent Posts

GP Specialist Training

May 11th 2012 02:32
I used to work in what I thought was quite a pressured situation, a public office where we handled inquiries about people's electricity accounts. Several phones might be ringing at once, and you'd have irritable people at the counter demanding to know why their account was so high...when they never turned the heater on...!

But all this pales into insignificance when I look at the written examination for GP speciality training at stage three. The GPST stage 3 requires you to imagine a situation where you have to be at a certain place by 3 pm - and you can't miss this appointment. It's now 1 pm and the following situations have to be prioritized, and your justifications for prioritizing them in this order needs to be stated, in a reasonable amount of detail.

A. One of your female patients has dementia and severe Parkinson’s disease. Her son has travelled two hundred miles to meet with you. He is waiting to discuss his mother’s future care.
B. You overhear a student nurse repeatedly shouting at a demented patient in the bed next to the nursing station where you are working.
C. The oncology nurse contacts you to inform you that one of the patients who is neutropenic has developed a temperature of 40.2 degree centigrade. {I'm not even going to try and explain what neutropenic is, because, as a GP doing this kind of training, you should know!]
D. The ward nurse-in-charge informs you that a patient who was diagnosed with multiple pulmonary emboli two days ago is refusing to take their Warfarin.
E. You receive a text message from a colleague, whom you are due to hand over to, informing you that they will be late for their shift again (this is the third time in three weeks), and asking if you will cover them.

As a layperson, I'd probably tackle the easiest first, like telling my colleague to pull his finger out, or giving the nurse in the next nursing station a boot up the backside. Neither of these is probably PC enough for the exam, I suspect, but at least they might relieve you quickly of two issues (and relieve your frustration). I'll leave you to decide how to deal with the other three, but the one that would most concern me (and this is just me) would be meeting up with the son who's travelled 200 miles.

But I'm not taking a GP exam and not likely to be, so I won't even be looking at the GP application which requires me to fit criteria that's way outside my experience.

GP recruitment is a huge undertaking in the UK, especially in the specialist area, so it's not surprising that an exam like the one I've detailed above is part of the application process. There's also an exam that comes before the one above, and that tests empathy and communication and other similar skills. It has two sections, one of which is related to an everyday practical matter - it's management, in fact - and the other more specifically to diagnosis.

This first test is interesting in that it could apply to any person who has to make decisions that affect a number of people. In fact it's a test that a few people who serve behind counters could well take to show whether they really have the skills to do the job they're doing. But that's another story!
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Fanny Kemble on Acting

May 10th 2012 01:49
I'm reading a book called Techniques of Acting, by Ronald Hayman, at the moment. In discussing various ways in which actors approach emotion and technique, the author quotes the 19th century actress, Fanny Kemble:

Fanny Kemble
The curious part of acting to me, is the sort of double process which the mind carries on at once, the combined operation of one's faculties, so to speak, in diametrically opposite directions; for instance, in the very last scene of Mrs Beverley, while I was half dead with crying in the midst of the real grief, created by an entirely unreal cause, I perceived that my tears were falling like rain all over my silk dress, and spoiling it; and I calculated and measured most accurately the space that my father would require to fall in, and moved myself and my train accordingly in the midst of the anguish I was to feign, and absolutely did endure.

It is this watchful faculty (perfectly prosaic and commonplace in nature), which never deserts me while I am uttering all that exquisite passionate poetry in Juliet's balcony scene, while I feel as if my soul was on my lips and my colour comes and goes with the intensity of the sentiment I am expressing: which prevents me from falling over my train, from setting fire to myself with the lamps placed close to me, from leaning upon my canvas balcony when I seem to throw myself all but over it.

From page 24.
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Hitchcock and writing

May 9th 2012 22:57
In Patrick McGilligan's excellent book on Alfred Hitchcock and his films there's an interesting passage on the way Hitchcock worked on his scripts. Hume Cronyn, an actor who appeared in some of Hitchcock's movies, was also a writer, and was working on the script for a film when Hitchcock kept interrupting what seemed to be a vital creative moment with an infantile joke.

One day, Cronyn asked the director challengingly: "Why do you do that?"

"Do what?" asked Hitchcock.

"Stop to tell jokes at a critical juncture."

"It's not so critical - it's only a film."

"But we were just about to find a solution to the problem...I can' even remember what it was now."

"Good. We were pressing...You never get it when you press."

Cronyn said later that he never forgot "that little piece of philosophy" Hitchcock
hitchock's films mcgilligan
offered, "either as an actor or as a sometime writer." Or another tidbit Hitchcock disgorged one day, during an argument about a story point. Seizing a pad and pencil, the director sketched a circle.

"This is the pie," Hitchcock said. "We keep trying to cut into it here." To illustrate, he carve a wedge into the circle's perimeter. "What we must try to is this - " Hitchcock said, his pencil racing around to the oppostie side of the circle and digging out a different wedge.

"What does that mean?" asked Cronyn. "Turn day into night? Colour into black and white?" Change our antagonist into our hero?"

"Maybe," answered the director. "What we're doing is so...expected. I want to be surprised."

