Bryn

Sydney, New South Wales, AUSTRALIA


Joined August 14th 2006

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"Is all that we see or seem but a dream within a dream?" --- Edgar Allan Poe

my flesh and blood
I've had a dark romance with horror movies for nearly three decades. Watching Ridley Scott's ALIEN on VHS, barely into my teens, and seeing Tobe Hooper's POLTERGEIST at the cinema had a profound effect on me. At age 13 I snuck into the theatrical release of HALLOWEEN II (which was restricted to 16 in New Zealand, my home country) ... and that was it! I was a fully-fledged gorehound, terrorfreak, HORRORPHILE! I collected Fangoria magazine for many years and have every issue from August 1979 (issue #1) through to December 1988. In nightmare cinema I relish phantasmogorical, oneiric atmosphere and dark moody tones; tension and suspense are paramount. Graphic violence can be exhilarating when executed with conviction, style, intelligence and panache. I savour the illusion of special effects makeup - Tom Savini, Rob Bottin, Rick Baker, Stan Winston (RIP), Dick Smith, KNB (Greg Nicotero/Howard Berger) ... they're all magicians of the macabre! But, to be more precise, I'm actually a complete cinephile - I love the artifice of movies. But I'm quite fussy in my tastes. I don't dig just any kind of movie. As a rule of thumb the kinds of films that I end up purchasing on DVD for my eclectic collection are of a darker hue ... I gravitate toward lurid dramas, gangster flicks, moody sf, black comedies, action thrillers, exploitation ... and of course, horror. I have a particular taste for all things creepy, scary, gruesome and transgressive, which is why I thought writing a blog on the high art and deep trash of nightmare movies was a bloody good idea. This is HORRORPHILE ... Welcome to my PLEASURE OF NIGHTMARES!
my all-time favourite nightmare movies
1. Alien (USA, 1979) directed by Ridley Scott
2. Halloween (USA, 1978) directed by John Carpenter
3. Day of the Dead (USA, 1985) directed by George Romero
4. The Thing (USA, 1982) directed by John Carpenter
5. Phantasm (USA, 1978) directed by Don Coscarelli
6. Deep Red (Italy, 1975) directed by Dario Argento
7. Videodrome (Canada, 1982) directed by David Cronenberg
8. An American Werewolf in London (USA, 1981) directed by John Landis
9. The Evil Dead (USA, 1982) directed by Sam Riami
10. Suspiria (Italy, 1977) directed by Dario Argento
11. Eraserhead (USA, 1976) directed by David Lynch
12. Possession (Germany/Poland, 1981) directed by Andrzej Zulawski
13. Angel Heart (USA, 1987) directed by Alan Parker
14. Dead Ringers (Canada, 1988) directed by David Cronenberg
15. Them (France/Romania, 2006) directed by David Moreau & Xavier Palud
16. The Descent (UK, 2005) directed by Neil Marshall
17. Invasion of the Body Snatchers (USA, 1956) directed by Don Siegel
18. Let the Right One In (Sweden, 2008) directed by Tomas Alfredson
19. Cat People (USA, 1942) directed by Jacques Tourneur
20. Dawn of the Dead (USA, 2004) directed by Zack Snyder
my other movie blog
Bruno Dante's CULT PROJECTIONS
http://cultprojections.com
... basking in the dark sunshine of cult cinema
The lewd and the ludicrous, the wicked and profane, the savage and sardonic, the ethereal and arcane.
Come and visit my movie parlour of lurid, vivid dreams!

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Innocent Blood aka A French Vampire in America
With the New Moon upon us, and the scourge that is the Twilight Saga sucking the vampire and werewolf sub-genres dry of any truly palpable supernatural menace and carnality, it was time to unleash my own definitive selection of vampire movies (and a clutch of werewolf ones too). No doubt there’ll be a few frilly collars ruffled and a few pale cheeks reddened with rage, as I completely disregard any vampire movie that dares to dance around in tight pants and a self-important, angst-ridden gaze.

Have I actually seen Twilight (2008)? No, of course I haven’t, it’s not my cup of adolescent, melodramatic romantic twaddle; I call a spade a spade, and Twilight needs burying. Of course by the middle of next week New Moon will probably have broken some kind of box office record, and that’s sweet irony.

My criterion for vamp selection excludes most of the obvious spoofs, satires or broad comedies. Don’t get me wrong; there are many excellent vampire comedies from across the spectrum, such as Vampire’s Kiss (1989) and The Fearless Vampire Killers (1967). But I decided I wanted to concentrate on the scary ones, the atmospheric ones drenched in dread and foreboding, the ones most likely to stop your heart, the blood draining from your face.
30 Days of Night
There are two vampire movies very soon to be released down under – Daybreakers and Thirst - but I can’t be sure I’d include them, as I’ve heard mixed reports. If need be I’ll return at a later date to adjust the list. In the meantime here, in no particular order, is Horrorphile’s Most Blood-Curdling, Shadow-Fearing Vampire Flicks Ever!

