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Art Imagery N Visual Exploration - by Sarah 1

Art Imagery N Visual Exploration - September 2007

Sun Drenched Garden by Vladimir Volegov

September 26th 2007 06:15


(Courtesy of www.shafferfineart.com)

BY A CONTEMPORARY RUSSIAN ARTIST THAT HAS BRILLIANTLY PAINTED THAT SERENITY NOW MOMENT (SIIMILAR TO MOST OF HIS WORKS THE ATTEMPT THE SAME SPIRTUAL WITH FEMININE FEEL IN UTILISING A LANDSCAPISK OR BACKGROUND SETTING ) -- THAT TIME OUT ZONE ONE ASPIRE TO SEEK IN TIME OF SOLITUDE-- WHILE ADDITIONALLY CAPTURES THAT EXPERIENCE OF BEING SPIRITUALLY SONE WITH ONES SELF -- WITH ITS FEMININITY MEANT TO EMBODY THE ESSENCE OF THE MOOD SET -- THE RED-PINK ROSES AND GARDEN ATMOSPHERIC GREEN IN CONSTRAST THE FIGURES PURPLE WITH PINK ATTIRE IN CONSTRAT TO HER BARE SKIN COLOUR GIVE THE PIECE ITS INNER BEAUTY -- WITH ITS FINE DETAIL QUITE EXQUISITE -- JUST POSITIVE FEELING VISUAL TO LOOK AT



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The Painter by .... (will find)

September 26th 2007 05:56


THE ECCENTRICITY AND INTRIGUE OF THIS SEEMINGLY LOOKING ARSTITIC MASTERPIECE HAS ITS IMMEDIATE APEAL TO THE VIEWER WITH SO MUCH TO OBSERVE AND INTEPRET FROM -- THE NAKEDNESS AS ITS CENTREFOLD TO ABSTRACTED SUREAL FIGURE WITH HIS PAINT BRUSH'S -- THE FEMININE EMBRACE OF THE PELICON COMBINED WITH MONKEYS WARMING TOUCH OF HER HAND INTENDED MAYBE FOR THE VISUAL CREATIVE INSPIRATION THE ARTIST INTENDS TO CREATE USING THE FIGURE AS THE SLATE FOR ART TO BE ACCOMPLISHED IN INSPIRED FASHION --- THE DETAIL IS IMPECICABLE WITH SAME COLOUR INFUSED TOGETHER CREATING A MYSTERIOUS TONE FOR THE VIEWER TO PONDER OVER WITH GREAT IMAGINATION -- IN SUM IN MAKES THE VIEWER THINK
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Sunrise Dive by

September 26th 2007 03:44


THE ESSENCE OF THIS WORK IS THE WHALES FIN STICKING OUT OF ITS WATERY HABITAT INCLUDING THE WAVES MOMENTUMOUS MOOD -- THE COLOURS IN CONTRAST WITH PASCAL WHITE-YELLOW-PINKE AND DARK INFUSED WITH LIGHT BLUE GIVE FEELING TO SKYLINE AND ITS PARALELL RELATIONSHIP WITH THE SEASCAPE OCEANIC WATER -- THE CLOUD AS IT STANDS OUT SHINING ITS PRESENCE OVER THE WATER CAPTURING THE TITLES PURPORTING MOTIVE --- BEAUTIFUL TO LOOK THAT HAS ITS IMMEDIATE APPEAL WITH ITS VIEWERS AND THOSE OBBESSED WITH OCEANIC WATER LANDSCAPISK VISUALS
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Sunlit Wave by ...

September 26th 2007 03:33



THE COLOUR BLUE THE EPITOMY OF THIS WORK, THE WATER BEAUTIFULLY CAPTURED WITH THE SEAGULL AS ITS INTERACTIVE MEDIUM INCLUDING THE SKYLINE AS IT SHINES ON THROUGH --- ADDITIONALLY THE AMAZING THING ABOUT THIS PEICE IS THAT SUCH SIMPLICITY IS MADE IMMACULATE TO VIEW, SO PEACEFUL, SO TRANQUIAL ALL COMBINED -- THE TITLE SO WELL PERSONIFIED VIA ARTISTIC INTENT
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'Spirit Of Peace' by David Eppstein

