David Jobling

Adelaide, South Australia, AUSTRALIA


Joined July 1st 2008

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STORYLINES '09 CULTURAL ARTS FESTIVAL

November 18th 2009 12:00
STORYLINES '09 CULTURAL ARTS FESTIVAL

DANCE | ART| MUSIC | PLAY SEASON | FILM PROGRAM | FORUM

21 NOVEMBER 2009 – SHORT FILM EVENING, 7:30PM @ THE RIVERVIEW THEATRETTE ($20)

AN EVENING OF AWARD WINNING AUSTRALIAN SHORT FILMS...
For one-night-only on Saturday 21 November Storylines '09 Cultural Arts Festival presents an evening of short films by award winning Young Australian filmmakers, followed by a question and answer session with the directors.



The selection of three Indigenous and Muslim stories includes recent Arab Film Festival award winner, and winner of the Best Non-Fiction Film at the Robin Andersen Film Awards 2008, Nawal Abdi with her film My Journey based on her grandfather Mahmoud Abdi's journey to Australia. Also included is the animation Huriyya and her Sisters by the Bankstown Area Multicultural Network Inc and young Muslim women from Western Sydney - which was screened at the Arab Film Festival. The final film for the evening, Back to Bourke, follows the story of the Indigenous river people who live on the Murray Darling River.

My Journey by Nawal Abdi (a year 11 Burwood Girls High student) is based on the recollections of her grandfather, Mahmoud Abdi, who was forced to leave his mother, brothers and homeland of Palestine, to travel to Lebanon in 1948. The film documents the struggles of Mahmoud as he experiences life as an outcast in Lebanon, the influence of the Lebanese culture and how the UN came to the aid of the Palestinian people. Mahmoud and his family migrated to Australia in 1977 to rebuild their lives together in Croydon - Sydney.

The Islam influenced animation Huriyya and her Sisters was created by young Muslim women and girls exploring their experiences of the world. Sisters Khadija, Mariam, Assia, Fatima and Huriyya find solace in the spiritual beauty of the moving world, discover wisdom in the most fantastical of places, and long to stop bombs falling on children. Huriyya and her Sisters has been described as “elegant, witty and beautifully paced.”

The animation was supported by several community centres and the Human Rights Commission; work commenced over 18 months at the community centers in south-west and western Sydney where participants developed the visuals, sound and storylines.

The evening concludes with a Riverview Old Boys Union funded film, Back to Bourke, which traces the story of four generations of a working Aboriginal family. It follows the perspectives of River people who live, work and love in one of the world’s most significant river systems; Australia’s food bowl the Murray Darling Basin. Back to Bourke was recently screened by NSW Shadow Minister for Aboriginal Affairs, Kevin Humphries in Parliament House.

The Storylines ’09 Cultural Festival Short Film Evening is an extraordinary opportunity to view prominent Australian short film works; and to further the opportunity to delve deeper with a question and answer session after the screenings.

Sat 21 Nov, 7:30PM ($20)



TICKETS: storylines09festival.blogspot

61 2 9882 8447

VENUE: Saint Ignatius College, Riverview, Tambourine Bay Road, Lane Cove, NSW, 2066

TRANSPORT: Buses from Chatswood interchange – short cab ride from Chatswood train station ($15 approx)

