David Jobling

Adelaide, South Australia, AUSTRALIA


Joined July 1st 2008

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Recent Posts

New photographic works by CJ Taylor

December 2nd 2008 21:46

CJ Taylor - green, yellow, brown


?flight, light

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9 December 08 to 25 January 09

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Opening: 6-8pm Thursday 11 December?

Guest Speaker: Rolf de Heer, Film Director and AFI winner

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Gallery 139 139 Magill Road, Stepney

Gallery Hours 11am‐5pm Tuesday to Saturday. The gallery is closed 24 December to 20 January, artwork can be viewed throughout January by appointment: 0402 095 355.

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Beauty is unbearable, drives us to despair, offering us for a minute the glimpse of an eternity that we should like to stretch out over the whole of time. Albert Camus

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The beauty in nature and death unite in new photographic works by CJ Taylor for his first solo exhibition, flight, light.

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The large-scale photographs are concerned with the nature of beauty through the beauty of nature. They touch on the inherent beauty contained within familiar forms.

Strong yet fragile, the colourful wings of discarded birds are suspended on black backgrounds, drawing the viewer in and reminding them of the objects’ unyielding natural beauty.

The images are unique yet detached from their original purpose, at once beautiful in their natural repose yet grotesque in their deposed state.

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“In life there is beauty, but there is also a beauty in death,” says CJ Taylor. “Equally, in everything beautiful there is grotesqueness, a death not far away that defines a beautiful life.”

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Captured using a large-format camera the works are hand printed using the traditional Cibachrome process to present finished images that are finely detailed, technically accomplished and saturated with colour.

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In 2007 CJ Taylor was the stills photographer and project manager for the multimedia project 12 Canoes. Directed by Rolf de Heer and Molly Reynolds, the project of 12 short films follows on from the movie Ten Canoes to present the culture of the Yolngu peoples of the Arafura Swamp. A portrait by Taylor from this project was shortlisted for the 2008 Moran Photographic Portrait Prize.

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CJ Taylor is a currently studying a Bachelor of Visual Art (Photography) at the South Australian School of Art, UniSA. flight, light exhibition is supported by a grant from the Helpmann Academy.

CJ Taylor - blue, green, red
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Thebarton Senior College

December 2nd 2008 21:34
To acknowledge the United Nation's International Day of Peace, Thebarton Senior College (TSC) held a day of celebration. What better learning provider to do so; the diversity at TSC is quite remarkable. People from all over the world, new arrivals, attend TSC to do bridging courses. This enables them to seek and find employment in a new country. A new world.

Image by David Jobling


The image above is the product of a assignment at TSC from my Digital Photography Class. The task was to create some kind of promotional poster.



One of my tasks on the actual day was to collect some images of the various things that were happening; including the barbecue and performances from students from surrounding schools as well our own student faculty.











Obviously I have done a little work on some of these. The one with the multiple person for example. I had a great time taking the photos. I'll put more up later.



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TEASER || The files from my cabinet

December 1st 2008 11:36
'The files from my cabinet'
TEASER

Here is my first ever animation; it’s riddled with mistakes I’ll have to fix (I was in such a hurry to save it and make it available on a medium apart from the computer it was created on…) and I will fix them, but I just enjoy looking at it in a context where it’s out there - for other people to have a look at as well…

I hope you find it a fun 30 odd seconds… and I certainly hope you’ll get to see the rest of it as it all unfolds over the next while.

‘The files from my cabinet’ TEASER
is the opening credits of Nicholby Hardup (Private Detective) and his Hardup Crack Team’s adventures. A 20 part season of mad and surreal animations based on the radio series with special guests including Steve Bisley, Kate Fitzpatrick, Steve O, Holly Hunter, Basil Brush, Harvey Peakar and Ian McKellen.

It started as a radio series a few years ago, in the mid-2000’s. I produced it based on some original concepts and just had a bit of fun with it… The show would air on 2SER FM on a Friday morning during the Breakfast program (hosted by Daz & Antony. It was all bit of fun. Nicholby would do a phone spot for a few months, informing people of what was on for free around town; and then it just seemed like a fun thing to put him into a sort of silly radio serial based more or less on those old mystery 1950’s Private Dick type things… I compiled a special as well The Hardup Crack Team with spots from Bob Downe and Prunella Scales among others.

So anyway when I needed to create my first animation for an assessment task at school this last semester, I figured I’d bring the radio material to life.



Give it a second life. After all it’s just sitting there doing nothing. It wouldn’t be possible to complete the whole series in the time allocated for the assessment, so I created what would potentially be the opening credits. A bit of foolishness, silly and surreal in its own way. Something to make me laugh, which is what The Hardup Crack Team was all about. A laugh.

