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Monster's Inc

September 5th 2008 14:01
Monster's Inc (2001)
Pixar Animation Studios
Directed by Pete Docter and David Silverman
Written by Pete Docter, Jill Culton, Jeff Pidgeon and Ralph Eggelston
Voice talents of Billy Crystal, John Goodman, Steve Buscemi and Jennifer Tilly


"Monsters Inc" is an incredibly refreshing and halarious animated film which blends original plotlines, beautiful colours, a haralious screenplay and important messages together. Personally, "Monsters Inc" is my favourite Pixar movie yet, simply because of its wittyness and ability to draw the audience into the world behind the bedroom closet.


Monstropolis is the city of monsters, concealed from the human world by the cupboards of children's bedrooms. Their way of life is dependant on the use of children's screams, which provides electricity and power. The corperation, Monsters Incorperated is responsible for gathering these screams from the "highly toxic" children - "a single touch from a human child could kill you!" - by scaring them wittless. It is here where we meet Sully (voice of John Goodman), a teddy-bear like monster who is the most successful "scarer" in the company. Ironically, when a human girl crawls into his world, he develops an attatchment to her. Sully, along with his halarious one-eyed pal Mike (voice of Billy Crystal), embark on a race against time to return "Boo" back to her rightful human world before evil monsters get her instead.

It is a truly delightful film. Pixar created their Monsters of all different shapes, colours, skin types, and sizes to have human-like qualities; imagine the human world and its ways of working, except the humans are played by monsters! It is this irony that gives "Monsters Inc" its originality.

The famous 3D animation of Pixar is always absolutely brilliant. Each monster is unique, and the settings are simply devine. A particular wonderful scene is when Sully, Mike and Boo are on a roller-coaster like journey in the place where all the children's doors of the world are stored. It is an absolutely riveting scene. How the animators managed it is beyond me! The animation of Boo is also delightful, in that she is represented to convey the utmost innoncence and cuteness of a 2-year-old toddler.


The screenplay, in typical Pixar fashion is halarious and enjoyable, offering puns for both its childhood and adult audiences. Almost every scene has a joke and adds extra strength to the overall film. Billy Crystal's character Mike is a wonderful, funny character, who lights up every scene. A film that can appeal equally to all ages is an excellent one, and "Monsters Inc" certainly succeeds here.

And finally, as well as being undeniably funny, it also has, as all children's films should, powerful messages which are portrayed subtly in the film. The film teaches us to look beyond appearances and see the inner beauty of something. You shouldn't follow what other people say, because more than likely it's not true. And finally, and more importantly, it teaches us not to bully people, because it's going to come back to haunt you. Live life positively, seeing the quality in the poeple around you, and yourself.

So in conclusion, "Monsters Inc" is my favourite Pixar animation because it is such a breath of fresh air. By mixing exquisite animation, appealing comedy for all ages and possessing important messages, this is a simply stunning film. It opens to the door to a new centurt of animation.
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TROPIC THUNDER

September 5th 2008 12:49
Thirty seconds in, I already had tears in my eyes from laughing so hard. But in my honest opinion, the beginning was the best part of a movie that roared at times, and washed-out at others.

Directed and co-written by Ben Stiller, this very explosive, very violent and at times very funny movie is a total send-up of the Hollywood industry, both in front of the screen and behind.

Marooned in the beautiful forests of southern East Vietnam, Tugg Speedman (Stiller), Kirk Lazarus (Robert Downey Jr) and Jeff Portnoy (Jack Black) portray three different examples of self-absorbed and ultimately naiive megastars. Driven mad by their insufferable antics on and off the set, the director of the war film they are trying to shoot is given an idea. He will abandon the three actors and their co-stars in the middle of nowhere and shoot the epic in Big-Brother-style; hidden cameras, real emotions... candid. The thing is, what is supposed to be "fake-real" turns out to be real-real, when native guerillas of a drug-ring threaten all of their lives. The actors a forced to *gasp* not act if they are to have any hope of getting out alive.

So you get the idea, a movie within a movie, only the movie isn't really a movie at all, or is it? It's pretty clever, I have to admit, and the action scenes, especially towards the end, are pretty spectacular. Robert Downey Jr is AH-mazing as the five-time academy award-winning Lazarus who is actually Australian but has turned himself black for the role. As an Australian, I'm always ruthless about Americans never being able to perfect our accent, but even I have to hand it to Downey Jr... the man knows how to do Crocodile Dundee. He really is the star of the show, getting by-far the most laughs out of the audience I was with.

