Connor

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Joined October 18th 2006

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The Disposable Workforce

July 23rd 2007 06:38
"See I'm a dreamer, man, and when I was a cook I'd always work with people who weren't dreamers. Like, I was cooking at this restaurant and I put a hot dog on the grill and my kitchen manager came over, and he said, "Mitch, put the hot dog up here, in the right hand corner of the grill, so in case you get a whole bunch of orders at once you have all this space available." See, that's how I knew he wasn't a dreamer, 'cause the day I give up my dreams is the day I have strategic grill locations. A dreamer has a philosophy: the entire grill is hot." - Mitch Hedberg


The 20 tubs of multicoloured ice-cream arrayed in front of me are unlabeled. My supervisor tells me, “Okay. You have 10 minutes to learn all the flavours by heart.”
I want to say, or what?
I have trouble remembering things I do care about. I don't even like ice cream. But in the next 10 minutes, I need to memorise 20 obscure ice-cream flavours, including “Green Tea” and “Muramitsu”. I can't even differentiate between the 3 chocolate flavours, the 4 berry flavours, or the 2 nut flavours. My brain just glazes over as I read the names off the customer chart, which will be invisible to me when I'm behind the counter. But I have no choice. I'm part of the disposable workforce.

It's my first night working at a cafe/ice-cream bar. I've been issued with an ill-fitting polo shirt and a tax file number declaration form, and I'm trying not to look at the hot pink leather that adorns the interior. A popular radio station plays tinnily over invisible speakers hidden among the mass of white tiles. There are three other employees on besides me. One is my supervisor, whose name I can't tell you, because her accent is so thick that I don't understand her when she introduces herself. One is a girl about my age who seems vaguely bewildered all the time. And the other is a commerce student with neatly combed red hair, who has a handshake like an osteoporosis patient.

I lost my last job under circumstances too baffling and esoteric to begin to explain, but suffice to say, one day I was working over 40 hours a week, the next, I was unemployed. Thus began my journey of trawling the city on the cheap circuit of unskilled part-time employees. A world of fast food restaurants, seedy pubs, bustling cafes, overdressed wankers in trendy clothing stores; of pretending to know more than you do about uninteresting things, of anal-retentive balding middle managers, of don't-call-us-we'll-call-you' s. Of people with high horses and low ambitions.

The economy being what it is, I only spent a couple weeks out of work. My standards are not high. Two or three weeks of internet cafes, printing resumes at 10c a sheet, walking the business districts of local suburbs, wearing out my good shoes. For better or worse I wound up in the ice-cream bar.

When it comes to scooping the ice-cream into the cone, every seasoned employee has their own elaborate method. Scoop angle, scoop speed, scoop penetration depth. Every one of them is full of helpful advice, all too eager to share the most esoteric detail of their own expertise. The wildcard – hang onto your hats - is that each flavour has its own texture and consistency, meaning that a skilled scooper will use some kind of primitive physics to devise an adaptable scooping formula whereby their technique can be applied in slightly different ways in scooping the various flavours in order to produce an acceptable lump of ice cream in a plastic cup.

The McDonald's franchise was an innovator in almost every aspect of food service – no doubt this is the reason it was such a phenomenal success. As it evolved from a small hamburger grill restaurant in California to the multinational corporate Goliath we know today, its attitude toward its employees evolved (or devolved) as dramatically as the food. It is arguable that McDonald's invented fast food as we know it. It is inarguable that they invented the disposable workforce. They were the first major business to discover the benefits of treating your store as an assembly line.

Once, a man in an apron would take your order on a pad, put your money in the register, cook and prepare every part of your meal, then bring it to you on a plate. Over time, it became obvious that they could pay employees less if the employees knew less. Now a succession of different people take your money, grill your patty, fry your chips, build your burger, and carry out your food. Every employee is drilled in one insignificant job so simple and mind-numbing that they can literally learn it in an hour. If they quit or get fired, any pleb with an IQ over 10 can be trained to do the same thing in another hour, and will not expect to be paid above the rock-bottom minimum wage. They know that there are a million people on the street who could learn to pull that lever, push that button. They are inessential. They are cogs in a machine. They certainly are not inclined to unionize.

Ask your grandparents if many 14-year-olds had jobs in the service industry working for major business chains, back in their youth.