September 17th 2007 21:56



(Courtesy of www.ics.uci.edu)

IT IS THE VIVID COLOURS THAT CAPTURES THE ESSENCE OF THIS PEICE AS DOES THE TITLE ITSELF -- AN INTRIQUING USE OF COLLAGE-TYPE TEXTURING WITH MAYBE A DIGITALISED UNDERTONES MAKING IT EVEN MORE APPEALING TO THE VIEWER -- THE CONTRAST BETWEEEN THE BRIGHT BLUE AND ORANGE COMBINED WITH THE WHITE AND YELLOW GIVE IT THAT SOOTHING EFFECT -- THE FIGURE ITS CENTREPIEICE WITH ITS FACE THAT IS MEANT TO EMBODY THE 'SPIRIT OF PEACE' -- ITS EYES THE MAIN CENTRE OF FOCUS FOR THE VIEWER IS FORCED TO IMMEDIATELY CONFRONT OR AT LEAST STAR INTO THEM, HOWEVER WITH THAT CALM BLUE APPLIED IT HAS IT IMMEDIATE COMFORTING EFFECT -- IN ADDITION TO A NON-ULTRA FEMININIE PRESENCE OF A NUN-LIKE LOOKING BEING WITH A NEUTRAL INNOCENCE WHICH HAS THAT SAFE AND NURTURING NON-JUDGEMENTAL QUALITY ABOUT IT -- THAT JUST BY LOOKING AT IT YOU FEEL THIS SENTIMENT MAYBE THATS THE MOTIVE BEHIND THIS PEICE TO MAKE THE VIEWER EXPERIENCE A TYPE OF SPIRITUAL GUIDANCE THROUGH THE FIGURE AS PRESENTED IN ITS PEACEFUL MANNER -- IN ADDITION TO PEACEFUL SOLITUDE AND SOLACE
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'Trilogy Of Light 'by Toni Carmine Salerno

September 17th 2007 10:18



(Courtesy of www.tonicarminesalerno.com)

THE INFUSION OF COLOUR AND TEXTURED SHADES -- THE YELLOW CONTRASTED WITH PURPLE-BLACK MAKE THE PEICE APPEALING TO LOOK AT -- A TRIAD OF LIGHT BEING RADIATED THROUGH THE DARK NIGHT SKY AND ITS WATERY REFLECTION WITH AN EMANCIPATORY EFFECT-- SIMPLY PRESENTED YET MORE TO INTREPRET FROM ITS ABSTRACTNESS CREATING ITS MYSTIC MOOD -- THE TITLE MAYBE MEANT TO EMBODY THE LOOKING TO LIGHT IN THINGS -- OR MAYBE IT HAS IT DARKER UNDERTONES SEEING THE ABILITY TO SEE THE LIGHT IN THE DARK -- SUBJECTIVELY POSITIVE AND IN ESSENCE EMOTIONALLY CHARGED WHICH EVER DIRECTION AND INTERPRETION THE VIEWER DECIDES TO TAKE
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Visions by ...

September 16th 2007 22:21


THE IMMACULATE USE OF GREENS AND BLUES USED IN THE PIECE GIVE ITS TRANQUIL APPEAL -- MAYBE THE TITLE EXERTS A VISION TO VIEW A BEAUTIFICAL LANDSCAPISK AND SCENIC WATERFALL -- THE SIGHT TO VISUALISE SUCH AN BREATHETAKING EXPERIENCE -- NOTICE THE MINISCULE ARTIST ATTEMPTING TO CAPTURE WHAT HE SEES AND PAINT IT TO PAPER WHICH IS IN ESSENCE WHAT THE TITLE 'VISIONS' IS INTENDED MEAN TO IMPLY -- WHAT IS IN THE EYE OF THE BEHOLDER THAT IS WHAT THE ARTIST SEE AND WANTS TO ENVISION IN HIS WORK -- UNIQUE IN THE SENSE THAT THIS WORK ATTEMPTS TO THE EXPLORE THE REALMS OF THE ARTIST'S VISUAL CAPICITY TO PAINT WHAT HE SEES IN FRONT OF THEM -- INCLUDING HOW IT COMBINES THIS ASPECT WITH THE ACTUAL VISUAL END RESULT ITSELF OF THE ARTIST -- THE ABILITY FOR THE ARTIST TO APPLY SUCH AN IDEA 'OF A VISION' TO THEIR OWN PEICE OF WORK IS WHAT MAKES IT IMPRESSIVE AND STANDOUT TO LOOK AT
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'Weird Thoughts' by Vinod Scaria

