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Once upon a time, a long long time ago, it used to be easy to come up with something inventive and new, to inspire the people and stand out from everyone else.

Sitting down to write a lick or two was easy and you didn't have to worry about playing something thats already been done. You could pull out four of your favorite chords, ad in some personal touches, put down words and ta da! You had a song! Fresh, new and original.

If you haven't noticed, things are not the same today. Nor have they been since at least the early 90's. It amazes me that after the advent of alternative rock that really sky rocketed in the 90's, things seemed to fall flat..


I don't just mean out of tune, but that is included. It seems that all that inspiration from the post punk and alt rock era's have led into a time of uncreative musicians. Techno is about the nearest thing to creativity, and really is not all the creative, as it is just a bunch of loops layered over each other to preference.

If your on your way to becoming a Rockstar, here's something important to think about:

**A Good Clean Original Sound Will Take You Places**

As a person who spends at least 2,016 hours a year listening to knew, old and just plain weird songs, when your songs are original, and you can clearly understand the words, it sticks out!

Its not just a matter of having a good recording, although that is worth it in the long run. Its about not sounding exactly like all the other bands in your choosen genre.

Try this exercise. Go to your favorite music site, whether it be myspace, famecast, ourstage, or another highly populated music site. Once you've gotten there, choose a genre. Say "Punk", "Metal" or "Alt Rock". Once you choose one of those genre's take your time and listen to 50 songs, if you can bear it. When your done, take notice of the songs that stuck out and the ones that didn't.


Its an easy exercise, because you won't remember the ones that didn't stick out. They won't even make a blip in your mind from one song to the next. The songs that stick out will either suck so bad that you have to notice, or they will be so original and so good that you can't help but remember the name of the band who created it.

That means that out of 100 songs in any given genre, only 4 will truly stick out from the rest. 2 will be so bad that you note them just to avoid them, and 2 will be great and you'll want to hear more from the band. 2 out of 100!

If you've been reading these posts, then you've surely got a mind to seek out ways to improve what your doing. Take head to this post, and make sure your music is original and different (in a good way).

Here's Some Tips to Get You There:

*Get to Know Your Instrument on an Intimate Level:

I don't just mean learning another cover song that 100 other people know how to play. I mean, take some time when your alone and truly get to know your instrument. Whether its guitar, bass, keys, drums or a bag pipe. Truly sit down and play every single note thats available to you. Mess around with chord structures and octaves. Be crazy, be silly, and have some fun. Just make sure that you really know your instrument, know it like you know the back of your hands.

*Through Out the Theory's:

Ok, for any talented musician, it is important to understand the basics of music theory. It helps to understand what chords and notes sound good together, and why. But it can only take you so far. Once you know what chords sound good together, it can be difficult to take that trip back to the wild side and try to play outside of acceptable patterns.

For getting back to your creative side, its time to throw out the theorys about whats sounds good and what should go after a B flat. Just string together some random chords, play them out of timing for a while, and just have fun with them. Keep trying out different chords until it sounds good to your ears and you start to hear words and phrases coming from the next pattern you are playing. Don't be afraid to let go of the 'norm', as it will help you stick out.

*Words Are Everything:

Ok, this tip is tricky. Most people will tell you that nobody will take the time to listen to the actual words until they've heard it a ton of times. This puts out the idea that it really doesn't matter if they can hear the words, as long as the music is good.

This is not so! The clarity of your vocals is everything!

Now, that doesn't mean that you have to have the words of a poet and be highly articulant (although it helps), but it does mean that its important to articulate your words. Pronouncing and annunciating your words is a skill that few musicians truly have. On top of that, learning to project the voice so that those annunciated words are heard loud and clear, is even more of a challenge that just having clear words.

Sincerely, this is important. You don't have to have long clever sentences. A Verse can consist of 4 silly words that really have no genius meaning, as long as they are clearly spoken and clearly heard. This will make your music also stick out from the rest, as it is truly a hard challenge for many.

*Genre Bending:

Who ever said that you can't play rock n roll flamenco? Or classical punk? Maybe even some funky punk rock with a touch of RnB? Genre bending is not necessarily a new practice, but few can do it well.

All over you will see bands that have marked their genre, and it is usually a three way mix of genre's that they have grouped together to explain the mess of music they have created. Not to show that they have created something new and original.

When you try to genre bend, its important to truly learn all the aspects of the genre's you want to combind, as you will want them to compliment each other, not clash. If you want to combind funk and rock, you need to take the time to learn the different structures and playing style of funk, and of rock. Then when you feel comfortable, try to combind the parts of each genre that you like the most. And have fun!