The beauty of a machine is that if a component stops working, you replace it and business continues as usual.

When my parents were young, a butcher was a broad job description. They would kill the animal, clean it, carve the sections of meat off, display and sell them. They knew how to recognise a good cut of meat from bad. They knew almost as much about animal physiology as a modern veterinarian, and could tell you what sort of quality you would get from an animal's meat depending on its diet and lifestyle. It was a trade knowledge expanded upon throughout a man's entire life.
A modern butcher's apprentice need not even work for a butcher as such. It is just as likely that he will be employed by the butcher's department of a supermarket. Carcasses are delivered stripped, skinned, gutted and cleaned; the apprentice need only cut the meat off the bones and put it on a machine that weighs and wraps it before it goes on the refrigerator shelf. The skills the apprentice learns are a slightly more complex version of the skills you exercise when you cut the fat off your steak with a knife before you eat it.

At the ice-creamery, I was instructed to clean the glass pane in the front of the display freezer. I was told where to find a spray-bottle of glass cleaning fluid and a roll of paper towel. The commerce student with the limp handshake mentored me. “Spray sort of evenly along the glass,” he said. “I usually do eight sprays, two rows of four.” I complied without question, kowtowing to expertise, and began rubbing the glass with two sheets of paper towel. “You can use more than that,” he said with a rakish devil-may-care hand gesture. “The paper towel's cheap. You can use as much as you want.” My mind spun with the decadent possibilities – endless rolls of paper towel, to be bunched up in unnecessary thickness and wiped over the glass panels at my very whim.

Later he showed me where to put the garbage when I carried it out at the end of the night. He engaged me in some more conversation. “At the end of the night, you have to do all the cleaning,” he said. “I used to like cleaning, because it's easy, you know? You don't have to think about it. You just learn how to do it, then you can do it automatically without having to think about it. But now I don't like it anymore. It gets really boring, just doing the same thing over and over.” I nodded dumbly. I wasn't sure how to reply to this lengthy missive imparting why cleaning is boring. What would you say to a man on the street who turned and told you that the sky was blue?

The modern junior workforce is undertrained and underpaid to the greatest extent an employer can get away with. They don't know how to deal with customers outside of an extremely narrow range of basic interactions. Now, instead of initiative, we have Junior Managers to answer any questions and make any decisions. The employee at the bottom of the food chain is taught to ignore every other aspect of the business that does not directly concern him. Instead, he specialises in inanity, and becomes a useless expert in the most esoteric elements of his job.

This approach breeds stupidity and laziness, but the employee is not concerned that he is not learning anything of value. He is uninterested in taking on responsibility and becoming involved with the more vital workings of the business. When he moves onto the next dead-end job, he brings all the skill and initiative of a medicated chimpanzee to his new employer.

I've sometimes been moved to feel bitter that what I'm doing is so unimportant that it amounts to nothing more than some distant rich man buying an hour of my life for less than fifteen dollars. I think my feelings on the subject are an isolated phenomenon.

Most of us, the disposable workforce, we don't really care. We're thinking about the end of our shift, homework, our Playstations, social events. We have acne and braces and bad posture. Our bosses don't know our names. Work is not fulfilling or stimulating in even the basest way for our generation – it's a mind-numbing succession of button-pushes and lever pulls. We have to reduce ourselves to cogs in a machine to make a living, and that mindset is one that tends be hard to shake.
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Lurid Green Energy

May 23rd 2007 15:34
When I read the findings of last year's parliamentary investigation into the pros and cons of Australia adopting nuclear power, I did it with the sensible skepticism of anyone who has lived under 11 years of the Howard government. John Howard had previously advanced the notion of nuclear power and met with a tepid response from the Australian public, so he announced an indepth report by a hand-picked panel of experts, led by former Telstra CEO, Ziggy Switkowski.*

Their verdict turned out to be strongly supportive of the nuclear option. I had expected no less from an “impartial” inquest engineered by the Prime Minister. My first reaction was a conditioned reflex to new Howard policies – I concluded that the government was using the prospect of “clean” nuclear energy as a smokescreen, a carrot on a stick to placate the Australian people regarding the global warming crisis. A dark horse solution like nuclear power is familiar enough in concept to sound realistic, but dithering with inquiries and so on could delay the process for as long as the government and the coal-energy industry required. When Kevin Rudd took the reins of the Labor party and went on the attack regarding Howard's apathy on climate change, my conception of the nuclear option as a smokescreen was reinforced. It was flouted as a way of saying, “see, we are doing something about it”. That's what I thought, and as it turns out, if I wasn't exactly wrong then I wasn't 100% right.

