Janine

Melbourne, Victoria, AUSTRALIA


Joined August 14th 2006

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U2- Rattle and Hum

November 2nd 2009 08:27
U2-Rattle and Hum

Year: 1988
Record Label: Island Records
Track listing:
01. Helter Skelter
02. Van Diemen’s land
03. Desire
04. Hawkmoon 269
05. All along the watchtower
06. I still haven’t found what I’m looking for
07. Freedom for my people
08. Silver and gold
09. Pride (in the name of love)
10. Angel of Harlem
11. Love rescue me
12. When love comes to town
13. Heartland
14. God part II
15. The Star Spangled Banner
16. Bullet the blue sky
17. All I want is you



This is probably one of my favourite U2 albums. Always has been, always will be. It’s the one I tend to pull out whenever I feel the urge to listen to Bono and the boys.
So what is it about this album that keeps me coming back for more, you may ask.
While it was greeted with much disdain when it first came out, due to the feature film that accompanied it, it does pay tribute to the likes of Bob Dylan, The Beatles and Jimi Hendrix.
The duet with BB King also suggests that the mockumentary that accompanied it was exactly that, a mockumentary.
A mixture of live tracks and studio tracks, the album does have an American feel to it, and as mentioned earlier does pay tribute to many different artists. But while fans dismissed the album, it is an album worthy of it’s predessors with the blistering track of “Desire”, the heartwrenching, “All I want is you” and the very bluesy “When loves come to town”, which BB King does justice to.

One of the things I love about this CD is that it allows other members to be in the spotlight, instead of just Bono. The Edge gives us a sample of his own eccletic vocals in “Van Diemen’s land”, that shows a promise of the folksinger within.

Despite it’s slamming by it’s fans and the critics, this album still out to me, and was influential in my falling in love with U2 all over again. It shows that Bono and the boys know how to rock with the best of them, and aren’t afraid of mixing it up and experimenting with different sounds, as they did with hawkmoon 269.

I also love their version of All Along the watchtower. Granted Jimi will never be beaten, but this example exudes the sweat and passion that omits from Bono, as he throatily sings this song. As mentioned, Jimi can’t be beaten, but Bono is definitely a worthy adversary.

Lyrically, this album really shows U2 as master songwriters. All I want is you is an example of that. Still considered one of their most famous songs, it is brilliantly writing, and Edge is at his best with an intriculate guitar solo, with amps turned up loud. They can be heard over Bono’s final cry of “all I want is your love…your love”.

One thing that many forget about this album is that it did spawn many different hits, including All I want is you, Angel of Harlem, and when love comes to town.

The brilliance of the Harlem Choir accompanies “I still haven’t found what I am looking for”, and gives the song a new makeover, that I think definitely highlights the song’s strength. While the original is worthy, this new version is much better, and the choir really does do the song justice.


I think one of the ideas of the U2 mockumentary and this album, was for U2 to make a connection with America. Bono once said that “American both fascinates and frightens me”, and I think that is evident on this album.
Heartland is a perfect allegory of a woman, and the United States. There is no doubt that U2 are passionate about some of their idols, and do them justice on this album.

The band do experiment with a lot of American style music- blues, choirs, and of course touch on the American Star Spangled Banner, with Edge using his magic touch on it.


One last thing that should be pointed out about this album, is that it is a live album and shows what U2 do very best-performing live. Every member knows how to put on a performance, whether it be Larry with his drum solos, Edge and his blistering guitars or Bono camping it up. This album captures all of this, and captures the passion that is U2.
There is no denying that they love their jobs, and love preaching to the people, as they do with “silver and gold”. That should never be taken from them.

Standout songs on the album? Helter Skelter, desire, I still haven’t found what I’m looking for, silver and gold, angel of harlem, when loves comes to town, all I want is you.

I give this 5/5
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Dolly Parton-New Harvest

September 15th 2009 22:46
Dolly Parton-New Harvest, First Gathering

Record Label: RCA
Year: 1977
Track Listing:
01. Light Of A Clear Blue Morning
02. Applejack
03. My Girl (My Love)
04. Holdin On To You
05. You Are
06. How Does It Feel?
07. Where Beauty Lives In Memory
08. (Your Love Lifts Me Up) Higher and Higher
09. Getting In My Way
10. There

New Harvest, First Gathering was released in 1977 and was a milestone of sorts for Dolly Parton. Firstly it was her first effort to stray into the pop charts and secondly, and perhaps most importantly it was Parton’s first self-produced album and thus the beginning of her emergence as a heavyweight in the Country music industry.