September 16th 2007 22:04


A DIGITALISED VISUAL ABSTRACTION OF THE MIND AND ITS INSIDES -- DOES IT CAPTURE WHAT THE TITLE ASCRIBES TO ACHIEVE LEAVE IT TO EACH VIEWER TO DECIDE -- FOR IT DOES HAVE SEMI-EERIE FEEL WITH ITS BLURING TEXTURES -- THE EYE AS THE CENTRAL TO OPERATIVE THOUGHTS BEING CONJURED -- THE USE COLOURS MAYBE REPRESENT THE ODDITY OF THOUGHTS INFUSED WITH CUT-AND-PASTE MONTAGE EFFECT -- IN A WAY IT DOES PROPORT TO BE 'WEIRD' TO LOOK AT
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'The Spiritual Path' by....

September 15th 2007 22:55


(Courtesy of www.thesoulelement.com)

THE TITLE USED HERE REALY IN ESSENCE SPEAKS FOR ITSELF IN SUMMING THIS PEICE -- THE CONTRAST BETWEEN THE BRIGHT COLOURS USED (THE BLUE AND GREEN SPECIFICALLY) SET THE TONE THAT SPIRITUAL FEEL WITH THE SKYLINE AND WATERVIEW -- THE STAIRWAY AS ITS CENTREPIECE SEEMINLGY PRESENTED AS METAPHOR -- EXTEND WITH THE TINY DOVE FIGURE ON THE FIRST STEP OF THE PATHWAY TO SYMBOLISE PEACE AS STARTING POINT TO ONES SPIRITUAL JOURNEY -- ASWELL AS BEAUTIFUL TO LOOK AT WITH ITS TRANQUIL BEACH APPEAL
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Unsure bout title & artist

September 15th 2007 22:46


THIS HAS ITS IMMEDIATE APPEAL IN THE VIEWER DETERMINING EXACTLT WHAT IS GOING ON BETWEEN THE CAT AND THE LION -- MAYBE THE INTENT WHEN YOU LOOK IN THEM MIRROR AND YOU DONT SEE WHAT YOU WANT TO SEE OR SOMETHING CONTRARY TO WHAT YOU BELIEVE TO SEE STARING INFRONT OF YOU -- AN INTRIGUING AND ECENTRIC PIECE TO OBSERVE -- THE COLOUR WITH ITS TEXTURED APPLICATION SEELS THE VISUAL EFFECT BEING PORTRAYED -- YET MYSTICAL AND AMBIGIOUS AT THE SAME TIME WITH IT CONTRAST BETWEEN THE DARK (THE BLACK) AND THE LIGHT (WHITE) BEING FADED IN THE BACKGROUND TO ITS TWO CENTREPEICES THE FIGURE IN THE MIRROR AND THE FIGURE IS STANDING IN FRONT IT
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Springtime by ...

September 15th 2007 07:00


JUST FOR THIS SPRING SEASON -- REALLY SETS THE MOOD WITH THE BLURED SHADED EFFECT -- THE FLOWERS WITH LAKE VIEW COMBINED WITH GREENERY CAPTURE THE ESSENCE OF THAT SPRING FEEL WHILE NOT OVERSTEPING INTO THE BOUNDARY INTO THE SUMMER SEASON -- INITIALLY A CALM AND PEACEFUL UNDERTONE TO THE ENTIRE WORK -- IT IS USE OF PASCAL COLOUR THAT GIVE THE IT ITS INTENDED SPRING ESSENCE
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'Senseless Jungle' by Banyan