Innocent Blood (A French Vampire in America) (1992)
John Landis does for vamps what he did for werewolves; dark comedy streaked with blood. Anne Parillaud is a most strikingly sexual and contemptuous vampire indeed!

Near Dark (1987)
Nomadic clan drift from small town to small town, hungry and squabbling, then one of their own falls for a mortal, it can only get sticky.

The Addiction (1995)
Vampirism as metaphor for drug addiction, as portrayed by Lily Taylor through the dark shadowy morals of New Yorker Abel Ferrara, this is vamp anxiety with serious intellectual bloodletting.

30 Days of Night (2007)
Savage, primal, hellbent; this was the most exciting and violent vampire movie in years. These are the hideous undead you certainly don’t want to play silly buggers with. Rather curiously director David Slade is directing the Eclipse installment of the Twilight Saga.

Nosferatu, eine Symphonie des Grauens (1922)
German Expression at its most unnerving. Max Schreck is Graf Orlok. Director Murnau freely plays with Bram Stoker’s novel creating probably the most nightmarish adaptation of Dracula ever committed to celluloid.
Nosferatu 1922
Nosferatu: Phantom Der Nacht (1979)
Another Bavarian countryman, Werner Herzog, delivers a rarity; a remake as compelling as the original, that is oh so different, yet bewitchingly similar in atmosphere. Klaus Kinski inhabits the vampyre Count with unctuous ease.

Let the Right One In (2008)
This turned out to be the most satisfying and rewarding mainstream vampire movie in years. Whilst being poetic, it didn’t shy from its darker framework (although nowhere near as dark as the original novel).

Daughters of Darkness (1971)
Another German production, echoing with sensual abandon from modern horror’s most provocative decade. This dares not to play by the rules, feels perverse, but chaste, and lingers like a bewitching dream.
Salem's Lot
Salem’s Lot (1979)
One of the best Stephen King adaptations, Tobe Hooper’s made-for-television two-parter was re-edited into a much creepier and more violent feature. The floating kid scratching at the window still makes my skin crawl.

Cronos (1993)
Guillermo Del Toro’s debut feature kicks arty ass! Vampirism plucked from the ancient past and the projected into the future via the present. Creepy-crawly ingenuity that gleams in the night.

Bram Stoker’s Dracula (1992)
Forget Keanu Reeves dire portrayal of Harker, Francis Coppola’s reasonably faithful, and dramatically stylized telling of the legendary novel is a sumptuous display of bravura cinematic storytelling.

Martin (1977)
George Romero strays from the zombie path to delve effectively into one man’s delusion and paranoia, a desperate thirst for sanguine in a world oh so cynical and real.

From Dusk Till Dawn (1995)
Wild and wicked, lewd and lascivious, director Robert Rodriguez with both stakes blazing, writer Quentin Tarantino playing sub-genres to the hilt and then some. Salma Hayek steals the show.

Now for the lycanthropes! Scary, sweaty werewolf movies are a rare breed indeed! Much to my dismay, I was hard-pressed to think of more than five that possess a serious bite. Perhaps that’s why I’ve started co-writing my own werewolf feature …

The Most Hair-Raising, Howl-Inducing Werewolf Flicks Ever! (well, five of them at this stage)
An American Werewolf in London
An American Werewolf in London (1981)
This is the seminal comedy classic from director John Landis that stars Rick Baker’s truly astonishing special effects make-up (years before CGI). Griffin Dunne and Jenny Agutter have a ball.

The Howling (1981)
Made at the same time as American Werewolf, Joe Dante’s movie features the equally impressive special effects makeup work from Baker’s protégé Rob Bottin (only 21 at the time). This is another bona fide fright-chuckle classic.

Ginger Snaps
Ginger Snaps (2000)
Lycanthropy as metaphor for the menstruation cycle, this was the most original and freshest flick sprouting lupine hair since Landis and Dante butted heads. Emily Perkins and Katherine Isabelle are superb.

Dog Soldiers (2002)
Neil Marshal delivers a masterful exercise in macho cowboy shenanigans pitted against huge monstrous wolfmen in the woods. It’s every man - and the odd woman - for themselves, it’s gonna get hairy!

The Company of Wolves (1985)
The fairytale of Little Red Riding Hood gets a makeover courtesy of contemporary mythmaking author Angela Carter and is directed with consummate style and wit by Neil Jordan.
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MATURE CONTENT
   


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Vampire Hunter D: Bloodlust

November 16th 2009 02:08
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Vampire Hunter D: Bloodlust

November 16th 2009 02:00
Vampire Hunter D Bloodlust movie poster
An American-Japanese-Hong Kong co-production, Vampire Hunter D (2000) is often called Vampire Hunter D: Bloodlust, so as not to confuse it with the original Japanese feature Kyûketsuki Hantâ D (1985) AKA Vampire Hunter D. But aside from being anime movies, the central character, D (short for Donleal), and the title, the movies are worlds apart in style and effectiveness.