PARKING: Plenty of parking in school grounds

MORE INFO: storylines09festival.blogspot | Storylines

PHONE 61 2 9882 8447


EDITOR’S NOTES

Nawal Abdi, My Journey

Talented up-and-coming film maker and year 12 Burwood Girls’ High School student Nawal Abdi will be presenting her film My Journey based on recollections of her grandfather, Mahmoud Abdi. Half Lebanese and half Palestinian, Nawal was inspired to make a film in year 10 as part of her photographic and digital media school studies to enable other students in her class to understand her ethnic background. Although certain ethnicities in her school were easily identifiable the majority of Nawal’s classmates were oblivious to the location of Palestine. Nawal wanted to document the struggles her grandfather faced when moving to Australia. The film traces his journey from 1948 - when he was forced to leave his homeland, Palestine - to the present day. Nawal explains that "people who move to Australia often come from war-torn countries where there are not equal opportunities for all". She believes that Australia offers equal opportunities for those who to better their lives. After winning Junior Non-fiction Robin Andersen film Award in 2008 for My Journey, Nawal’s uncle encouraged her to submit it to the Arab film festival. My Journey is a testament to the fact that through art, young people can strive to improve social understanding and tolerance of different cultures and identities. Nawal is thrilled to have her film screened at Riverview and will be attending the festival to introduce her accomplishments in person.

Bankstown Area Multicultural Network Inc (BAMN), Huriyya and her Sisters

Bankstown Area Multicultural Network Inc. (BAMN) is a non-profit, community based organisation which aims to assist, resource and provide information to residents of non-English speaking backgrounds in the Bankstown, Fairfield and Liverpool local government areas, to improve their quality of life. BAMN was established in 1984 by a number of Bankstown residents who recognised the need for a forum to provide assistance to those with language difficulties. The film Huriyya and her Sisters is a community cultural development (CCD) project managed by Bankstown Area Multicultural Network (BAMN), and is proudly supported by the Australian Government through an initiative between the Australian Human Rights Commission and the Australia Council for the Arts, Bankstown City Council and TAFE NSW South Western Sydney Institute. This project has received critical acclaim from the participants’ parents, families and communities, and project partners the Information & Cultural Exchange (ICE), Auburn Community Development Network (ACDN) and Bankstown Multicultural Youth Service (BMYS). Huriyya and her Sisters gives voice to the stories of young Muslim women living in Sydney, and was launched by celebrated author Randa Abdel-Fattah on July 5 at the 2009 Arab Film Festival, which was hosted at the Parramatta Riverside Theatres.



James Todd, Back to Bourke

Sydney-born James Todd explores his passion in film production, cinematography and camera operation in his recent project Back to Bourke, which was screened at the 2009 Dungog Film Festival and in the NSW Parliament house. Twenty years in the making, Back to Bourke tells the story of two families - one a country Kurnu/Barkindji mob and the other a group of Irish/city convicts. Their friendship has spanned over three generations and still continues to this day as the two groups continue to laugh, cry, eat and drink together. During their twenty year history, Todd has found Bourke’s media image a misrepresentation with an emphasis on riots, drunkenness, drugs and debauchery. Through film, Todd seeks to reveal the true story of a friendship that has blossomed over three decades. Most recently James has been working on new Australian drama Spirited (2009) and Packed to the Rafters (2009) and his cinematography is also apparent in works including: Shadow of Sins - Feature Film; My Brother’s Kosova Wedding – Documentary; Hook – Short Film; and Fingerprints – Finalist in Short Film Tropfest (Australia) 2005; 2005 Aspen Short Fest (USA); 2005 St Kilda Film Festival (Australia); 2005 Pune International Film Festival (India); 2006 Tribeca Film Festival (USA). Todd’s work as a camera operator was demonstrated in the 2007 award winning television drama series East West 101, the 2006 series of Survivor: Cook Islands, The Manual (2006, Short Film); Back to the Reserve (2005, Documentary), All Saints (2005, Television Series) and the 2002/03 television series White Collar Blue.
21
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storylines09 festival

November 18th 2009 11:52
STORYLINES '09 CULTURAL ARTS FESTIVAL

DANCE | ART| MUSIC | PLAY SEASON | FILM PROGRAM | FORUM

21 NOVEMBER 2009 – SHORT FILM EVENING, 7:30PM @ THE RIVERVIEW THEATRETTE ($20)

AN EVENING OF AWARD WINNING AUSTRALIAN SHORT FILMS...
For one-night-only on Saturday 21 November Storylines '09 Cultural Arts Festival presents an evening of short films by award winning Young Australian filmmakers, followed by a question and answer session with the directors.