*Don't Be Afraid to Sound Bad:

Do you remember what I said about the 2 out of 100 who sound so terrible they stick out that much. Guess what, thats not always such a 'bad' thing. There are plenty of bands on this earth that have made millions of dollars by sounding horrible.

Here's the trick though, they usually don't sound bad because of a lack of talent or creativity. Most of the time, those bands that sound that bad, are either just getting a hold of their creative side, and are having a ball, or they just like they're music that way.

Johnny Cash, Bob Dylan, Hendrix, Amber Ruth, and many others have done this.

Now, I don't want to suggest that you purposely go out and try to make crappy music. I just don't want you to be afraid of making music that isn't award winning material. Its a musicians true stepping stone to play both good and bad songs. It helps define the difference of what you feel is good or bad, and it helps you create the music you know others will love.

Just play. Love what your playing, and don't be afraid to try something knew.



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Something Sweet

March 8th 2009 22:21
When you think of the word 'Sweet', what do you think of?

Sugar, Candy, Cake, Chocolate, Honey?

Maybe; Money, Love, or Appreciation?

There are so many words in the english dictionary, and hundreds of them describe sweet things. It will vary from person to person as to what is sweet and what is not.

"A drop of honey attracts more flies than a gallon of gal...."
~Abe Lincoln

If you truly want to be a famous rockstar, with lots of respect and admiration from your peers, and love and appreciation from your fans, than that phrase is one you should live for.

There will be lots of contacts in your career as a musicians. You won't met everyone, but the people you do meet will remember you. When they hear your name on the radio or see it in the papers and they go to tell their friend about you, what do you want them to say?


"I met the singer of the famous band one time. I went to his show and he came down after he was done and shook my hand. He had such a great smile, and I have all his albums!"

"I remember working with those guys(or gals) one time! I got them into a show and they were so honest and easy to work with. They didn't demand to much and seemed to really like what they were doing. I can really respect that. We should go to their next show."

~or~

"I remember meeting one of the members of that band. He was so smug, he got on the stage and complained about playing there and then screamed into the mic the rest of the night. I almost got to meet him, but when I tried to shake his hand he just blew me off. I'd never go to one of his shows again."

"I worked with that band one time. They were so demanding. They wanted a high guarantee of pay and a huge tab at the bar, and when I tried to bargain with them they treated me like dirt. I would never have them come back to a show and I have made sure none of the people I know ever have to work with thme."


Which situations would you prefer? Its pretty obvious, we would all like the first two scenario's to happen.

You have to remember to use a little bit of honey when you work with or meet people on your way up the ladder.

If your working with a new venue or promoter for the first time and they want you to play a weekday first and not guarantee pay until you prove yourself, DO IT!

Tell them that you will play on a wensday or thursday and prove yourselves to them, if they will guarantee a friday or saturday that has guaranteed pay for your band at a decent rate.

Seriously, I know it may seem like a backward step, but the fact that you have just have accepted to do it their way first will make them feel good, and when you hold up your end of the bargain, they will hold up theirs.

Is it not worth it to give up a guarantee once, if it means 20 guarantees down the road?

Not only that, but they will spread good word about how easy your band is to work with, how well you promote yourselves and they will get you in contact with the right people.

When it comes to talking with fans. You can use a little bit of honey to attract them to.

Go out personally after you have played a show and shake hands and smile at everyone! Act like a rockstar damnit! If you show them that you are fun and open person, who will not shun them, they will embrace you. They will tell their friends and they essentially will pay your way to Rockstardom.

When you get a new friend on one of your social networks, take the time to get to know them. look at their pics and leave comments, leave a comment of their page, send a message and compliment them on something you liked about their page. Do your best to keep a constant dialogue going with them. Keep their attention, and treat them like you would treat your best friend!

A little bit of honey goes a long way, so teach others to do the same. Don't ram the subject down their throats, but spread it through compliments and praise so that they can understand why it is valuable before you even have to say a thing.

As a band with the desire and drive to succeed and become something more than a one hit wonder, your reputation is everything!

Even if your are one bad ass rockstar and that is part of your image. Add a spoonful of honey to your recipe and you will find much more positive light comes your way.

You don't have to take my word for it, but I guarantee if you try it, you will never forget it.
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Musicians as Marketers

March 2nd 2009 00:13
Ok, this is a subject that I really feel needs to be touched on.

Times have changed people! Seriously!

Gone are the days when a guitar guru could form a band and hope to become a rockstar by just merely being talented.

Gone are the days when you could hope to be signed by a major label, just because you had good looks and hot licks.

Those days are not here any more! I puruse the craigslist ads, the myspace ads and the sonicbids ads and it appears to me that many musicians seem to feel that they should be paid per talent.