September 15th 2007 06:49


SO MUCH TO INTERPRET FROM THIS PEICE IN A MISLEADING CONTRARY MANNER -- THE CITY PRESENTED IN AN IRONIC PEACEFUL TONED COLOUR YET WITH A TOUCH DESIMINATED DETEXORITY OF SEM-DESTRUCTION OF INNER ITS STRUCTURE -- MAYBE WITH GREEN AND WINDOW TO SYMBOLISE A GLIMPSLE OF HOPE OR A VIEW TO AN ALTERNATIVE ESCAPE THE CITY LIFE -- OR A TIME OUT FROM BUSSLING ATMOSPHERE OF THE CITY LIFE ??? -- A VISION FOR THE FUTURE A POSITIVE INSIGHT TO THE CITY THROUGH ITS BUILDINGS -- IT IS ESSENTIALLY THE LIGHT PASCAL COLOURS OF THIS WORK THAT OPERATE IN OPPOSITIE TO THEIR LIGHT FEELING EFFECT EXTENDED TO THE FINE DETIAL THAT MAKES IT EVEN MORE APPEALING TO THE VIEWER YET APPLIED VISUALLY WITH DARKER UNDERTONES
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Star Lady by ...

September 15th 2007 06:33


(Courtesy of www.creativeartstudio.com)

THE SPIRIT OF HAPPINESS EMBODIED IN THE RAINBOW COLOURED BRIGHTNESS INFUSED WITH SHADED TEXTURED WAVES -- HAS A CREATIVE TITLE TO MAKE IT INSTANTLY APPEALING TO ITS VIEWERS -- THE GIRL TO REPRESENT THE CHILD-LIKE INNOCENCE OF THAT IRREVERENT HAPPY PLACE -- THE SIMPLICITY OF THIS WORK YET CAPTURES THE COMPLEXITY OF THE EMOTION BEING EXPRESSED THROUGH THE USE OF COLOURS APPLIED -- EACH COLOUR EXERTING A DIFFERENT MOOD AND FEELING THAT EACH VIEWER SHOULD IDENTITIFY WITH -- THUS HAS THE COLOUR PSYCHOLOFY EFFECT -- IN SUM A BEAUTIFUL AND ELOGENT PEICE LOOK AT
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'Blue Goddess' by Ellie

September 11th 2007 22:10


AS PRESENTED A SPIRITUAL REALITY EMBODIED IN A MORE DARKER TONE -- INTRIQUING AND ECCENTRIC TO VIEW -- THE COLOURS BLACK CONTRASTED WITH THE WHITE EXPRESS BEING GIVING THE LIGHT WHILE BEING GIVEN DARKNESS AT THE SAME TIME THAT IS ACHIEVED WITH ITS 3-D TECHNIQUE -- THE FIGURE AS ITS CENTREPEICE THAT SEEMS TO ECCENTUATE A SADDNESS IN POSITIVE WAY THOUGH (THAT OF WHICH IS OPEN TO INTEPRETATION ) -- DOES HAVE AN EERIE TYPE VIBE TO IT -- MAYBE THE SECLUDED FEMININIE BEING UNVEILED YET NOT TAUNTED -- THE TITLE SPEAKS MORE FOR THE PEICE 'BLUE' MEANING THE EMOTIONAL DEPTHS OF THE MATERNAL FIGURE ENCAPULATED BY HER OWN FEAR AND INSECURITIES

(Courtesy of www.crystalinks.com)
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'Blue Dolphins' by Sachi

September 11th 2007 21:52


(Courtesy of www.dolphin-art.com)

BY A HAWIAN ARTIST -- SPECIFICALLY FOR THE DOLPHIN LOVERS OUT THERE AND/OR THOSE WHOSE FAVOURITE COLOUR IS INDEFINITELY ANY SHADE OF BLUE -- A SIMPLE MONTAGE-TYPE EFFECT COMBINED WITH TEXTURED FINE TEXTURING OF BLURING THE SAME COLOUR-- CAPTURES IN ESSENCE THAT INTIMATE ENVIRONMENT OF THE UNDERWATER CREATURE -- WITH THE SHADES OF BLUE USED GIVE ITS WATERY FEEL -- IN SUM HAS A PEACEFUL BEAUTY AND TRANQUIL SERENITY TO IT
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'The Holy Name of Beauty' From

September 11th 2007 10:40


AND



'Ascending Towards Light'



'The Eyes of Love'



