Eliza 1

Sydney, New South Wales, AUSTRALIA


Joined January 3rd 2009

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I am one of the first to admit that I am a massive Harry Potter geek – I have been since I was about 11. One of my most cherished memories is curling up in a big armchair in front of the fireplace, with a hot Milo in one hand and the latest Harry Potter in the other. I finished the fifth, sixth and seventh books all on the days that they were released which works out to be roughly ninety thousand words in one sitting.

For me, the Harry Potter films to date mean heavy-handed summaries and amateur actors simply finding an excuse to play around with computer graphics and fun costumes with no intent to really capture the cherished novels. I entered the cinema with my novelty sized slushy, fully expecting to be disappointed yet again. Imagine my surprise when I was pleasantly entertained by the film before me.

Harry Potter and the Half Blood Prince is the story of Harry and co.’s sixth year at Hogwarts School of Witchcraft and Wizardry. The muggle world (that’s us) is starting to feel the effects of Voldemort’s return – there are disappearances happening all around and mysterious natural disasters occurring everywhere. At the end of last year, Harry was responsible for the incarceration of Lucius Malfoy, the father of Harry’s nemesis, Draco. This year, Draco is back with a vengeance. Here follows a story of rivalry, romance, and dry British humour.

If you are unfamiliar with the Harry Potter empire then it is unlikely that you would watch the sixth movie as your introduction. This is one of the reasons that I think this movie worked so well. It didn’t waste any time explaining the basic elements of the story, focussing rather on the key plot elements that were needed to set up the final instalments of the saga. In many ways it was a filler film and the makers new it. So they worked into the film some really fun little self-aware moments. Like when Professor McGonagall asks why all of the exciting things always happen around the three main characters, Ron replies “I’ve been asking myself that for six years.”

One of my pet peeves about the books is how we never know from moment to moment what the other characters are thinking or feeling, but every time Harry gets a paper cut we have the front row view into his psyche. And for films one through five, this was very much the same story. Harry goes along to his classes, occasionally noting something of interest and then bang! Climactic ending and Dumbledore takes us through the whole year again filling in the bits that we didn’t know. But Harry Potter and the Half Blood Prince is different. Not to give the story away too much – but in this film Voldemort charges Draco with a very grave duty. Hence, the psychological state of Draco is much more important than in previous instalments. Draco needs to repair a magical cabinet during the film – rather than just refer to it like they do in the books, the movie fully realises these scenes, which provides some much needed fleshing out to this pivotal character.

Not all of the added scenes had this effect. When Harry was pulled into the lake in the cave, well that was some straight up special effects showing-off. It wasted time that could have been used to build up the tension needed to carry out the big finale which, in the end, kind of fizzled out.

By the standard of Harry Potter films, this one was quite good. By the standard of films in general it was alright. It definitely couldn’t stand alone as a film, and if you are unfamiliar with Harry Potter you could easily get lost. If you are after a fun movie that’s entertaining – then this will do the trick, but you could probably wait until it was out on DVD.

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Harry Potter and the Irate Muggle

July 28th 2009 05:54
One of the problems with society these days is the incessant encouragement of people to voice their opinion. Of course, this then leads to people making blanket statements about things they know very little about.

This occurs in several aspects of my life. At work, customers feel the need to spout ACCC legislation at me when I had to read the whole of the legislation before I started working there. The second, and perhaps some readers will sympathise with me, is when people who haven’t read any Harry Potter novels think they can refer to them as “children’s books”.

I refer specifically to a Sydney Morning Herald article by Ian Munro that discusses the law suit regarding a fan’s desire to publish a Harry Potter encyclopaedia. He declares that “[a]t times, it was hard to remember that the discussion was about a series of children's books”.

Giant snakes and spiders, dragons, massacre, a villain whose name translates into “flight of death”, torture, self-mutilation, suicide, genocide, and bloody murder are hardly fitting themes for “a series of children’s books”. Not to mention Dumbledore-cide.

Yet media is constantly trying to pitch Harry’s labours as something a child should, or even could read. The release of The Half Blood Prince (number 6 in the series) was front page news in The Highland News in 2005, who dedicated half of the page to a photo of 6 year-old “Jason” bedecked in wizard attire. According the picture and caption, Jason was already halfway through the book half an hour after its worldwide release. I doubt it.

The publishers have even been trying to convince adults that the stories are not out of their league by selling them with ‘adult covers’ just in case Mr and Mrs John Citizen were embarrassed to be seen reading “children’s books”.

It is my hope that the films will convince non-readers of the true nature of the Harry Potter series. By the seventh film I really do want to see some graphic sex scenes and Tarantino-style projectile blood. Or, failing that, a gruesome close-up on where George Weasley’s ear used to be.

Of course the films are no match for the novels, which have become a plot of common ground for my generation. Much of my friendship with my roommate relies on our drunken discussions of Harry Potter. Binge-drinking, like the Harry Potter series, should limit its association with children. But I digress.