The selection of three Indigenous and Muslim stories includes recent Arab Film Festival award winner, and winner of the Best Non-Fiction Film at the Robin Andersen Film Awards 2008, Nawal Abdi with her film My Journey based on her grandfather Mahmoud Abdi's journey to Australia. Also included is the animation Huriyya and her Sisters by the Bankstown Area Multicultural Network Inc and young Muslim women from Western Sydney - which was screened at the Arab Film Festival. The final film for the evening, Back to Bourke, follows the story of the Indigenous river people who live on the Murray Darling River.

My Journey by Nawal Abdi (a year 11 Burwood Girls High student) is based on the recollections of her grandfather, Mahmoud Abdi, who was forced to leave his mother, brothers and homeland of Palestine, to travel to Lebanon in 1948. The film documents the struggles of Mahmoud as he experiences life as an outcast in Lebanon, the influence of the Lebanese culture and how the UN came to the aid of the Palestinian people. Mahmoud and his family migrated to Australia in 1977 to rebuild their lives together in Croydon - Sydney.

The Islam influenced animation Huriyya and her Sisters was created by young Muslim women and girls exploring their experiences of the world. Sisters Khadija, Mariam, Assia, Fatima and Huriyya find solace in the spiritual beauty of the moving world, discover wisdom in the most fantastical of places, and long to stop bombs falling on children. Huriyya and her Sisters has been described as “elegant, witty and beautifully paced.”

The animation was supported by several community centres and the Human Rights Commission; work commenced over 18 months at the community centers in south-west and western Sydney where participants developed the visuals, sound and storylines.

The evening concludes with a Riverview Old Boys Union funded film, Back to Bourke, which traces the story of four generations of a working Aboriginal family. It follows the perspectives of River people who live, work and love in one of the world’s most significant river systems; Australia’s food bowl the Murray Darling Basin. Back to Bourke was recently screened by NSW Shadow Minister for Aboriginal Affairs, Kevin Humphries in Parliament House.

The Storylines ’09 Cultural Festival Short Film Evening is an extraordinary opportunity to view prominent Australian short film works; and to further the opportunity to delve deeper with a question and answer session after the screenings.

Sat 21 Nov, 7:30PM ($20)



TICKETS: storylines09festival.blogspot

61 2 9882 8447

VENUE: Saint Ignatius College, Riverview, Tambourine Bay Road, Lane Cove, NSW, 2066

TRANSPORT: Buses from Chatswood interchange – short cab ride from Chatswood train station ($15 approx)

PARKING: Plenty of parking in school grounds

MORE INFO: storylines09festival.blogspot | Storylines

PHONE 61 2 9882 8447


EDITOR’S NOTES

Nawal Abdi, My Journey

Talented up-and-coming film maker and year 12 Burwood Girls’ High School student Nawal Abdi will be presenting her film My Journey based on recollections of her grandfather, Mahmoud Abdi. Half Lebanese and half Palestinian, Nawal was inspired to make a film in year 10 as part of her photographic and digital media school studies to enable other students in her class to understand her ethnic background. Although certain ethnicities in her school were easily identifiable the majority of Nawal’s classmates were oblivious to the location of Palestine. Nawal wanted to document the struggles her grandfather faced when moving to Australia. The film traces his journey from 1948 - when he was forced to leave his homeland, Palestine - to the present day. Nawal explains that "people who move to Australia often come from war-torn countries where there are not equal opportunities for all". She believes that Australia offers equal opportunities for those who to better their lives. After winning Junior Non-fiction Robin Andersen film Award in 2008 for My Journey, Nawal’s uncle encouraged her to submit it to the Arab film festival. My Journey is a testament to the fact that through art, young people can strive to improve social understanding and tolerance of different cultures and identities. Nawal is thrilled to have her film screened at Riverview and will be attending the festival to introduce her accomplishments in person.