'The Healing Power of Prayer"

(Courtesy of www.russianartist.info)

BY A RUSSIAN CONTEMPORTARY ARTIST WHO CLAIMS AUTHORSHIP THROUGH HER WORKS FOR SHE SEES ART AS WAY OF WRITING -- THIS IS RELATED USE OF LONGLY EXTEND TITLES TO EXPRESS WHAT EACH WORK EMBODIES -- SPIRTIUALLY, CREATIVELY, POETICALLY AND PHILOSOPHYY INTEGRATED WITH MEANINGFUL ARTISTIC SENTIMENT-- THE TECHNIQUE APPLIED IS ONE OF PASCAL DRAWN SKETCHING AND SHADING INTERTWINED WITH VIVIDLY COLOURED SUBJECTIVE EMBODIMENTS -- THE BIRDS AND OTHER FIGURES USED AS THE CENTREPIECE TO THE SYMBOLISE MAYBE THE LINGERING TOWARDS INNER PEACE -- ALL HAVE MYSTIC QUALITY THAT IS REFINED TO EACH WORKS POSITIVE FEEL -- IN ESSENCE BEAUTIFUL TO LOOK WITH SUCH BRIGHT USE OF COLOUR THAT KEEPTS THE VIEWER ATTUNE TO EACH PIECE -- IN ADDITION ALL DO POSSES THAT NURTURING TOUCH THAT EXERTS A DEPTH OF WARMTH AND COMFORT TO THE VIEWER
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'Awakening' & 'Pathways' by Cynthia Robbins

September 11th 2007 10:15





AND



'The Healing'



'Rain Prayer'

(Courtesy of www.art4spirit.com)

ALL THIS ARTISTS WORK SEEM INTENDED TO SEND THE VIEWER ON A SPIRITUAL AND PHILOSOPHICALLY SOUL SOUND SEARCHING JOURNEY -- IN ESSENCE ALL POSSESS AN UNVEILING AND EXPLORATION INTO ONES THE INNER SELF -- THE BEAUTIFUL USE BRIGHT AND PASCAL COLOURS WITH SUCH VIVID DETIAL GIVE THEM IMMEDIATE APPEAL -- THE TITLES USE OF WORDS SPEAK FOR EACH WORK I BEING VERY POETICALLY SONE -- EACH EMBODIMENT GIVEN A DEEP INNER FEMININE HEALING TOUCH -- SO MUCH TO INTEPRET FROM --- IN SUM THE APPLICATION OF CREATIVE DEPTHS IS AMAZING
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'The Enchanted Garden' by Durst Lambda

September 11th 2007 06:42


(Courtesy of website.lineone.net)

THIS DIGITALISED SUBJECTIVE YET SURREAL ABSTRACTED PIECE HAS ITS IMMEDIATE APPEAL WITH IT ECCENTRICITY AND AMBIQUIOUS MYSTIC EMBODIMENT OF VARIED COLOURS INFUSED WITH GREEN AND GREY-BLACK -- HAS ECCENTUATED POSITIVE FEEL TO IT -- HAS A VERY STARRING HYPNOTIC EFFECT THAT REELS THE VIEWER IN -- TRY WORKING OUT THE SYMBOLISM AND MEANING BEHIND ITS TITLE MAYBE THE WARPING OF COLOUR AND TEXTURE COMBINED CREATED AS GREENERY FORRESTRY TYPE ATMOSPHERIC PRESENCE
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'Washing' 2003 by ...

September 9th 2007 02:01


THE SHADING, THE COLOURS, THE PASCAL TEXTURED EFFECTS INFUSED TOGETHER -- THE INTERWININGS EMBODY THE TITLES ESSENCE -- THE INTEPRETATION, THE INTENT, THE MOTIVATION BEHIND THE PEICE MAYBE AN EXPLORATION INTO THE MATERNAL ENDURANCE OF THE HEART AND UNCONDITIONED WILLINGNESS BEING EMBRACED AS WELL AS ACKNOWLEDGED WITH POSITIVE INTERLUDE -- OR MAYBE MORE OF EXPOSING AND REVEALING TINT OF THAT ENDURING PROCESS ONE DOES GO THROUGH THE ACT OF WHAT THE TITLE PROFESSES
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'Death And Life' ANOTHER by Gustav Klimt