By classing the novels as “children’s’ books”, society is robbing J.K. Rowling of the appreciation she deserves for the subtler elements of her work.

Rowling revels in ancient myth references like the Argus (namesake to Argus Filch), who was a hundred eyed monster that never slept – a perfect caretaker. Remus Lupin, a werewolf, refers to the twin of Romulus, the founding brothers of Rome. Remus was killed for jumping Romulus’ wall – which metaphorically describes Lupin’s challenging for societal norms the wizarding world. And Sirius (for Sirius Black) is the “Dog Star” in the constellation Canis Major. The character, of course, is an Animagus who can take the form of a dog.

I could go on with those examples for days, and that is not a boast, but a threat to the next person who refers to the Harry Potter series as “children’s books”.

In all, I lament the short-sightedness of people who have decided not to read Harry because they see it is a “children’s book” and I applaud those who have become short-sighted as a result of years of dedicated reading.
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I thought I would think outside the box today, and submit a review of a book (what? no! she's crazy!). Being absolutely skint, I haven't had the fundage to see many movies lately, so in the meantime I am going to be reviewing anything I can. And this time it is a book! Here we go...

Will Elliot published his first novel in 2006, called The Pilo Family Circus. The novel went on to win 5 major literary awards. Little did people know, this novel was written not long after Will was diagnosed with schizophrenia. Will’s latest work is a much more personal affair, entitled “Strange Places, a memoir of mental illness" and I'd like to share it with you.

Will Elliott spent his formative years in Queensland, the middle of three brothers. After enrolling at the local high school, it wasn’t long before Will fell in with a questionable crowd, and not long after that was he introduced to marijuana and underage drinking. These years of his life were punctuated with gang violence and kleptomania before high school was suddenly over and Will found himself staring the world right in the face. Initially, pot wasn’t part of Will’s university life, but it soon found a way in, in Will’s words, “A party wasn’t a party without it, and you didn’t need a party if you had it”. Dropping out of University and getting a job, Will found a steady rhythm to his life, still smoking pot he found himself becoming increasingly paranoid and the paranoia didn’t go away. One night he asked his roommate whether he thought the television could be watching them back. The last few words of Chapter Three really sum it up, “it had begun”.

From here follows Will’s journey through phychosis to eventual diagnosis of schizophrenia, on the outside looking like a rollercoaster of medication, relapses, and hospital stays. But these memoirs let us see what it was like on the inside. Running barefoot from hospital, hearing vampires rustling in the trees above, living as a werewolf, knowing that at any moment the world as we know it will disappear in a giant nuclear explosion.

Will is a truly talented writer, taking the readers hand and guiding them through the landscape of his experience of a very misunderstood illness. The imagination that seemed to torment him during his unmedicated hours is channelled into this book in the form of dark humour and captivating storytelling.

Through this book, people who have read The Pilo Family Circus will be able to appreciate where the author had to go to get it.

No one would have challenged Will Elliott to so something with his life, especially after his epic experiences. But he did it anyway, against the odds. I found Strange Places to be both thoroughly entertaining, and very humbling.

It challenged my preconceptions about schizophrenia. I’m sure that it will continue to do so for many readers to come. Will Elliott is definitely an author to keep an eye on as he embarks on what is bound to be a very successful writing career.
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Metalocalypse

May 24th 2009 01:39
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Welcome!

May 24th 2009 00:25
Welcome to reviewreview.com.au, where we peel back the sticky layer of celluloid and then run like hell because Old Man Winston just came into the projection room with that broom he uses to belt "us meddling kids"...

Okay, maybe that's not all true. But reviewreview does review. No way right?? Anyway, we would like to pay homage to to site that got us here. www.orble.com/reel-films/, a site which is now going to get sticky and stale without visitors


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Atonement (2007)

February 11th 2009 07:19

The Details

Director: Joe Wright


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New Reviews at Reel Films!

February 11th 2009 06:34
Reel Films has NEW REVIEWS!! Click here to read the latest, or stick around to read the reviews posted by reviewreviews.com.au's previous bloggers.
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Wanted (2008)

January 11th 2009 03:19
The Details
Director: Timur Bekmambetov
Writer: Split across SEVEN WRITERS!! The three of whom wrote the screenplay are Michael Brandt, Derk Haas and Chris Morgan


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The Basics
Director: David Fincher
Writer: Eric Roth


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Stigmata (1999)

January 8th 2009 02:27
The Basics
Director: Rupert Wainwright
Writer: Tom Lazarus and Rick Ramage


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Recent Comments

Comment by Eliza 1
on Atonement (2007)

February 15th 2009 03:23
It was a well made film, but I think I am a wuss when it comes to films that have "disaster immenent" sign effectively flashing at you throughout. It was clever use of suspense but I find suspense often is more effective when played against non-stressful scenes... though of course it makes it harder for the filmmaker to recreate that tension over and over.

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