While many may turn their nose up at this album in disdain for the fact it is much more pop than country, I am not one of those. If you ignore the fact that Parton is known as the Queen of Country, this is actually an enjoyable album.
It’s not easy to forget this about Parton, and in honesty she does not stray that far away from her country roots as some would make you think.

In fact tracks such as ‘Applejack’ are rollicking country at it’s best. Parton also convinced some of Country’s biggest legends to appear on the album, which included Chet Atkins, Minnie Pearl and Kitty Wells.

One of the biggest hits that came off this album is the first track ‘Light Of A Clear Morning’, which Parton reportedly wrote about the bitter breakup with her duet partner Portner Wagoner, when she opted to go solo. Providing a top twenty hit on the country charts for Parton, it is the perfect way to start the album and Parton re-recorded it for a later album ‘Straight Talk’ and has a slightly gospel tinge to it.

While her first foray into pop was a failure of sorts, the album stalling on the pop charts, it still achieved critical acclaim and there’s a reason. While it’s more pop than country in some parts, there’s still an underlying of Parton right throughout. The songs are contemplative, masterfully arranged and poignant and uplifting (‘You Are’ and ‘Where Beauty Lives In Memory’)

I’m not a huge fan of Parton covering other artists, although her last cover album ‘Those Were The Days’ was definitely one of her better ones. Having said that her version of ‘My Girl’, which is classic Motown and one of my all-time favourite songs, is weak at its best.
While she destroys one motown song she takes another, with her cover of the Jackie Wilson classic 'Higher and Higher’ and makes it her own. It’s simply brilliant, and a shining example of what a talent Parton is.

‘Applejack’ and ‘Where Beauty Lives In Memory’ are examples of Parton’s gift for lyrics and storytelling.

This is one of Dolly’s most underrated albums, and one that I would consider her best from the 70’s.

I give it 4/5
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Michael Jackson's Top Ten songs

August 15th 2009 09:34
Michael Jackson....

Love him or hate him, there is no getting past the fact that Michael Jackson has had a lasting
effect on the music industry. While he may have stepped away from the limelight during the last years of his life, the 80's and early 90's saw Jackson in his prime. His talent not just as a musician, but also as a chorographer and songwriter are well documented (If you don't believe us, go search youtube for Thriller, Bad, Billy Jean, and Remember the Times to name a few).


01. Say Say Say (Duet with Paul McCartney)

Released in 1983, Say Say Say saw the pairing of two of the biggest names in the music industry- Paul McCartney and Michael Jackson. Recorded for Mccartney’s 1982 album ‘Pipes of Peace’, the song would top the charts all over the world, reaching #1 in the U.S and gave Jackson his seventh top ten hit for 1983.

Say Say Say kicks off with strong beats that are reminiscent of Jackson’s Thriller album, while at the same time standing a world apart. Written by both McCartney and Jackson, there’s no doubt that the tune is slightly cheesy (especially with the ‘Mac and Jack’ video clip) but they’re also endearing and hook you in all the same.

Sadly it would be the last time that Jackson and McCartney would collaborate but one that will forever be seared into my memory.



02. Thriller

What is there to say about Thriller that hasn’t already been said? One of Jackson’s signature tunes, it has stood the test of time and the digital downloads of over 1 million sales prove this. Instantly recognisable, one only needs to play the first couple seconds of Thriller for people to get it- for people to understand why Jackson was one of the biggest musical acts of the 80’s and why he was such a talented and brilliant- if slightly eccentric-musician.

The video clip, over 14 minutes long, is still considered one of the greatest video clips of all time. One of the reasons I love this song is that it is Jackson’s most experimental and saw him delve into a darker imagery than fans were used to. From beginning to end, the song evokes an eerie spookiness that brings forth to the imagination werewolves, zombies and all that creeps and bumps in the night. Throw in Vincent Price’s spoken vocals, and you can’t help but wonder if you’re about to step into your own nightmare.

And of course for those who grew up during the ‘Thriller’ years, you can’t help yourself breaking out into those old dance moves.



03. Billie Jean

Billie Jean was another hit single of Jackson’s Thriller album and is the hit single that almost never was. Jackson and Quincy Jones argued over the tune- Jones arguing to have it removed and Jackson determined to keep it. Jackson won the argument and the rest is as you would say history.