September 4th 2007 10:10


IN ESSENCE THE CIRCLE OF LIFE WITH DEATH THROWN INTO ITS FACE ATTEMPTING TO CEASE IT -- THE COLLAGE MONTAGE ARTISITIC APPLICATION, THE VARIETY OF COLOURS THAT GIVE ITS IMMEDIATE YET VERSATILE APPEAL -- A REPRESENTATION OF A MATERNAL LIFE PROCESS EVOLVING INTO A PEACEFUL DEATH YET CORRUPTED/DISRUPTED BY DEATH AT THE SAME TIME THAT INEVITABLEY LOOMS IN THE DARK SHADOWS OF HUMAN BODILY EXISTENCE AS EMBODIED IN THE SKULL -- LIFE AND DEATH IN PARALEL COMBAT WITH ONE ANOTHER WITH IN THE DEATH SUPERCEDING LIFE IN THE END
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'Haven' by Henry Asencio

September 4th 2007 07:47


A VERY APPROPRIATE TITLE USED BY THIS CONTEMPORAY AMERICAN ARTIST -- THE SENSUAL PEACEFULNESSS APPLIED AND THE CONSTRASTED COLOURS RED AND BLACK WITH TINTS OF YELLOW GIVE ECCENTUATE THE FEMININITY OF THE SAFE-HAVEN PLACE -- BEING AT PEACE WITH ONES SELF, THE EMBRACE WITH ONES SELF AND CONTENTMENT WITH ONES INNER SELF AS WELL AS THEIR OWN BODY -- THE SENSE OF SELF-SATISFACTION AND CONTENTMENT SEEPS THROUGH HOW THE FEMININE IS EMBODIED -- THE USE OF THE BACKGROUND AS AN INTERLUDE TO THE FEMININITY OF THE FEMALE BODY EMBRACING HERSELF -- IN ALL WILL ATTACT VIEWERS WITH IT INNER SENSUALITY AND INTRIQUING CALMING SPIRITUALVIBE
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Kiss lithograph sketch by Edward Munch

September 4th 2007 07:35



BY AN NORWEGIAN 18TH-CENTURY ARTIST IMFAMOUS FOR HIS USE OF INFUSED SENSUALITY FEMININE AND RHETORIC SYMBOLISM -- IN ALL THE IMMEDIATE PROJECTION THE UTLIMATE EMBRACE CAPTURED IN ITS RAW, BARED NAKEDNESS VIA THE SKETCHED DRAWED TEXTURES APPLIED -- THE USE OF ONLY TWO MAIN COLOURS BLUE WITH BLACK WHICH ARE ALMOST BLENDED TOGETHER GIVE ITS APPEAL -- A ROMANTIC TAME PERSONIFICATION OF LOVE AND AFFECTION BETWEEN PEOPLE BECOMING INTWINED TOGETHER -- SEXUAL YET NOT RANCHY -- IT HAS REALISTIC SENTIMENT TO IT MAKING THE VIEWER FEEL WHAT THE TWO LOVERS FEEL FOR EACHOTHER

(Courtesy of www.artofchad.com)
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Collage Women by

September 3rd 2007 20:45


THE USE OF THE COLOUR ECCENTUATES THE FEMININE BODY IN A NON-DISTASTEFUL WAY WITH THE CONTRASTED BLACK EMBODIED FIGURE THAT GIVES ITS MYSTIQUE AT THE SAME TIME -- THE LILAC FLOWERS WITH SHADED PASCALS WITH TINT OF PINK WITH GREENERY GIVE THE PIECE ITS TEXTURE AND MOOD NOT JUST DULL EMBODIMENT MAKING IT MORE A UNIQUE PIEICE-- A SIMPLE YET PLEASING WORK TO OBSERVE -- IN SUM A FEMININE BODY BEING WRAPED IN A SEMI-ROMANTIC POSTURE AS PROJECTED IN A DEEP CARING WITH IN EFFECT ANOTHER PEACEFUL SPIRITUAL MOMENT -- IN ESSENCE ULITMATE IN ITS USE OF FEMININITY IN RELATION TO NAKEDNESS OF THE BODY AND ITS NATURAL FEMININE FEATURES
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'Venus Sunset' by Apollo