Here’s the link to check out the whole 37 seconds. Hope you enjoy.
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HipNote || Vinny Bhagat

December 1st 2008 07:51
As part of the HipNote Spring sessions , COMA ( Creative Original Music Adelaide ) & Shivnakaun Productions presents for you

Sentient Machinery Provokheatre

[ Click here to read more ]
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As part of the HipNote Spring sessions , COMA ( Creative Original Music Adelaide ) & Shivnakaun Productions presents for you

Sentient Machinery Provokheatre

[ Click here to read more ]
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Freefall

December 1st 2008 07:34
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Sentient Machinery Provokheatre

December 1st 2008 07:19
As part of the HipNote Spring sessions , COMA ( Creative Original Music Adelaide ) & Shivnakaun Productions presents for you

Sentient Machinery Provokheatre

[ Click here to read more ]
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Future Music Festival


[ Click here to read more ]
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Future Music Festival

November 27th 2008 12:43
Future Music Festival


[ Click here to read more ]
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Welcome to Short Performance Works

November 27th 2008 11:48
The short play & other performance works provide arts practitioners with a wealth of experience; in the act of fine-tuning abilities required to create new works of performative art. Short Performance Works aims to explore the field-of-play concerning short works of corporeal performance. The ten minute play, performance art, cabaret... whatever form it takes within the context of entertainment.
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Recent Comments

Comment by David Jobling
on REVIEW | When We Are Old & Gay

October 11th 2008 02:20
Thanks Ann

Yes, Pat and Adrian are an extremely talented couple and you'd have to go a very long way to find anyone with the talent to string lyrics and music together in the way Miss Pat can!

Comment by David Jobling
on HOW AUSTRALIA CONTROLS ITS ARTISTS

October 10th 2008 01:39
There's a lot of this engineering culture based on a committee of folk who all bow to a Chair then fork out dollars. It's the bowing to the Chair, and also the Arts Minister's Discretionary cash deployments that I feel affronted by.

Recently in South Australia Mike Rann Premier and Arts Minister had some extra cash

(is it such a common thing for the Premier to be Arts Minister Bob Carr in NSW, Mike Rann in SA..? it seems it's such a political appointment/portfolio; any way to continue) in the State Arts Department funding coffer, so at the Ministers own discretion he doled out wads of cash to a variety of folk who hadn't even actually asked for it or proposed to do any particular project with it...

I mean really; what about all the artists who put applications that were unsuccessful into the last round and were told "There's not enough money to go around so apply again later" - what message would they be getting besides - 'we're not interested in your work but someone else we like could do with a few thousand bucks. Oh look here's some bucks we have to get rid of....'

And the Committee Chair... well, you can talk a lot about Committees but when it boils down to it most that I've been on eventually acquiesce to the Chair for one reason or another... so if the Chair announces that we need to fix our thoughts on a particular thing and support it for some greater good - greater cultural good - the committee just run with the Alpha Chair..

curious and annoying for ground level artists who are these days given tags like 'emerging' - someones niece or nephew who wants to be an artist... 'mid career' some poor bugger who has been around for a while seeking support for various projects maybe getting the funding maybe not... and 'established' someone who has had quite a fair slice more than once - and consequently is likely to have had some commercial success if not a chance to build a profile in the 'industry' - I think I'll go and write an article: thanks for the inspiration.


Comment by David Jobling
on John Doe remembers Paul Newman

October 7th 2008 00:22
I seriously doubt everyone knows that Norm, some people are too young to know it. Clearly you know it, so well done Norm

Comment by David Jobling
on John Doe remembers Paul Newman

October 5th 2008 22:52
Hi y'all,
it's true - Bette Davis did take the studio she was contracted to into a long and drawn out court case to get out of her contract because she was dissatisfied with the roles she was being given - and while I haven't ever said Paul Newman was the first actor to set up his own production company (after all most of the big male silent film stars ran their own production companies) I do remember him as one of the first to actually come together with other successful actors to produce their own films, thus cutting out the instances where they felt themselves wrong for the part they were contracted to play (best example: Barbra Streisand at 22 years of age playing Dolly Levi who is meant to be in her 50's in Hello Dolly); it didn't involve long drawn out court battles over who own rights to whom as far as performance was concerned. They probably realized that Davis was wrongly discriminated against for several years and had to resort to placing full page adverts in Variety Magazine as an actor seeking employment.

Convinced that her career was being damaged by a succession of mediocre films, Davis accepted an offer in 1936 to appear in two films in England. Knowing that she was breaching her contract with Warner Bros., she fled to Canada to avoid legal papers being served upon her. Eventually, Davis brought her case to court in England, hoping to get out of her contract with Warner Bros.[23] She later recalled the opening statement of the barrister, Sir Patrick Hastings, who represented Warner Brothers. Hastings urged the court to "come to the conclusion that this is rather a naughty young lady and that what she wants is more money". He mocked Davis's description of her contract as "slavery" by stating, incorrectly, that she was being paid $1,350 per week. He remarked, "if anybody wants to put me into perpetual servitude on the basis of that remuneration, I shall prepare to consider it". The British press offered little support to Davis, and portrayed her as overpaid and ungrateful.[24]

Davis explained her viewpoint to a journalist, saying "I knew that, if I continued to appear in any more mediocre pictures, I would have no career left worth fighting for."[25] Davis's counsel presented her complaints – that she could be suspended without pay for refusing a part, with the period of suspension added to her contract, that she could be called upon to play any part within her abilities regardless of her personal beliefs, that she could be required to support a political party against her beliefs, and that her image and likeness could be displayed in any manner deemed applicable by the studio. Jack Warner testified, and was asked, "Whatever part you choose to call upon her to play, if she thinks she can play it, whether it is distasteful and cheap, she has to play it?" Warner replied, "Yes, she must play it."[26]


From Wikipedia: Legal case
The case, decided by Branson J. in the English High Court, was reported as Warner Bros. Studios Incorporated v. Nelson in [1937] 1 KB 209. Davis lost the case and returned to Hollywood, in debt and without income, to resume her career. Olivia de Havilland mounted a similar case in 1943 and won.