The Bush regime's own response to global warming is a “nuclear renaissance”, which proposes exporting nuclear energy worldwide. If the American plan were successful, the entire world would be consuming uranium in the same way it now consumes coal. And Australia has a lot of uranium. In fact, Australia has over 25% of the world's known uranium deposits, by far the most of any single nation. Not coincidentally, the past 4 years have seen the price of uranium jump from about US $15 a pound to roughly US $125 a pound. Connect the dots. We're sitting on a strapping cash cow, just lactating away like a son of a bitch in the desolate reaches of the Outback.

Any democratic country making money is, naturally, an appealing thought. But in this case, the rush to profit from a newly-precious natural resource is masking the reason for the nuclear push in the first place. That reason, that bottom line, is protection of the environment. Not chaining ourselves to bulldozers, or adopting stretches of highway and picking up empty beer cans on a Sunday afternoon. It's about ensuring sustainability for the future life on this planet. One country's fat bankroll will ring awfully hollow against an unlivable planet.

It is undeniable that carbon emissions would be cut drastically by replacing coal with nuclear energy. But that is not the only consideration. In fact, the more we learn about the viability of nuclear energy, the less it seems like a solution to our environmental problems.

The process is literally decades from being made efficient – presumably meaning we would have to endure many years more of coal energy, by which time it will most likely be too late. The most optimistic estimates suggest that if development starts now, nuclear energy will be able to supply a paltry one-third of Australia's energy needs by 2050. And for the development to start now, there would have to be a massive surge of interest among private investors. As of now, even Ziggy Switkowski admits that there is none whatsoever.

The disposal of the nuclear waste byproduct is uncertain at best – all over the world are repositories of nuclear waste locked deep underground in quarantined bunkers, barrels and bulkheads gradually corroding, for lack of a better idea of what to do with it. There is still no safe, indefinite way to store nuclear waste.

And while marked improvements in nuclear power technology safety have been made since the Chernobyl incident, the nightmare possibility of a reactor meltdown still hangs over every plant we build.

(Incidentally, I'm not overly concerned about the risk of nuclear weapon proliferation since the only country that has ever used nuclear weapons on human beings already has the biggest stockpile of atomic warheads in the world.)

Howard's fixation on nuclear energy as a solution to global warming would not seem so absurd if the alternatives had been weighed equally, but they have not. “Hot rock” technology, a science still in the theoretical stage but showing great promise, has been completely dismissed by the Howard government. Currently existing green-energy sources such as windfarms and solar power have been dismissed as inefficient, but the government will not allocate funds into refining the technology to make it viable. The opinions sought by the government have been very selective, to say the least; Australian Of The Year Tim Flannery – one of the world's leading experts on climate change – has repeatedly offered to brief John Howard on the science of global warming in good nonpartisan faith, and has been ignored.

Evidence of global warming has existed since the seventies. The first concrete scientific evidence was presented to the United Nations as a matter of urgency 17 years ago. Now nuclear energy, a science abhorred by environmentalists since its very conception, is being advanced as a solution to a serious global environmental issue. And as more financial incentives emerge in favour of nuclear power, the more it recalls to mind the Iraq war – also a disastrous venture in pursuit of a dangerous and outdated fossil resource. It is high time our government at least examined energy options with the future of the planet in mind instead of the future of the treasury's coffers.

I'd like to close with a suggestion from an environmentalist character in one Kurt Vonnegut book or another. He thought that we should leave a message carved into the side of the Grand Canyon in enormous letters, for any alien races that should stumble upon a dead, blackened and uninhabited Earth at some time far in the future: “WE COULD HAVE SAVED IT, BUT WE WERE TOO CHEAP.”