September 3rd 2007 20:31


BY AN ARTIST (A PROCLAIMED ENVIRONMENTALIST), THE USE OF ECCENTUATING WORDS WITHIN ITS TITLE SPEAKS FOR ITS IMMEDIATE TRANQUIL SERENE AFFECT -- THE BRIGHT TROPICAL SHADED PURPLE WITH PINK WITH THE ORANGE-YELLOW SET ITS SIMPLE VISUAL BEAUTY AT THE BACKLINE OF PALM TREE AND THE OCEANIC WATER AND TEXTURED MOVEMENT OF THE WAVES -- AMAZING COLOUR USAGE MAKES THE APPEALING AND IMMUCULATE TO LOOK AT -- IT REALLY IS THE PROJECTION OF THE SKYLINE THAT REELS THE VIEWER IN AS IT CENTREPIECE

(Courtesy of http://www.aloha.com)
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Lovers II by Slawek Gruca

September 3rd 2007 05:52


(Courtesy of http://people.tribe.net)

AS THE TITLE PROPORTS THE VISION OF 'TWO LOVER' THAT SPEAKS AN ALTERNATE LOVING EMBRACE THROUGH THE WAY WORK EMBODIES A RAW AND REALIST UNVEILING OF THE BODY -- AN ULTIMATE LOVING EMBRACE WITH A TWIST -- NOT NECCESSARILY WITH A DARK-NEGATIVE UNDERTONE TO IT, AS MORE OF POSITIVE STRIVE TO PRESENT TWO LOVERS WITH THIER NAKED PHYSICAL RAWNESS BEING EXPOSED (IN SOME AS THEIR FLAWS) WITHIN THE FLESH WHILE INTWINING THEIR DEEP EMOTIONS AS ONE AT THE SAME -- THE BONE AS THE CENTREFOLD SYMBOLISE THIS QUALITY -- THE COLOURED PASCALS USED THE REDED PINK, YELLOWED TAN AND GREEN GRAY SET THE LOVING MOOD BETWEEN THE TWO LOVERS, A NUTURING FEELING OF BEING HELD IN EACHOTHERS ARMS BEING VISUALLY DECONSTRUCTED IN ROMANTICING WAY WITH CERTAIN MASCULINE AND FEMININE BODILY TRAITS BEING ECCENTUATED FOR THE VIEWERS -- THE EFFECT TO VIEWER MAYBE TO PRESENT A LOVE AFFAIR BETWEEN TWO WITHOUT ANY PHYSICAL IMPEDMENTS, LIMITS OR BOUNDS
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The Violionist by ... not sure

September 3rd 2007 05:35


(Courtesy of http://my.opera.com)

THE PISCASION-TYPE SURREALISM INFUSED WITH BRIGHTLY COLOURED REDS AND YELLOWS MAKES THIE PIECE INTRIQUING TO LOOK AT -- THE VIOLINIST AS THE CENTREFOLD TO THE INSTRUMENT ITSELF -- THE EMOTION CAPTURED WITH THE TEXTURED EFFECT APPLIED SETS ITS MOOD FOR THE VIEWER - THE RAPPORT ONE HAS WITH THEIR INSTRUMENT WHEN PLAYING IT FOR THE EYES CLOSED SYMBOLISE THIS CONNECTION AND PEACEFUL CONTENTMENT
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'Carnival' by unsure yet not sure bout title either

September 3rd 2007 00:56


(Courtesy http://my.opera.com)