Sadly, as much as you would think that would count, its doesn't.

The venues, promoters and industry professionals are no longer just looking for hot talent. They are looking for musicians who have figured it out. They are looking for musicians who understand how to market their music.

You are no longer judged by how big your half stack is, and instead, you are judged on your crowd count. You are judged by how popular your band already is.

The important people are in the crowds, asking everyone who they came to see. They are asking the venues about the bands that are bringing people in to their shows.

It is commonly accepted that a band that knows how to market themselves is a band that has the makings for success.

They want to see that if you never had the help of a financial backer, or a professional promoter, that you could still become something on your own. Thats what they want to see.

As an industry professional in my area, I tire of hearing from bands who have been playing for years and still cannot seem to bring more than 5 people out to see them play. And sometimes not even that many. Its pretty sad.

What makes things even more frustrating is the myspace circut.

Come on people! Its there for you to use! Use it!

When I recieve notice that a band wants to play, thats the first thing I look for.

Now, we all know that myspace is not a sure fire gauge of a bands reputation, but it IS a glimpse into how well they market their music.

If the page is basic with less then 5000 views, it looks like no body cared. And you can usually count on the fact that no one is maintaining that page, so there is no point in trying to contact them through it, or to tell people about it.

Even the pages that are maintained and decorated still need more than that. When I look at a band page, I look at how many pages views, how many music plays, and not just how many fans they have, but what kind.

A band that has 200 friends that are all other bands is not realistically going to bring anyone to their shows. A band that has 1000 friends and none of those friends are in the area the band is from, is realistically not going to bring anyone to a show.

The thing I like to see is that they have at least 5000 views on their page, a decent amount of plays on their music, of which I expect to see at least 5 songs, and a low numbersfriends list of people who are all in the area that the band is from.

If you have not figured out how to market your band, I suggest you start looking.

If you have the attitude that you should not have to be a marketer and a musician, than I suggest you look for a different career move, as rockstardom is probably not going to give you the fullfillment you desire.

If you are determined and willing to do what it takes, start out using the tool infront of you. The internet!

Get on the chat rooms, get on ALL the social networks, get onto forums, blogs, and anything else you can think of! It all helps.

Than get to work on viral marketing. Play shows for your friends, or have them come to your band practice. Put flyers in your neighbors mailbox, and tell everyone you work with. Word of mouth is your strongests asset as a band, seriously!

get to work!
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Ok, the title might be a bit confusing, but what I want to talk to you about today, is stage presence.

It is the talent and effect of changing who you are once you step into the light and onto the stage


[ Click here to read more ]
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Get on Triond!

February 15th 2009 20:38
Seriously! If you want to be a rock star, you need to utilize all the tools that are out there.

Do you realize that their are over 1 million people on triond? There are thousands alone in seattle. Not only that, but there are business's, venues, bars and entertainment officials on triond as well


[ Click here to read more ]
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Avoiding 'Lazy Fans'

January 26th 2009 00:38
I am amazed at the amount of times I run into bands with 'lazy fans'. If you have them, then you know what I am talking about. If you don't have them, then let me explain a little about the term.

It is used loosely any time when you have a list of fans who regularly don't come to your shows. Sometimes they might show up, but you know that you can't count on them to be there


[ Click here to read more ]
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Recently I have been study one of my idol's; Tony Robbins. An internationally known motivational speaker.

I come to the conclusion that one of the best ways I feel I can help any band, musician or artist reach their goal and accomplish their dreams, is to pass on a message that many motivational speakers have spent centuries trying to tell the world


[ Click here to read more ]
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Presenting Yourself to the World

January 1st 2009 02:35
Times have changed so much over the last few centuries that musicians that are new to their scene might get left in the dust. With Social Networking and Marketing abound, if your not in the loop, you'll have to jump through more hopes than the globtrotters favorite basketball.

There are other important techniques that are useful to know and great to have around when you really need them the most. Things like Business Cards, Press Kits, CD's and Merchandise. I find time and again that I will meet plenty of bands that I would love to book, but they have no readily available information for me


[ Click here to read more ]
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The Biggest Secret..

December 29th 2008 03:05
Want to know a secret?

Its one that I learned quite a while ago, when my band was first practicing for a live show


[ Click here to read more ]
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Welcome to: Becoming a Rockstar!

December 29th 2008 02:26
In this blog, we will go over some useful and very helpful tips to help you on your journey to become a rockstar. The road is rough and there are many hurdles and hassels that you will have to go through to get there, but that is no reason to give in.

With the world at your finger tips, there is tons of information available to you, and I want to be one of those guiding lights that helps to get you there


[ Click here to read more ]
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