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Easter weekend was a real cracker here in the South Island and a perfect time to take the suzuki out after it's post quake touch up. Where better to go than the Methven road racing! With the sun shing it was hot and that wasn't including the racing..
The racing was a real mix with bikes of different classes and styles and the tops were the super motad racing, flipping fast or what, but great to see it close up.
By now you would have all seen the news and the awful images unfolding.
I was at work on level 3 right opposite the CTV building and when the quake first hit, I thought 'Holy Crap, it's an 8! Jumping under my desk as everything shook like crazy. It appeared to eased off a bit so I got up and looked over to the CTV building as whenever there is a quake, the windows always wop in and out. Only this time as i was watching, the building collapsed right in front of me.
I can honestly say I thought our building was going to be next and it was pretty bad!! Took an 1.30 to get home too.
Last years quake was just annoying really but this has totally undone all the good work and also just smashed the city.
After over a decade of rumour, anticipation and spectacular sample footage, TRON: Legacy is finally here. The subject of every nerd’s neon fantasy is finally on the big screen. Disney have released the season’s 3D spectacular, but how does it fare?
Set, for the most part, 28 years after the original, TRON: Legacy begins in 1989 with Kevin Flynn (Jeff Bridges) speaking to his son about his latest creations. Promising to take him to the arcade tomorrow, Flynn disappears without a trace leaving behind a booming business and an angry son. 21 years later and Encom, the business in question, is more profitable than ever. On the eve of its most important launch, a shadowy figure infiltrates the building and launches the software for free. The invader is Sam Flynn (Garrett Hedlund), son of Kevin and the biggest shareholder of Encom, fulfilling what he believes are his father’s wishes.
Taking its time, the film brings the audience up to speed with the story in the real world before delving into the star of the show, the new and improved Grid world. And what a world it is! TRON: Legacy has taken the original’s architecture and brought it up to modern standards. With far more computing power at their disposal than the meagre offerings available to the creators of the 1982 film, TRON: Legacy’s visual effects and production design teams have surpassed themselves to produce a setting as visually awe-inspiring as the original. All the elements of the first film are recreated in a sleek new way. Light Bikes and Recognizers get overhaul, and the gaming arenas befit the evolution of real world gaming, but all that the audience holds dear about the original is present and improved.
Perhaps the cleverest affectation of TRON: Legacy is that it does not waste the magnificence of 3D on the real world. The preliminary storytelling of TRON: Legacy happens in 2D. It is only when the audience is transported onto The Grid that the 3D technology is used. This is an effective trick, making the computer world exist in a sort of hyperrealism, engulfing us in Sam’s experience. TRON: Legacy is a film that knows its strengths and uses them to inspire.
Clu (which stands for Codified Likeness Utility), the program counterpart Kevin Flynn created to assist him in forging a new digital world, is perhaps the most obvious example in which new world technology shines through. A younger version of Jeff Bridges, this motion-capture avatar is the cutting edge of current technology, and fits in perfectly with the film’s mythology. True, many will insist that ‘the young Jeff Bridges’ is neither lifelike nor credible, but for me, the visual representation of Clu in perfect yet imperfect terms only highlights the script’s representation of him. The audience knows Jeff Bridges is no longer in his twenties – the fact that Clu’s skin sometimes shines in a scene just goes to remind us that this digital dictator strives for something he cannot attain – perfection. That does not mean that Digital Domain have been unable to achieve the same goal.
With truly breathtaking visuals, the Grid is a geek’s wet dream and 80’s neon nightmare rolled in to one. It is the Matrix powered by Commodore-64s that have escaped and evolved to create their own wilderness. Obviously today’s technology has allowed for a complete overhaul, but that which the film delivers still raises it above today’s blockbusters, let alone the original film. The visuals stay true to the TRON legacy but provide the rounded production design that should see several visual effects awards heading to the Digital Domain team next year. The Light Bikes sequence alone is worthy of credit, but the true zenith of the film has to be the Light Jets scene in which neon aircraft spiral and dive over a digital ocean.
TRON: Legacy is not perfect. Like any blockbuster of this type, it sometimes suffers from style over substance. The story keeps it simple, but is still engaging. There is no real character development and the interactions between reconciled father and son are emotionally muted, as is a scene where Sam grunts out news of his grandparents’ deaths, while his father simply shrugs in an ‘it figures, after two decades’ way while mouthing the most banal of regrets (close family!). Some of the ‘programs’ are a bit OTT (Castor, Castor and Castor some more) and Jeff Bridges’ zen-hippie bullshit dialogue also starts to grate a bit (culminating in a sub-Obi-Wan scene in which he manipulates an evil program).
But for all this lack of lustre when you delve deep beneath the facade, TRON: Legacy is a rare thing – a sequel that betters the original. Unlike a Microsoft release, TRON: Legacy improves on its predecessor in all areas. Tron, despite being a landmark in visual technology and filmmaking, was elsewhere imperfect and at times, fairly dull. With some truly terrible dialogue, no characterisation and a plot and pacing that made its 95 minute running time drag past, the 1982 ‘classic’ was elevated by its original concept and spectacular visual delivery alone. Without these, the film would have sunk into obscurity.
TRON: Legacy is a film that deserves to be seen in the way Disney intended – on the biggest screen possible whilst wearing ridiculous glasses. Without such awe-inspiring, big-screen submersion, you could easily knock two stars from the rating. It’s not that the other facets of the film are bad, but one should not mistake why TRON: Legacy was made. Often cinema reverts to spectacle unsuccessfully, but in this case TRON: Legacy gets it right.
(net sourced)
Kiwiauthor rating: I have to say that although I agree with some points raised previously, I was disappointed with the overall movie, firstly it was in 3D, with very little 3D aspects to it, the movie and plot was slow and overall very average. Cmon Hollywood, drop the 3D fad and the charging the punters extra for sub standard viewing and colour.
Tron-Legacy 5/10
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4.30am on Sat 3rd Sept and I was awoken by the bed shaking, at first I thought, 'what the hell is my cat doing, only to realise it was something much more. No power, so made my way into the kitchen and my flatmates were there too, so we just rode it out until it stopped. Realised that I wasn't prepared as couldn't find my candles, torches or anything useful
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But you are so right about noise as I work in a busy office, with phones ringing, keyboards clattering, photocopy machines, beeping, clanking or not working, air con humming etc, so I really understand what it is like to get away from it all.
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Thats a tough one, all depends on how you feel about the ex, his friend and would you like him to go out with one of your friends really if the scenero was reversed? I would go for further afield as more likely to meet another group of new friends etc. But then sometimes the heart over rules the head.
good luck with whatever path you decide upon
Heath