Bankstown Area Multicultural Network Inc (BAMN), Huriyya and her Sisters

Bankstown Area Multicultural Network Inc. (BAMN) is a non-profit, community based organisation which aims to assist, resource and provide information to residents of non-English speaking backgrounds in the Bankstown, Fairfield and Liverpool local government areas, to improve their quality of life. BAMN was established in 1984 by a number of Bankstown residents who recognised the need for a forum to provide assistance to those with language difficulties. The film Huriyya and her Sisters is a community cultural development (CCD) project managed by Bankstown Area Multicultural Network (BAMN), and is proudly supported by the Australian Government through an initiative between the Australian Human Rights Commission and the Australia Council for the Arts, Bankstown City Council and TAFE NSW South Western Sydney Institute. This project has received critical acclaim from the participants’ parents, families and communities, and project partners the Information & Cultural Exchange (ICE), Auburn Community Development Network (ACDN) and Bankstown Multicultural Youth Service (BMYS). Huriyya and her Sisters gives voice to the stories of young Muslim women living in Sydney, and was launched by celebrated author Randa Abdel-Fattah on July 5 at the 2009 Arab Film Festival, which was hosted at the Parramatta Riverside Theatres.



James Todd, Back to Bourke

Sydney-born James Todd explores his passion in film production, cinematography and camera operation in his recent project Back to Bourke, which was screened at the 2009 Dungog Film Festival and in the NSW Parliament house. Twenty years in the making, Back to Bourke tells the story of two families - one a country Kurnu/Barkindji mob and the other a group of Irish/city convicts. Their friendship has spanned over three generations and still continues to this day as the two groups continue to laugh, cry, eat and drink together. During their twenty year history, Todd has found Bourke’s media image a misrepresentation with an emphasis on riots, drunkenness, drugs and debauchery. Through film, Todd seeks to reveal the true story of a friendship that has blossomed over three decades. Most recently James has been working on new Australian drama Spirited (2009) and Packed to the Rafters (2009) and his cinematography is also apparent in works including: Shadow of Sins - Feature Film; My Brother’s Kosova Wedding – Documentary; Hook – Short Film; and Fingerprints – Finalist in Short Film Tropfest (Australia) 2005; 2005 Aspen Short Fest (USA); 2005 St Kilda Film Festival (Australia); 2005 Pune International Film Festival (India); 2006 Tribeca Film Festival (USA). Todd’s work as a camera operator was demonstrated in the 2007 award winning television drama series East West 101, the 2006 series of Survivor: Cook Islands, The Manual (2006, Short Film); Back to the Reserve (2005, Documentary), All Saints (2005, Television Series) and the 2002/03 television series White Collar Blue.
13
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THE WHARF SESSIONS

November 14th 2009 09:43
THE WHARF SESSIONS
WAITING FOR GUINNESS
FRIDAY 4 DECEMBER 2009
AT 10PM (APPROX START)


FREE POST-SHOW LIVE MUSIC AT THE WHARF


On Friday 4 December, Sydney Theatre Company welcomes Waiting for Guinness as part of The Wharf Sessions - the regular series of free post-show gigs at The Wharf, Sydney Theatre Company’s harbour-side home at Walsh Bay.

Waiting For Guinness, part of the wildly popular Gyp-Rock movement that has been sweeping Australia and Europe, have
been one of the most sort-after festival acts in Australia for many years now.

Their intoxicating blend of Crime-Jazz, Mariachi soul, brassy Balkan mayhem, and hard hitting politics, have given them a
cult-like following and a host of imitators.

Don’t miss catching the legendary Guinness Goodness at Sydney Theatre Company’s next Wharf Session!



Entry to the gig is free and open to all. No booking is necessary. Drinks at reduced prices are available.