*On a possibly unrelated note, Federal treasurer Peter Costello publicly backed a multi-million dollar payout for Mr. Switkowski when he was sacked from his position at Telstra.
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The Fool - Chapter VI

May 22nd 2007 14:22
VI

His eyes snap wide open and his body jerks forward, his hand automatically going for the holster under his shirt. It freezes on the butt of his gun, and he blinks once, twice, in confusion.
He's sitting in the driver's seat of his truck, in front of the motel where he left it. Some autonomic part of his mind automatically gauges the position of the sun, tells him that no more than twenty minutes have passed since he knocked on Nino's door.
He belts the door open and gazes around, his eyes taking in everything. Everything in its place, an old dog sleeping in the shade across the street, the one-eyed old crone eyeing him balefully from her vantage point on the porch a few doors up. He turns in place, looking for something out of the ordinary, any indication that someone might have taken notice of how he got back out here. But there's nothing. The street could be a faded painting in an attic somewhere.
He realises his hand is still on the gun, and he drops it warily back to dangle at his side. His fingers twitch. He sees that the things he purchased from Nino are sitting neatly in the passenger seat, and he scratches his head in utter bewilderment.
He leans heavily on the open door of his truck and stares down the dusty road, running off into the desert, out of this weird little town. Part of him wants to go back down to the cellar, to drag some answers out of Nino. But, remembering the desolate terror of the hallucinations the fortune-teller had wrought, the better part of him wants to start his truck and drive straight out of this fucked-up little town.
He sighs and drops back into the driver's seat. His groceries are still sitting on the seat, and he flicks the cap off the whiskey and takes a healthy swig. A pleasantly warm numbness slides down his gullet and spreads through his belly. The engine coughs and roars into life on the third twist of the ignition key. He notes with displeasure the rattling wheeze the old truck makes, shuddering as though having convulsions as it turns over, and makes a mental note to trade up in the next town. The truck rolls around in a slow 180 degree arc, then roars past the old hag on the porch. He realises, finally, what's so weird about the silence in the cabin – he can't seem to get any radio stations in this town, none at all. A white-noise roar of static follows him out of the town and over the horizon. He starts to hum tunelessly, an old Hank Williams number, in an attempt to drown out his unusally stubborn thoughts of the fortune teller and the desolate end foretold by her cards.

He has been on the road a couple of days when he comes to a place that captures his almost nonexistent imagination. As far as he can see in either direction, there is no landmark and no change of scenery, not a building, a hill, a tree, a crooked old fencepost. Just flat dead hardpan stretching to forever, reflecting a harsh white glare, bisected by one thin black stretch of highway.
He feels a sudden strange premonition, that he is caught in some sort of endless loop where he will keep driving along the same road forever, nothing behind him and nothing in front, never arriving anywhere, like moving along a repeating backdrop in an old play. And were he a superstitious man, he might suspect that this thought causes his truck's engine to finally cough and splutter out with a terminal wheeze. The old car careens on in silence for a few hundred metres, then gradually rolls to a gentle stop on the featureless roadside.
He sighs and rubs his tired eyes with one hand. He doesn't know much about automotive repair, and doubts he could do much even if he did – the truck is on its last legs and he knows it. He does not recall when he last saw another car on this road, but that alone tells him that it was some time ago. I might be here for awhile, he thinks. Climbing out of the cab, he lights a cigarette and looks up at the sky.

