Leah Carri

AUSTRALIA


Joined December 11th 2008

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Thank You for Smoking

December 11th 2008 05:55
Thank you, Jason Reitman, for writing and directing this film. I hope you won’t quit anytime soon.

Based on the Christopher Buckley novel of the same name, this satire on the tobacco industry is one of the smartest movies I’ve seen in ages.

Everyone knows cigarettes are bad for you, even the people selling them know it. But despite the knowledge that there are 1,200 smoking related deaths in the world every day, they still have to convince people to buy them. You’d have to have pretty flexible morals to do that job.

Enter Nick Naylor, a spokesperson for Big Tobacco, a man who can talk his way out of anything.

The film follows Nick as he appears on talk shows with cancer victims, bribes the dying Marlboro man, attempts to get cigarettes back on the silver screen, gets kidnapped by anti-smoking activists and takes on a government senator who’s determined to have a skull and cross bones emblazoned on every cigarette pack. He’s great at his job, and like everyone “has to pay the mortgage.”

As these events unfold, Nick is closely observed by two people – attractive and ruthless young journalist Heather Holloway, and his son Joey, who he somehow manages to be a role model for.

Nick also meets The MOD (a.k.a. Merchants of Death) Squad for weekly dinners. The other two members are Polly, who speaks for alcohol and Bobby Jay who does guns. They like to swap strategies and compete over whose product kills more people.

Nick is really the focus of this film and is played brilliantly by Aaron Eckhart, but the supporting cast, which includes Robert Duvall, William H. Macy, Katie Holmes and Rob Lowe, is perfectly chosen.

The script is razor sharp. Its snappy dialogue and dark humour will have you hooked.
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The Wind that Shakes the Barley

December 11th 2008 05:29
Winner of the prestigious Palme d’Or award as the 2006 Cannes Film Festival, Ken Loach’s The Wind that Shakes the Barley is powerful and moving.

The film opens with a hurling match between a group of young men in West Cork in 1920. Damien, played by Cillian Murphy, is a recently qualified doctor, firmly set on emigrating to England to pursue his career. His plan to abandon an Ireland struggling under British rule is met with mixed feelings.

The tone of the film changes quickly after the opening scene and remains harrowing throughout. Damien never makes it to London. A series of events – including the brutal murder of one of his friends by the Black and Tans leads him to change his mind and join the Irish Republican Army instead.

Loach has been accused of making an anti-British film but I found it to be fair in its depiction of brutality on both sides.

It doesn’t glorify violence of republicanism in any way; rather, it captures the struggle and desperation of the Irish, beaten down and humiliated by the Brits, and as far as the can see, left with no alternative but violence.

Set against the gorse covered West Cork landscape, the film’s raw and tragic story is played out by a fantastic cast.

Cillian Murphy is magnetic, while Padraic Delaney, Liam Cunningham and Orla Fitzgerald provide strong support. The quality of the performances in the smaller parts also adds greatly to the atmosphere of the film.

Depicting probably the bloodiest period of Irish history, The Wind that Shakes the Barley is violent and at times difficult to watch, but overall a powerful movie that shouldn’t be missed.
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The Devil Wears Prada

December 11th 2008 05:00
Watching The Devil Wears Prada is like flicking through a glossy fashion mag - enjoyable if you like drooling over designer clothes but not much else to it. A wonderful performance by Meryl Streep saves it from being totally forgettable.

Set in the cut-throat world of women's fashion, Streep plays Miranda Priestly, the feared and revered editor of New York's Runway magazine.

Despite her so-called "dowdy" appearance, and complete lack of interest in, or knowledge of, the fashion industry, wannabe journalist Andrea Sachs (Anne Hathaway) somehow manages to secure a position at the magazine as the assistant to Miranda's assistant. This is the first of many “would that actually happen?" moments in this film.

The script is similar to one of the crocheted creations of Chanel's Spring/Summer 2006 collection; it has a lot of holes in it. We're told that Andy is dowdy and overweight when she is clearly slim and very pretty. We are told that Andy gets paid pittance for her 16-hour days catering to Miranda's every whim, yet, despite suggested lack of time, resources and fashion sense, Andy transforms overnight into a perfectly coiffed and made-up New York fashionista wearing one designer rig-out after the next. Would an assistant to an assistant really get that much free stuff?

We're also told "a million girls would kill for Andy's job". Where were they? I didn't spot one ambitious girl with a weapon and believe me I was looking!

Even with a crocheted script and a pack of minions as co-stars Meryl Streep (God bless her) manages to rise above it and create an iconic character in Miranda Priestly. Her elegance, poise, expressions, her perfect diction and delivery - she is a remarkable actress. Watch it to see her, and to admire the frocks, but if you want a truly funny film set in the world of fashion, rent Zoolander.

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