With its distinctive beats, finger clicks and Jackson’s hiccup vocals, it was futuristic in its style for that particular sign- showing that Jackson was uncanny in his ability of knowing what would work musically.

And let’s not forget that without Billie Jean, Jackson fans would never have seen the moonwalk (Jackson debuted the Moonwalk during a live performance of Billie Jean.

04. Don’t Stop Til You Get Enough Taken from the Off The Wall album, Don’t Stop til You get Enough was released in 1979 and is one of Jackson’s earliest and catchiest tunes. In some respects, it is very similar to The Jackson Five’s ABC in its feel but with an underlying maturity. It introduced Jackson fans to his falsetto and the vocal hiccups that he would become famous for. Its disco-like sound also would be an early indication as to the direction his music would eventually turn to with the likes of Thriller. Just to give an indication as to the impact of Jackson’s music worldwide- this song was re-released as a single again in 2006 in several European countries as part of the ‘Visionary Campaign’ and managed to climb to #17 in the UK. 05. Man in The Mirror Released in 1988, Man in the Mirror, was from Jackson’s 1988 album Bad. This song never fails to stir something inside within me. I’m not sure whether it’s the lyrics or just the fact that I connect with this tune. This song sees Jackson step away from his more dance-inspired songs and is indulgently reflective. It shows almost a softer side to Jackson while at the same time is one of his most powerful vocal performances. While this is not a Jackson penned song, it’s evident that this song was written especially for Jackson and the social statement is almost biographical in its content.

08. Beat It

Beat It sees Jackson step away from his dance pop and R & B style and take a further step towards a much darker, and tougher Jackson. Thriller is perhaps Jackson’s darkest album and oozes with heavier beats and sounds than many fans were used to from Jackson.

Beat It saw Jackson step it up another notch. Essentially a rock song, Jackson recruited the likes of legendary rock guitarist, Eddie Van Halen, to provide the rock sound that he was after. Van Halen provided the blistering guitar solos to go along with Jackson’s soaring vocals, resulting in a rambunctious tune that soared through the charts.

09. Somebody’s Watching Me

While, essentially, this is not a Jackson tune, it’s one that I couldn’t resist adding to my top ten. Performed by Rockwell (A.K.A Kennedy Gordy A.K.A Berry Gordy Jnr – the head of Motown Records- son)

One of the reasons I chose to throw Somebody’s Watching Me in the mix is for Jackson’s vocal performance during the chorus. While the tune is definitely catchy, it is Jackson with his distinctive voice that really makes the song stand out. Another throwback from my childhood, it’s a song that always managed to stay with me thanks to Jackson’s cameo performance. There’s no doubt in my mind that if Jackson had not lent his voice to the chorus, this tune would never have made the charts. However he did and it reached #2 on the billboard charts in 1983.



10. Ben

It seems only fitting to end this list with Ben. Ben was offered to Jackson by chance.- originally written with Donny Osmond in mind, Jackson had a #1 hit on his hands when Osmond turned it down due to touring commitments. Osmond’s loss was Jackson’s gain – Ben giving him his first single as a solo artist and kicked off the beginning of a career that would give Jackson more fame than perhaps he ever wanted.

There is something incredibly sweet about this song, even if is written about a killer rat. Jackson’s performance is heartfelt and there is such innocence in his performance that makes it endearing. Ironically, the song would bring an end to his own innocent childhood and lead him onto a life of constant scrutiny and controversy.


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Dolly Parton- The Great Pretender

July 26th 2009 04:24
Dolly Parton- The Great Pretender

Record Label: RCA


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28
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Dolly Parton- White Limozeen

July 3rd 2009 08:20
Dolly Parton-White Limozeen

Record Label: Columbia


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U2: Rattle and Hum

June 16th 2009 07:56
U2-Rattle and Hum

Year: 1988


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29
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Flogging Molly-The Complete Control Sessions

Record Label: SideOneDummy Records


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Heidi Newfield- What Am I Waiting For?

Record Label: Curb Records


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46
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Paramore- Riot

April 27th 2009 08:54
Paramore-Riot

Record Label


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Carrie Underwood is the first female, since Shania Twain, to win Entertainer of the Year at the Academy of Country Music Awards.

You can watch her acceptance speech here


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on Feedback on your blog

October 9th 2006 08:29
definitely any feedback would be welcome for http://www.xwiredonline.com.au