The sun swims lazily across the sky and the light changes gradually. In the early afternoon, Vincent sits in the cab of the old truck, smoking and reading his tattered copy of The Old Man And The Sea. It is much dog-eared, grimy and stained, bent in the middle from being tucked into pockets so many times. The spine is coated with a moldy smattering of binding glue left behind from when the hardcover fell off, somewhere many miles back. The dust of a thousand small towns is smeared on the edges of its pages in vague approximations of its owner's fingerprints. Vincent can recite much of it by heart. He has read it many times.
The light goes from its early-afternoon dead-white bleach, glare like phosprous, to a less severe shade, winding down as it prepares to slide into evening. When it is in this phase, Vincent begins his exercises. Words spelling ideas drummed into him at great length have ingrained themselves in his mind, becoming action through his hands. A one-handed weapon need not be sighted down its barrel. Feel the dimension of the weapon and understand its position relative to your hand. If you can point your finger at something without sighting along your arm, you can shoot from the hip.
He stands, legs apart, boots planted on the hardpan. His spindly fingers flex and stretch by his sides. The revolver sits in the oiled leather holster under his left shoulder, his shirt folded neatly on the hood of the truck. He pulls a potato from his pocket, purchased from the coot in the last town. He tosses it up and catches it idly a few times. Then, suddenly, he draws his arm back and flings the potato straight up in the air, his hand becoming a motion blur. He draws a bead, aiming with his eyes. The potato reaches its apex in midair and its upward climb slows as gravity begins to pull it back down. In another motion too fast for the eye to follow, Vincent draws his gun and fires. The potato explodes. Tiny chunks patter to the earth like rain.
Again and again he does this.
He keeps at it doggedly, with a dispassionate eye for his every mistake, every graze instead of a clean hit. He does it with two potatoes in the air at once. Then with three. With three, he always misses the last one. He once knew a man who could shoot three small objects from the air at a single pass, a one-eyed man, no less. That was a long time ago.
And, Vincent reminds himself, what of it? Parlor-tricks are well and good, but no man was ever killed by a falling potato. The one-eyed man died with a knife in his Adam's apple, a knife made from a sliver of tin, gurgling his last through a throatful of blood. Vincent could never hit that third potato, but he is still alive, and he reckons that's something.
After awhile his eyes grow tired squinting up into the cloudless desert sky. He sets more potatoes on the roof of his truck and plays at Wlliam Tell. First five paces, then ten, twenty, thirty. From straight on, then pivoting on his left foot and firing from the hip.
The gun cracks its cannon-fire report into the silence of the plain. Its weight kicks back and up in his hand. He stands with the barrel pointed at the sand, a thin tendril of smoke curling up. He stretches his arms above his head and rotates his shoulders. He leans his head to either side and a series of cracks erupts from his neck, like firecrackers going off.
You see that? You'll never be any good with an automatic. You absorb the recoil with your elbow. That's a revolver technique. So if you can't learn to reload a sixgun with one hand in less than five seconds, you're worse than useless.He swings out the revolver's cylinder, emptying clattering shells between his boots. With an easy, mechanical speed, he plucks six shells neatly from the loops on his holster with his left hand and slides them into the empty chambers, rotating the cylinder with the thumb of his right. He spins the cylinder, making a whir like some insect, and flicks it back in with a snap of his wrist.
He spins the revolver once on his index finger, then slides it neatly back into its holster.
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Dehumanizing Hollywood

May 22nd 2007 14:07
Dehumanizing Hollywood

The recent film “300”, a fictionalised account of the ancient Greek myth of the Battle Of Themopylae, caused a sensation in more ways than one. The film was shot almost entirely in front of a green screen, with all backgrounds edited in digitally, and heavy film filters give the film a bronzed, stark, striking appearance. Aside from causing controversy for its graphic violence, its unflattering depiction of Persians as inhuman barbarians, and its rather heavy-handed glorification of the Spartans, it was lamented by film purists as the first of a new generation of movies – movies that look like videogames. Its striking appearance, the demonisation of the film's villains as they were mercilessly butchered, the over-the-top violence for violence's sake, the saturation of slow-motion and bullet-time techniques, the identical gym-trained six-pack bodies of all 300 Spartans...the parallel is easy to draw. While it looks spectacular, it does not look real. Movies, it seems, are being dehumanized


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XXX 2: The Next Level

March 6th 2007 15:22
The first XXX set a new low intellectual benchmark for Hollywood. First off, it starred Vin Diesel – a man whose very name conjures up images of truck engines, steroids and testosterone. Casting Diesel as your leading man is essentially throwing in the towel to the vapid stupidity of today’s audiences; let’s face it, the only good thing the guy ever did was get shot in Saving Private Ryan. The film started with Xander Cage (played by the equally-ridiculously-named Diesel) stealing a senator’s sports car and driving it off a cliff before jumping off the back with a parachute. While listening to commercialised radio-friendly heavy metal. Why? Because this particular senator was lobbying against violence in videogames. Or something. It’s clearly not important. By the time you’d witnessed this much of the film, it was already too late – your IQ had already decreased by at least 5 points. Running from the cinema in a blind panic, you’re horrified to discover that you’ve suddenly started breathing through your mouth and dragging your knuckles along the pavement like some protein-deficient suburban chimpanzee, a look that goes well with your newfound penchant for overalls and pro wrestling…