These two pieces of advice are well worth bearing in mind for any writer. Don't get so strung up on the solution by pushing at it, and always keep your reader guessing. From page 403
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Memorization

May 3rd 2012 00:41
Joshua Foer
The following quotation is from a book on memorization that I'm reading at the moment - Moonwalking with Einstein, by Joshua Foer. I've read quite a few books on memorization over the years, and have practiced memorizing poems and Scripture quite a bit, so the subject always interests me. Some of Foer's material is very familiar, but he presents it in an interesting way, in a narrative form, with some intriguing characters, including the 'Ed' mentioned below, who's one of the world's champion memorizers.


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Advertising the musical

April 25th 2012 20:12
The musical I've written, Grimhilda!, opens tomorrow night at the Mayfair Theatre in Dunedin. It's been a long road, and an especially busy one this year, when I've not only been continuing to work on the music (updating material that needed resorting because of production requirements) but running around finding people to do this job or that, and spending a lot of time on advertising, a job I haven't really done much of before (apart when I was in the bookshop). Advertising is quite a skill, and I've learnt quite a bit!

We've made use of every avenue we can think of, and rejected some that didn't seem suitable for our show. This morning I'm off for a brief interview on the radio (part of the package they offer) and, as well, this morning's paper has a feature article on the Arts page on the musical. This is quite an achievement, since it's often difficult to get a feature there, so I'm grateful for contacts I've had within the paper through being one of their book reviewers for many years


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I don't know about you, but the phrase non-profit organisation always seems to me to indicate that you won't get paid. In fact, there are actually plenty of nonprofit jobs (or non profit jobs, depending on how you like to put those two words together) that pay very well.

With titles like President, CEO, Finance Manager, Director, you can guarantee that these won't be jobs that pay peanuts. In fact some people spend their whole working lives in nonprofit careers
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Donate your Desktop

April 9th 2012 03:49
Here's an interesting idea: advertising on your computer that doesn't cost you anything, but still contributes income to four different charities.

A new site called Donate Your Desktop asks you if you'll allow advertising on your desktop - instead of the usual wallpaper you'll have there. Currently the system is only available for New Zealand users


[ Click here to read more ]
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Auckland online

April 6th 2012 07:43
A few years ago I was in Auckland, and spent some time at the Auckland Art Gallery, which has a most intriguing collection - very eclectic: at least what I saw on show was.

Now to my delight I've just heard that the Gallery is online in the Google Art Project.
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I recently read Hannah's Child, by Stanley Hauerwas, the American theologian. A very quotable book: here are some from early in the book for starters.

1. Charles Taylor has characterized "our age" as one of "exclusive humanism." God is a "hypothesis" most people no longer need - and "most people"
stanley hauerwas
includes those who say they believe in God. Indeed, when most people think it "important" that they believe in God, you have an indication that the God they believe in cannot be the God who raised Jesus from the dead or Israel from Egypt


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We Agnostics

March 7th 2012 20:54
My mother owned the book this quote comes from: it had been on her shelves for years before I got round to reading it. Basset is a Catholic (Jesuit) priest, and wrote a number of very readable books on theology for laypeople.

We Agnostics - Bernard Basset SJ - chapter 2


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Recent Comments

Comment by Mike Crowl
on Staying the Course

February 24th 2012 20:53
Thanks, Peter. You'll note that this post was written a couple of years ago - the course has been finished for a few months, and I've been doing supervision on a modest scale first as a trainee supervisor, and more recently as a certificated one.

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Comment by Mike Crowl
on Jim Wallis writes....

December 9th 2011 02:31
Don't know that it would make much difference to some of them. If they can't hear the Gospel, why would they listen to Karen Armstrong?

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Comment by Mike Crowl
on On creativity

November 8th 2011 19:13
So do you write songs or poetry?

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Comment by Mike Crowl
on Strange comparison

October 24th 2011 03:22
I never really read Tintin much at all, although I saw the books occasionally.

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Comment by Mike Crowl
on Retweeting

September 3rd 2011 04:55
Well, one week later, roughly, and my retweet rank has gone up from 879, 443 to 608,945 without me doing anything in particular...!

Now up with the 82.84 percentiles.

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Comment by Mike Crowl
on The Rhetoric of Fiction

July 23rd 2011 07:36
I don't remember points actually sticking, Dan, but I guess on my part they got infiltrated into the system somewhere!

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Comment by Mike Crowl
on The Rhetoric of Fiction

July 21st 2011 22:28
Thanks for your comments...I think I'll have to go back to Rhetoric of Fiction and see what it says to me now after a gap of 20 years...!

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Comment by Mike Crowl
on Chromebook

June 22nd 2011 21:07
Thanks for that info....I'll check it out.

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Comment by Mike Crowl
on Staying the Course

April 1st 2011 22:50
Hopefully, our 'supervisees' will be cooperative as they're there for their own good...!

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Comment by Mike Crowl
on Janet Frame quotes

March 22nd 2011 00:22
I hadn't heard of Maynard Ferguson, so I had to go and look him up. I've included a photo for comparison.

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