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Harsh Candy

March 24th 2010 19:53
Hard candy
Ellen Page and Patrick Wilson


To bite a "Hard Candy" (2005) is to neglect dental health and to "want" to chomp it is motive enough. Such need reminds me of children who'd ignore all the dental problems just for the taste. And the continuous manufacturing of teeth torture for capitalizing on temptations. Connection? Here we have a film that centers on a sexual-predatory of a metrosexual photographer and an innocent 14-year old as the damsel in distress. But she's not exactly our typical Little Red Riding Hood.

She sucks the perverted popsicle with clenched teeth throughout this movie, until her saliva makes him all the more frail and battered. Clearly, we're dealing with a little girl who passed the marshmallow test. She meets him on a chat-room and types, "NOT A BABY, I keep telling you." The guy answers, "I'll have to see for myself."

...Indeed.

The film stars Ellen Page (Hayley Stark) and Patrick Wilson (Jeff Kohlver). Hayley is the next door naive girl who loves Goldfrapp and the kind that feels drunk but resilient enough to keep pouring herself a punch. Jeff is nowhere near Dirty Old Man in Chatroulette fame. From the way he looks, he seems to have digested every metrosexual guidebook written by Michael Flocker. He dresses sleek, drives a terrific car, and his house screams bauhaus-minimalist. I have to say that the set of this film is eye candy. The modern interiors captivating. I'm like transported to Robin Williams' beautiful interiors in "One Hour Photo"--also a film about a twisted photographer. Now I'm curious.

Thank God I saw this one on Christmas Eve and not on a tourist bus. If I saw this halfway down a road trip to route 66, I'd easily conclude B-Movie. But not when you experience the joy of eavesdropping to this film's dialogue. It transcends throughout the movie like a whiplash conversation in a chat room, the part when the webcam's on and first impressions go down the drain. I love the way the dialogue maintains the aura of keeping-up with punch lines and wise words... Only this time, a scalpel waits.

I related to this because I have trolled and messed-up with some unsuspecting strangers in chat rooms during college daze. Though, the idea here is to bring such fanciful mediocrity into an extreme encounter. Manipulative? Naturally. Who isn't manipulative with strangers? If there's a weakness to this film, it's clearly the message--unless you're ultra-serious about finding context clues within the Juno-esque cross-examination.

In the book "Writing For Story", Jon Franklin writes: "Negative lessons are painful and inefficient and the intelligent reader has learned to put a rather small value in them." So if I sit back and ponder about Hard Candy's moral, I couldn't find any except that there's more than meets the eye. Nevertheless, don't take my word for it... See how this psychological BDSM affect you. As far as the suspense goes, it strangled me by the neck for many reasons. One of them is that it took me back to that afternoon when my bicycle squeezed my testicles.

Ouch!

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United States of Anime

March 23rd 2010 22:38
Cibo Matto: Stereotype A


Total # of Songs in the album: Fourteen
Total # of songs I transferred to my iPod: ALL

I'm very selective when it comes to Japanese anime, much less "anime sound." I expected an album of songs that require ten times worth of repetitive listening before I even begin to like them. I was dead wrong.

Cibo matto's "Stereotype A" is stereotypically a Japanese sound but uniquely non-cartoonish and matured. Was it because the band members converged in the U.S. of A? (Apple NY not _Apan). I'm using "was" because they already disbanded.

Tokyo connections are clear here. Just listen to the accent of lead vocals, Miho Hatori, a Japanese national. She co-founded the band with Yuka Honda during her art studies in New York. Plus the bassist is Sean Lennon, son of Yoko Ono and... well, you know who.

Even though I'm disillusioned by the YouTube videos of Ms. Hatori's live performances, it doesn't matter really if her plugged singing sounds better than the unplugged. I didn't mind 'cause most of my enjoyment comes from recording effects, beautifully arranged synths, samplers, and even the growling of Chewbacca which jolted me one night from my seat while I drowned in headphones. I thought a monster gawked in my room.

Ms. Hatori clearly wasn't the typical front-woman from an audition to achieve the signature "sound". The album's inlay said she handled a variety of instruments, wrote songs, and even drew the cover artwork. How cool is that?

She's a true artist of recorded sound. The same can be said among her other band members except Sean Lennon, who might have a great-live-vocals-DNA. They all collaborated their geniuses. played specific instruments, and arranged specific tracks.

I bought the album because of two songs I knew beforehand: "Sci-Fi Wasabi" and "Moonchild". Track #1 is "Working For Vacation" with which I fell in love with instantly. It's very catchy. As tracks continued, the album became more infectious. It's as if the song sequencing were psychologically researched and contrived.

If an EP is boring, I'd usually skip to the carrier singles that I like. But NEVER this one... my heart duck-danced and my fingers D-Jayed the dirty dishes on a domestic chore-filled Sunday.

I have great respect for art students who can concoct electronic sound like this. My parents once bought us a Casio Electronic Keyboard with which I could only press "demo" and Rick-rolled them to impress. It's never easy.

I highly recommend this album. They're available on Amazon or I-Tunes Store. I found mine at a record-shop in Belgium. If you're a record-philiac like me, feel free to move to Europe. The continent's lush with collector's CD shops.

I swear.
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Audience Review As It Should Be

March 17th 2010 11:48
Honestly, my film, TV, and music experience revolves around the couch so I'll simply comment as a real audience.

Kleenex please.

On the flip-side, food shall be a different story
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