Ahem. So, thanks to the ever-predictable Hollywood machine with their current hard-on for sequels and remakes, now we have this: “XXX 2 (XXXXXX?): THE NEXT LEVEL”. The next level of what, you may ask. I’m here to tell you they were referring to the sheer level of stupidity that emanates from the screen, which has been upgraded from the level of an 80’s Arnold Schwarzenegger film, to a veritable atomic bomb of dumbness. The next level of corny one-liners, of cheesy rap-rock soundtracks, of excuses to put rappers in action movies. The next level of cinematic stupidity. If you’ve seen XXX 1 you know this is a big call – imagine trying to get dumber than Vin Diesel snowboarding in front of an avalanche and using a silver food tray to skate down a handrail for no apparent reason. It ain’t easy


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The Fool - Chapter V

March 6th 2007 15:12
MATURE CONTENT
   


Every now and again, something will be released that will cause a sensation of negative publicity. A recent example would be Dan Brown's “The DaVinci Code”, a novel denounced by Christians worldwide for its tales of conspiracy theories covering up the true events of Jesus' life and unorthodox interpretations of classical art, among other things. It's easy to see why it struck such a raw nerve - in a society like ours, which has a purely Christian foundation, most people wouldn't look at Leonardo DaVinci's famed painting of The Last Supper and see obscure symbolism in facial expressions and body language that points to a total New Testament spin-job.

If the Christian establishment had completely ignored the book, it might not have become one of the biggest-selling novels of all time – because, as many people can tell you, the book itself is fucking awful; third-rate theology-major lit-minor two-dimensional bargain-bin paperback garbage from the get-go


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The Fool - Chapter IV

December 20th 2006 00:24
He sweeps the curtain aside. Beyond is a small room, dark and murky bar a few homemade candles stuck at seemingly random spots across the room. It is plain but for a few cluttered shelves along the walls, crammed with books and strange ornaments. Three or four stick of incense burn, distributed around the shelves and the floor, and it's these sticks of incense that are giving off that thick, strangely relaxing smoke.

In the centre is a round table. Behind it sits a woman in a shawl. Vincent's eyes are very good, but even from a couple of yards away he is having trouble distinguishing her features. Something odd is happening with the candlelight. But he thinks she is wearing a small smile


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A Pointless Adventure

December 13th 2006 09:55
I've already said that I was pretty ill last week. But that statement alone doesn't say a thing of the monumental struggles I went through just to buy a loaf of bread. While I wouldn't say the experience was fun, it did turn a mundane, everyday task into something quite extraordinary.

I woke up with flu up to the eyeballs on Monday morning. By Wednesday the most obvious of the symptoms had subsided but I was left with a crippling lethargy that made every movement a chore. And I live in a house with a lot of stairs. Can you comprehend it? Staring the limits of your physical endurance in the face every time you want a glass of apple juice? The mind boggles. Every tiny exertion was hampered by the most terrible, bone-deep weariness, like trying to do gymnastics on a planet with extremely high gravity


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The Fool - Chapter III

December 11th 2006 06:40
In this chapter, Vincent winds up his dealings with Nino, but not before taking him up on a kind offer.

The Fool - Chapter III

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Recent Comments

Comment by Connor
on Sex Euphemisms

October 14th 2007 11:10
I haven't heard that song, but if that's true, then the Bloodhound Gang are geniuses*.

*Is 'geniuses' the correct plural form of 'genius'? Sounds wrong, somehow.

Comment by Connor
on The Disposable Workforce

July 24th 2007 05:04
Thankyou very much.

Post Script: I quit the job after 1 shift. I took the supervisor aside, whatever her name was, and said, "I'm sorry, I don't think this is going to work out." Four hours in a lurid pink hell was four hours too much for me.

Comment by Connor
on Cats Vs. Dogs

March 22nd 2007 03:00
You know, I think the general standard of intelligence from the pro-cat crowd on here has just won the argument for me.