Venue: The Wharf, Sydney Theatre Company
Date: Friday 4 December 2009
Time: Starts approx 10pm
Tickets: No bookings necessary
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December Headline Shows

November 14th 2009 09:26
22
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Blank at Earth

November 14th 2009 09:11
Point Blank

Earth Nightclub

[ Click here to read more ]
21
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POINT BLANK

November 14th 2009 09:06
Point Blank

Earth Nightclub

[ Click here to read more ]
32
Vote
   


Rare Indigenous Art from Remote Communities
Showcased in Riverview Gamarada


[ Click here to read more ]
21
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Indigenous Art

November 14th 2009 03:24
Rare Indigenous Art from Remote Communities
Showcased in Riverview Gamarada


[ Click here to read more ]
31
Vote
   


Dr Who season 1 - 4

November 8th 2009 06:07
Dr Who series 1 - 4
$299.00
Box Set

[ Click here to read more ]
22
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Not Doctor What, Doctor Who

November 8th 2009 05:59
Dr Who series 1 - 4

$299.00

[ Click here to read more ]
23
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Recent Comments

Comment by David Jobling
on REVIEW | When We Are Old & Gay

October 11th 2008 02:20
Thanks Ann

Yes, Pat and Adrian are an extremely talented couple and you'd have to go a very long way to find anyone with the talent to string lyrics and music together in the way Miss Pat can!

Comment by David Jobling
on HOW AUSTRALIA CONTROLS ITS ARTISTS

October 10th 2008 01:39
There's a lot of this engineering culture based on a committee of folk who all bow to a Chair then fork out dollars. It's the bowing to the Chair, and also the Arts Minister's Discretionary cash deployments that I feel affronted by.

Recently in South Australia Mike Rann Premier and Arts Minister had some extra cash

(is it such a common thing for the Premier to be Arts Minister Bob Carr in NSW, Mike Rann in SA..? it seems it's such a political appointment/portfolio; any way to continue) in the State Arts Department funding coffer, so at the Ministers own discretion he doled out wads of cash to a variety of folk who hadn't even actually asked for it or proposed to do any particular project with it...

I mean really; what about all the artists who put applications that were unsuccessful into the last round and were told "There's not enough money to go around so apply again later" - what message would they be getting besides - 'we're not interested in your work but someone else we like could do with a few thousand bucks. Oh look here's some bucks we have to get rid of....'

And the Committee Chair... well, you can talk a lot about Committees but when it boils down to it most that I've been on eventually acquiesce to the Chair for one reason or another... so if the Chair announces that we need to fix our thoughts on a particular thing and support it for some greater good - greater cultural good - the committee just run with the Alpha Chair..

curious and annoying for ground level artists who are these days given tags like 'emerging' - someones niece or nephew who wants to be an artist... 'mid career' some poor bugger who has been around for a while seeking support for various projects maybe getting the funding maybe not... and 'established' someone who has had quite a fair slice more than once - and consequently is likely to have had some commercial success if not a chance to build a profile in the 'industry' - I think I'll go and write an article: thanks for the inspiration.


Comment by David Jobling
on John Doe remembers Paul Newman

October 7th 2008 00:22
I seriously doubt everyone knows that Norm, some people are too young to know it. Clearly you know it, so well done Norm

Comment by David Jobling
on John Doe remembers Paul Newman

October 5th 2008 22:52
Hi y'all,
it's true - Bette Davis did take the studio she was contracted to into a long and drawn out court case to get out of her contract because she was dissatisfied with the roles she was being given - and while I haven't ever said Paul Newman was the first actor to set up his own production company (after all most of the big male silent film stars ran their own production companies) I do remember him as one of the first to actually come together with other successful actors to produce their own films, thus cutting out the instances where they felt themselves wrong for the part they were contracted to play (best example: Barbra Streisand at 22 years of age playing Dolly Levi who is meant to be in her 50's in Hello Dolly); it didn't involve long drawn out court battles over who own rights to whom as far as performance was concerned. They probably realized that Davis was wrongly discriminated against for several years and had to resort to placing full page adverts in Variety Magazine as an actor seeking employment.