THERE IS SOMETHING ABOUT THIS WORK THAT CAPTURE THE VIEWERS EYE -- IT IMMEDIATELY STANDS RIGHT OUT AT YOU -- THE CONTRAST BETWEEN THE APPLIED RED AT THE BACKDROP TO THE BLACK THAT SEELS THIS EFFECT -- A NURTURING EVIL OR AND THE EXPERIENCE OF LIFE IN THE REAL -- THE BABY BEING PRESENTED IN MORE TAINTED AND NON-INNOCENT PERSONA -- THE TEXTURE AND STYLE OF DRAWING COMBINED WITH PAINTING GIVES IT A DARK INNER RARENESS TO HUMAN NATURE AND ITS REALITY YET AT THE SAME THE ATTEMPTS TO PERSONIFY AN INNER FEMININE SOFT TOUCH -- MAYBE THE INTENT THAT THERE IS SOME EVEN SOME MINUTE EXTENT EVIL IN ALL OF US EVEN IF WE ARE NOT WILLING TO ADMIT THAT IT IS FROM THE TIME OF BIRTH -- AND THAT IT IS NOT SUCH A BAD QUALITY TO POSSESE WHEREAS THERE MIGHT BE A GLIMPSE OF HOPE TO COME FROM IT THAT INEVITIABLE UNAVIODABLE QUALITY THAT IS OUT OUR HUMANLY AND HUMANITARIAN CONTROL -- OR MAYBE THE EMBODIMENT BEING PRESENTED AS A SITE OF BECOMING SO EASILY CORRUPTED BY A NUTURING PROCESS THAT IS OUT OF ONES CONTROL
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'Heaven On Earth' by ....

September 2nd 2007 21:54


IN ESSENCE HEAVEN IN A REALISTIC NOT SURREAL PRESENTATION-- THE SIMPLE USE OF CONTRASTED PASCAL PINK-RED AND PURPLE-BLUE COLOURS MAKES THIS WORK IMMEDIATELY APPEALING TO LOOK AT -- IT CAPTURES THE TITLE THROUGH THE LIGHTING EFFECT OF THE ROSE-FLOWERS BEING GIVENN TO CLOUD IN THE SKY -- THE TEXTURE SETS THE TONE AND ITS MOOD -- INTENT TO EXPRESS THE POSITIVE OF A PEACEFUL MOMENT
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'Birth of Soul' & 'Birth of Wisdom' by ...

September 2nd 2007 21:42




THE TECHNIQUE IN TEXTURED APPLICATION SETS THE IMMEDIATE SOOTHING APEAL TO THE VIEWER -- THE ABSTRACTIVE YET SUBJECTIVE ARTISTIC USE OF BRIGHT AND PASCAL INFUSED COLOURS CAPTURES THE MOOD OF EACH TITLES -- THE INTENT THE SAME WITH ALL THIS ARTISTIS WORKS -- THE CENTRE-CORE MOON LIKE SPHERE AS THE GIVING OF BIRTH TO EACH WORK AND THE SPIRITUAL, PHILOSOPHICAL AND EMOTIONAL REALMS OF BEING EXPRESSED AND EXPLORED

AND IN CONTRAST/COMPARISON



'Deep in Blue'

LOVE THE COLOUR USED IN PEICE SETS IN ESSENCE THE FEELING AND MOOD OF THE COLOUR BLUE ITSELF -- HAVE ITS IMMEDIATE APPEAL TO VIEWERS WHOSE FAVOURITE COLOUR OR HAVE DEEPER LIKENING TO THE COLOUR BLUE -- VERY MOON-LIKE WHEREBY THE GIVING-BIRTH EFFECT STILL APPLIES AS IN MOST THE WORS BY THIS ARTIST
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Nocturne by (UNSURE ABOUT TILTLE THOUGH)

September 2nd 2007 00:39


THE IMMEDIATE METAPHORIC EFFECT IS MADE CENTRALLY APPARENT -- THE USE OF PASCAL COLOURS WITH THE FINELY APPLIED DETIAL -- YET HAS A LEVEL OF MYSTERIOUS AMBIGUITY TO IT -- THE LADDERS AND FADED GHOST-LIKE BODIES -- MAYBE PLAYING OF INSTRUMENTS OR CLIMBING OUT TO ROOT OF ESCAPE FROM SOMEWHERE UNKNOWN AND UNFAMILIAR -- IN ALL AN INTRIGUING PEICE TO LOOK -- REALY MAKES THE VIEWER THINK ABOUT WHAT IS GOING ON BEHIND THE PAINTED VISUAL AND THE ARTIST'S INTENT -- VERY MUCH OPEN TO INTERPRATION WHICH MAKES THIS WORK A EXCEPTIONALLY APPEALING TO THE VIEWER
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