Comment by Connor
on Metal Gear Solid - The Movie

December 3rd 2006 11:20
I think Christian Bale is too beefy, and he looks nothing like Snake at all. The voice is also all wrong. I stand by my nomination of Tom Jane.*

I've come up with what I think is a better idea for Liquid Snake - Daniel Craig, who is the new James Bond. He has the look, the svelte personality, and best of all - he's a Pom! He gets my vote.

*I'd just like to clarify that that was not an attack on Christian Bale, I love that guy. I don't think he's right for the part though.



Comment by Connor
on The Left Is Soft On Tyranny

November 19th 2006 10:55
- Eric: why do you think the UN is so useless? Because its authority is constantly undermined by the US. As we have all observed, just the idea of multilateralism gives George Bush diahorrea. As for terrorists "hitting our buildings", that has become a lot more likely since we went gallivanting off into Iraq WITHOUT UN approval. You want to pull the fangs out of the only global policing body then take a shit on world stability with illegal invasions, don't come crying to me when every fanatic from here to Baghdad is "hitting your buildings". Instead of saying "screw the UN", it might make more sense to say "screw the people who make it so impotent and useless".
- Thankyou Damo. I'm not crazy about the whole Left-Right debate; I'd rather find some principles we can all agree on (ie basic human rights) and work to make sure they are served. People are being murdered while we argue about gay marriage and marijuana laws.
I've never actually read Quadrant, so I'll take your word on its content. But if they still look under the bed for communists every night, it would explain why Howard digs them so immensely.

Comment by Connor
on Metal Gear Solid - The Movie

November 16th 2006 02:52
Justin:
- Can't dig your nomination of Ray Liotta. I do like Ray, but I don't think he has any characteristics in common with Snake at all.
- Hopper is a good suggestion. I still think I'd pick Sheen though...Campbell was a good man, and Hopper just always seems to goddamn sinister. I don't think he can HELP being sinister.
- Sure, you never saw Darth Maul out of his paint either, why not?
- I don't know who James Spader is, I'll look him up.
- I don't think Kiefer has the look, the physique, or the charisma. Liquid Snake had a personality ten feet tall.
- JJL might be a bit old, I think...in the game, Meryl was only about 20 or so.
- Kilmer is an excellent suggestion, my hat goes off to you. In fact, I'm switching my Master Miller nomination to Kilmer.

Comment by Connor
on The Left Is Soft On Tyranny

November 16th 2006 02:46
- ...Thanks?
- Like sex? Alright!
- For sure. I think we can all agree Hussein was a monster, but barrelling on without the backing of the UN has gotten the Western powers into the biggest mess since Vietnam.
As long as we've got this fanatical Left/Right dichotomy with both sides hating one another blindly, I suppose we will always have radical denouncements like that. What got under my skin is that this is the Prime Minister. The PM being able to make radical statements like that is like the umpires at the footy coming out onto the ground wearing the colours of their favourite team.

Comment by Connor
on Cats Vs. Dogs

November 1st 2006 22:21
Dude status revoked.

Comment by Connor
on Cats Vs. Dogs

November 1st 2006 06:00
1. If you're too lazy to train your pet not to shit inside, then don't get a pet.
2. If you're too lazy to train your pet not to jump on people, then don't get a pet. Also, would you listen to yourself? "omg slobber gross lol", I mean really, who fuckin' cares. It's a bodily fluid, your mouth is full of it.
3. Not my goddamn fault you can't discipline your pets. And if you hate dogs so much, then you shouldn't have any.
4. I make a point of keeping animals away from Ming vases and crystal chandeliers, irrespective of species. I'm clumsier than any dog I have ever seen, and I don't wander around blindly bumping into things.
5. That's actually a really good point. If your bed is unbearably cold and you have an irrational paranoia about the chances of an electric blanket catching fire or electrocuting you, then getting a cat is definitely the next logical step, and that wasn't a dumb argument at all.
6. I didn't go to that link, because I refuse to waste my bandwidth on pictures of kittens posted by people who are petrified of electric blankets. It's just a matter of general principle, don't take it personally.
7. Your enemies? Like The Joker and Lex Luthor? What are these people doing at your house in the first place?

Comment by Connor
on Social Progress

October 31st 2006 11:35
Thanks for the props Nick. I think you might be very right, that site was very on the ball a little while back, but I just recently read somewhere it might be in excess of 600,000! Christ.