ag

Sydney, New South Wales, AUSTRALIA


Joined August 16th 2006

Number of Posts:
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i am ag. just a girl with a blog, rummaging through thoughts on people, places, food, style, ideas, film, literature. and here it is. eat french bread. that’s the best advice i have to offer.

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Recent Posts

ten reasons to work in props

July 3rd 2008 01:37











quote of the day

“When Walser first put on his make-up, he looked in the mirror and did not recognize himself. As he contemplated the stranger peering interrogatively back at him out of the glass, he felt the beginnings of a vertiginous sense of freedom … he experienced the freedom that lies behind the mask, within dissimulation, the freedom to juggle with being, and, indeed, with the language which is vital to our being, that lies at the heart of burlesque.”

(from Angela Carter’s Nights At The Circus)

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The inaugural venue for the first Biennale of Sydney in 1973, the Sydney Opera House has accommodated thousands of diverse performers since it opened - but never before has it been taken over by a forest.

For 24 hours only (Midday July 9 - midday July 10), French artist Pierre Huyghe will envision the iconic edifice as a post-apocalyptic ruin, some time in the future, with the Concert Hall housing a vision of unexpected new life emerging out of the destruction and decay.

Trees will spew off the stage and across the stalls and circles. A ghostly, dawn-like glow will replace the usual theatrical light and colour, and fog will hover low over the floor. By the entrance at the top of the hall will be a valley obscured by clouds. A lone figure will walk through the trees, singing, and audiences will be invited to navigate the in-between reality, with no specified direction or path to take…

Since the early 1990’s, Huyghe’s experimental films, installations, and public events have innovatively explored the intersections between reality and fantasy, and this strange, living, passing installation is a unique highlight of the Sydney Biennale.


Entry to A Forest of Lines is free and will be in sessions (check www.bos2008.com for session times). Expect queues.



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a tribute to the bloomer

April 13th 2008 00:39
The Dame bends over, whips up her crinolines; she has three pairs of knee-length bloomers, which she wears according to mood.

One pair of bloomers is made out of the Union Jack, for the sake of patriotism.

The second pait of bloomers is quartered red and black in the memory of Utopia.

The third and vastest pair of bloomers is scarlet, with a target on the seat, centred on the asshole, and this pair is wholly dedicated to obscenity.


(from Angela Carter’s In Pantoland)



It was not so long ago that wearing bloomers, those loose pants gathered near the knee, was a radical move.

Bloomers were invented by and named after Amelia Bloomer, an early American suffragette and social reformer who founded and edited the feminist publication Lily (1849–55). She interests me, not least because my name is also Amelia, my surname is Groom (not far from her's) and my middle name is Lily! My parents say they had never heard of her when they named me.

Throughout the second half of the nineteenth century gender roles were being drastically reformed and, insignificant as it might sound, women started to ride bikes. The bicycle gives autonomy and mobility, and thus was a threat to the patriarchy, which needed women to stay in their defined place, both figuratively and physically. The feminist and civil rights leader, Susan B. Anthony, is quoted as saying "the bicycle had done more to emancipate women then anything else in the world."

Amelia started wearing bloomers for practicality, especially for cycling. It was necessary to cast off the constricting and uncomfortable clothing styles that had covered women's bodies for centuries, but it was no easy task. Amelia, and other women who took to bloomers, were ridiculed and abused in the street.

Here she is in a controversially "short" dress.



Quote of the day:

“I disliked East Hampton. The cloud of monotony and uniformity which hang over the new, neat mansions, the impeccable lawns, the dustless garden furniture. The men and women at the beach, all in one dimension without any magnetism to bring them together. Zombies of civilization, in elegant dresses with dead eyes. Static.”

(Anain Nin)



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the case for writing letters

April 12th 2008 09:25
write letters. everyone loves the post. i can't believe stamps only cost 50 cents! envelopes are great. don't let them become redundant. letter boxes are great too, as are letter writing paper sets. see this sample friendly letter or take inspiration from one of these lovely ladies. write letters!