Convinced that her career was being damaged by a succession of mediocre films, Davis accepted an offer in 1936 to appear in two films in England. Knowing that she was breaching her contract with Warner Bros., she fled to Canada to avoid legal papers being served upon her. Eventually, Davis brought her case to court in England, hoping to get out of her contract with Warner Bros.[23] She later recalled the opening statement of the barrister, Sir Patrick Hastings, who represented Warner Brothers. Hastings urged the court to "come to the conclusion that this is rather a naughty young lady and that what she wants is more money". He mocked Davis's description of her contract as "slavery" by stating, incorrectly, that she was being paid $1,350 per week. He remarked, "if anybody wants to put me into perpetual servitude on the basis of that remuneration, I shall prepare to consider it". The British press offered little support to Davis, and portrayed her as overpaid and ungrateful.[24]

Davis explained her viewpoint to a journalist, saying "I knew that, if I continued to appear in any more mediocre pictures, I would have no career left worth fighting for."[25] Davis's counsel presented her complaints – that she could be suspended without pay for refusing a part, with the period of suspension added to her contract, that she could be called upon to play any part within her abilities regardless of her personal beliefs, that she could be required to support a political party against her beliefs, and that her image and likeness could be displayed in any manner deemed applicable by the studio. Jack Warner testified, and was asked, "Whatever part you choose to call upon her to play, if she thinks she can play it, whether it is distasteful and cheap, she has to play it?" Warner replied, "Yes, she must play it."[26]


From Wikipedia: Legal case
The case, decided by Branson J. in the English High Court, was reported as Warner Bros. Studios Incorporated v. Nelson in [1937] 1 KB 209. Davis lost the case and returned to Hollywood, in debt and without income, to resume her career. Olivia de Havilland mounted a similar case in 1943 and won.

Comment by David Jobling
on A Cut Of The Action: Top Ten Female Directors

October 5th 2008 01:19
I'd have to acknowledge Barbra Streisand for Yentl - no easy feat to direct a musical, or a film with music - that looks so incredibly authentic and with such feminine insights; then The Prince of Tides was a great film - it handled some very difficult subjects concerning male rape and violent repression in men with sensitive insight.





Diane Keaton has made some terrific films as well, particularly Heaven (documentary) and from memory a particularly good episode of 'Twin Peaks' ...



I was disappointed in Gillian Armstrong's latest, it didn't quite cut it for me although it was a nice idea. I did enjoy My Brilliant Career and Startstruck; although I 'm under the impression Startsruck left so many scars in it's wake among the principal players in the film it's a shame - I believe there's still a rift between Jo and Gillian all these years later.

Never the less, the notion that there are no women directors around is hard to defend these days, not quite a balanced proportion but better than it was (and before) in the 19-Seventies and thanks are due to plenty of women who took a heap of abuse for asserting themselves in the hard core main stream film industry.

Comment by David Jobling
on New gay papers, Taxpayer fund Mardi Gras

October 5th 2008 00:47
Doug - do you pod cast the show or live stream it on the web at all? Be interested to know, don't get a lot of very political active news on the radio here in Adelaide.. we have Radio Adelaide but it only has one 'gay' program a week and is quite conservative.. unfortunately..

I took a compilation of scenes from Aliens (James Cameron), with the Big Female Alien in pursuit of Ripley, once in an editing exercise and placed the opening credits music from Gentlemen Prefer Blonde's (Howard Hawks..?) under it - made me laugh..

also a loop of Marylin's "No no no no" intro to 'Diamonds are a girls best friend"... I put that under the shower scene from 'Psycho' (Hitchcock) and that was very strange - kind of funny but very dark..

One thing I've always thought is, scenes from 'Ghost' with Demi and Patrick trying to communicate - with Kylie Minogue "Can't get you out of my head" would work quite well - not quite the soppy feeling, a little more up beat than the film actually is..