However, at times, I really didn't understand the jokes. Perhaps it was me just being stupid, but there were points all over the movie where I was really thinking "What?" or "Was that really neccesary?" In some places I really think less would have been more. I thought Jack Black was a bit over-the-top. Granted, that was his character, a drug addict who goes through detox and therefore goes totally insane, but still.

The climax of the film, while I won't give anything away, also annoyed me. I can't work out if it was spoof that they took FOREVER to get in the helicopter. I swear for 10 minutes, the script just repeated "Get in the helicopter" in a million different ways. Again, this might have been intentional, but I found it tedious and annoying.

The highlights of the movie, however, are the crossovers to Hollywood, where we get to see some great cameos from actual stars, and other stars doing some SERIOUSLY good impressions of power-hungry, money-obsessed studio executives. Two words: Tom Cruise. Seriously, if nothing else, see this movie to see him!

Overall, it was a pretty good movie, but a movie that is really only fit for the big screen, and a movie that I, personally, won't feel the need to see again. This has definately a Ben Stiller movie: over-the-top, satirical, halarious and stupid. I loved it in parts, hated it in others, and really enjoyed watching Hollywood taking the piss out of itself. If only it had the guts to do that more often.

3 Stars (out of 5)
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You may have been wondering over the past few years who on earth that dorky red-haired British guy is who stars in "Black Books," "Shaun of the "Dead" and the recent "Run Fat Boy Run." You may not know him at all, and for that I pity you, for he is possibly among the funniest artists both behind and in front of the camera today. His name is Simon Pegg, and he just so happens to be the star of the 2007 comedy "Hot Fuzz."

Exceptional London cop Nicholas Angel (Pegg) has his ego taken down a few notches when he is reassigned as Sergent of the quiet country town of Sandford. A stark contrast from the dangerous, adreniline-thrilling city streets, Angel's job description now includes catching loose swans, raising funds to fix the church roof, and coping with a truly balmy group of police collegues. But before long, Angel grows suspcious of the town's ridiculously high "accident" rate, believing that something far more sinister is at work. Along with his partner, action-movie-loving oaf Danny Butterman (Nick Frost), Angel sets out to expose Sandford's gory secret in an explosive, big-city, all-stops-out romp they'll never see coming.

Directed by Edgar Wright and co-written by Pegg, this movie is in a word, halarious. It (literally) blows the lid of those quaint little English towns, and I swear you will never think of them in the same way again! It both honours and spoofs those fabulous cliched moments we love about Hollywood action films: the smart line after a won fight, a selfless act of taking the bullet, car-chases, shoot-outs, punch-ups... honestly need I continue? This film's got the lot and it does it with such humour and pizazz.

And if you're familiar with British film, you will be delighted by the umpteen cameos by the likes of Bill Nighy, Martin Freeman, Bill Bailey, the fabulous Jim Broadbent and so on, who bring their own wave of colour to the picture.

The cinematography is ambitious and unique. The way it cuts quickly from one angle to another heightens the film's themes and feeling, almost a character in itself.

But the star of the show, in case you hadn't guessed by the first paragraph, is Simon Pegg, who brings a ridulousness and yet a sensitivity to the role of a cop who, underneath his calm exterior, really just wants to kick some arrse.

Beware of the gore, however. Sure it's funny, but first time watchers may be shocked by just how far some scenes go. But it's only in splutterings (excuse the pun) throughout the film, so you'll have plenty of time to re-prepare yourself.

All in all, "Hot Fuzz" is seriously good fun; well-written, excellently cast, and presented in a two-hour timeslot which will (I'm not joking) fly by, you're having such a good time. You'll have a ball as it terrifcally sends up movies like "Break Point" and "Bad Boys," and you'll be demanding for more of its slick screenplay and wonderful array of characters. Welcome to the future of British comedy, everyone.

4 Stars (out of 5).
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Born to watch movies

September 5th 2008 06:33
I'm a University student from Brisbane with a passion for movies and writing. Movie Critic is my dream job, let's just put it this way, so i can promise you I'm going to have a lot of fun here! Enjoy xox!
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