[ Click here to read more ]
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happy leap day everybody

February 29th 2008 03:04
photograph by loretta lux

Make the most of this free extra day. Thanks to the 29th of February the calendar stays in synch - without it your birthday would end up falling on a day that wasn’t your birthday...

[ Click here to read more ]
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THE END IS IN SIGHT

February 23rd 2008 01:11
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modest christian apparel

February 22nd 2008 06:45
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radical fashion at dog

February 22nd 2008 05:21

Gas masks. Ex-American Army clothes. Life jackets. Tutus. Helmets. Victorian corsetry and bonnets. Dominatrix gear. All this and more can be found at Dog in Tokyo's Harajuku, and they encourage wearing it all together.

[ Click here to read more ]
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Maya Deren

January 29th 2008 02:51

Here’s another woman I recently fell in love with. Choreographer, dancer, poet, film theorist, photographer, writer and avant-garde film-maker Maya Deren. See her movies.

[ Click here to read more ]
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Under This Mask, Another Mask

January 29th 2008 02:39

For Claude Cahun fantasy was a valid aspect of self-presentation, and she could be whatever she wanted. The notion that the mask hides a ‘true’ self implies that there is a stable, essential identity foundation, but Claude said “under this mask, another mask – I will never finish lifting up all the faces.” The roles we take on can be discarded and replaced by others, as easily as a mask can be changed.

[ Click here to read more ]
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Recent Comments

Comment by ag
on invisibility

May 6th 2007 03:14
DuskDevi and Tammy, I enjoyed your comments. I think you're absolutely right that blogging provides a mask. But it seems anonymity doesn't always equal greater profoundness. Thanks for reading!

Comment by ag
on Mature Posts - what?

April 2nd 2007 06:19
my post on stiff records is also labeled 'mature' - the title has a swear word but the content is purely historical. the thing is, it doesn't make sense to read if the title is erased completely - can't it just be lclassified as 'mature' but keep it's title?

Comment by ag
on Penny Byrne: Blood, Sweat and Fears

April 1st 2007 00:46
hi adrian

wow

i think she has a point

but those dutch are pretty kooky

i can say that because i'm dutch

thanks for the heads-up

Comment by ag
on Have you heard of muscles?

March 29th 2007 06:04
is muscles coming to sydney? i want some of this muscles. muscles are great.

so is the adjective 'famously'

so are you yoyoyoyeah!

Comment by ag
on When Fashion Went Out Of Fashion

January 30th 2007 08:36
see www.myspace.com/dukemagazine

Comment by ag
on don’t tell anyone but…

January 10th 2007 10:28
Adrian - I think you're right. People can keep things to themselves not to only avoid consequences but to have something that is their own...

Norm, thanks for sharing. Secrtes are things we give to other people to hold on to.

Lilla - I guess anonymity does have a new value in this world of blurred public and private realms...

And DuskDevi, the www takes anonymity to new heights, what better place to play with secrecy?

x
ag

Comment by ag
on Do Creative People Have More Sex?

December 20th 2006 10:39
Hi David - I'm not sure if the survey did include graphic designers - I guess their relevance to the study would depend on the level of their creativity. While some are brilliantly artistic, I don't think it's a given that a graphic designer is a creative person.

Thanks for stopping by - good luck getting to your office Christmas party this year and I wish you plenty of lays in 2007.

ag

Comment by ag
on Are Success and Credibility Mutually Exclusive?

December 20th 2006 10:31
Adrian - sounds good on paper but don't you think in practice it's more than the artist that determines the quality, success or credibility of anything? That the meaning is really made at reception? I wonder how different things would be if, as you say, we could have no universal aesthetic criterion...

Cibbuano - the article appeared in Bon magazine and I can't find it online. Queenan is fantastic though; you should read a book of his called My Goodness. Very cool.

oops.

Comment by ag
on worry dolls

December 20th 2006 10:25
Lilla, thanks for reading. I have heard a number of similar stories; I think there's something to it. Did you believe they were going to work at the time? I think that's an important part - it won’t work on sceptics...

Comment by ag
on wabi-sabi

December 20th 2006 10:20
Thanks, season's greetings to you all as well!

Adrian - nice observation. The rigidity of the English aesthetic certainly has less character and appeal for me too.

ag