Both movies are set in the far distant future (the 121st Century to be precise). In the original D is hired by a woman, Doris, who has been bitten by Count Magnus Lee after she trespasses in his domain whilst hunting marauding demons. Fearing for her life she enlists the services of the man known as “D” in order to hunt down the evil vampire. The movie was directed by Toyoo Ashida based on the novel Kyuuketsuki Hantaa D by Hideyuki Kikuchi. The Japanese-language version is much better than the American dub (made at the time), but unfortunately the movie has dated badly; the animation is simplistic, the storytelling is pedestrian, the tone uneven, and it’s frequently just downright silly


[ Click here to read more ]
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FRIDAY THE THIRTEENTH, TWENTY-OH-NINE

November 12th 2009 23:50
Suspiria movie poster detail
What is the state of the modern horror movie? What is there to be thankful for? What is there to look forward to? Are we in a time of progression or recession? Will the Darkness always be there?

The genre of horror in the history of cinema began in Germany, during the Expressionist Movement, and arguably was heralded – and still championed - with the release of Robert Weine’s oneiric tale of a crazed doctor and his somnambulist killer, the feature The Cabinet of Dr. Caligari (1919


[ Click here to read more ]
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FRIDAY THE THIRTEENTH, TWENTY-OH-NINE

November 12th 2009 22:55
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Black Water

November 11th 2009 23:32
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Recent Comments

Comment by Bryn
on And In The Epic Battle of Horror Films the Winner Is....

November 21st 2009 00:45
Saw VI (and the rest of the sequels) are lame. Paranormal Activity is a thoroughly effective fright machine, probably the most genuinely scary movie I've seen in a while. I was lucky to see it several months ago at a film festival not knowing anything about it. Unfortunately, like The Blair Witch Project, the hype machine has done much to undermine the movie's strengths.

Comment by Bryn
on Cinema Three: Formally known as Projecting Projectionist

November 21st 2009 00:39
Hi there, um, just a heads up, you say you prefer not to give out your full name, yet you provide a link to your portfolio courtesy of Holly Davis ... Some nice stuff.

Apart from my nightmare movie blog, Horrorphile, I also host a blog on my favourite movies, and movies that tickle my cult of personality, Cult Projections. Come and check them out some time.


Comment by Bryn
on New Moon Review

November 21st 2009 00:11
"... minutes before pushing play"?? Illegal download?

Earl, surely you are joshing?! Reeves couldn't act his way out of a paper bag. Even Coppola admits he only cast him because he needed a hot young star to connect with the teenage girls ... Yes, I agree Harker is wooden, but so many other actors could have captured that crippled personality and yet given an actual performance!

Comment by Bryn
on Debate Battle! VAMPIRES or WEREWOLVES?

November 20th 2009 04:32
Riddle, and that's no joke

Comment by Bryn
on Debate Battle! VAMPIRES or WEREWOLVES?

November 20th 2009 03:47
Proud Wolf, great comments!

Ainsls and Em[ILY] ... where'd you two spring from?! LOL

Comment by Bryn
on Twilight: New Moon ($16-)

November 20th 2009 02:59
You hit the nail on the head Jason by saying how the movies have been made precisely for fans of the books. Personally I wouldn't touch the books or the movies with a barge pole. When I indulge in melodrama, give me True Blood over this puerile soap any day. But hey, my tastes lie down different alleyways ...
Taylor does look like a dog! A handsome husky, a canine nevertheless. Hilarious. I liked Kristen Stewart's brief roles in Into the Wild and What Just Happened, I hope to see her in something I'm compelled to see in the future ... and it may be Eclipse (only cos David Slade is directing), but somehow I doubt it.
I seriously doubt I'd impress my partner (wife) taking her to this movie Jase ... I can think of more romantic things to do than sit for two hours watching forlorn teenagers mope around wondering if they should fuck or maybe just mope some more ... I'm being facetious I know, I just can't resist when you give this movie $16 and gush like a schoolboy in lust ... LOL
You want a vampire romance that really throbs? Near Dark eclipses the entire Twilight Saga in the bat of an eyelid ... Even The Hunger does in its thousand year sleep.
And, for the record, the CGI looks dreadful. Give me Dog Soldiers any day over Twilight or Underworld: Rise of the Lycans.
Okay, enough of my two cents ... back to the fans

Catherine, cheers! You've got some excellent viewing ahead of you! Try a vamp/werewolf double feature even!
I also love Hard Candy (very hard to watch at one point!!!) I'm a great fan of both Page and Patrick Wilson. I hope Slade injects some of the intensity he used in 30 Days of Night for Eclipse, but he'll be battling the producers and the MPAA on that one!

Hey Em, cheers! I will endeavour to review The Hunger in the near future, especially with movie vamps being so trendy right now ... I'm waiting patiently for werewolf lesbian romance drama set in NYC with Ellen Page, called Jack & Diane; production delayed.

Comment by Bryn
on Just what ARE the MOST DISTURBING MOVIES ever made?

November 19th 2009 20:49
Sarah, I look forward to seeing your lists ... Did you check out my earlier post, which dealt with scenes/moments?