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Long time no blog!

I have a 3 year old son. (Part of the reason it's been 2 years between posts) He has "no hope", as my wife puts it, in terms of the fact that he's going to have to love Doctor Who, and I hope, some other cult aspects of this thing called life.

Whilst Jim isn't quite up to A Quiet Earth, or Damnation Alley, we both recently discovered a modern gem from the Pixar stable - Wall•E. Already familiar with various other Pixar titles such as Monsters and Toy Story, I figured it would be a safe bet to entertain us both, so made the purchase of the 2 disc cardboard flap out box set when I saw it on special a few months ago.


I'll have to admit that the trailers had captured my attention when the movie was first released, however it's been quite some time since I ventured to a movie theatre, let alone with a child that still mostly struggles to sit through more than 25 minutes of b&w classic Doctor Who.

What we discovered with Wall•E however was breathtakingly beautiful, and something that immediately caught my eye in terms of this blog. A story of the last man robot on Earth, almost mindlessly toiling to prepare the world for a humanity that ultimately would never return, were it not for his involvement. And somehow it even manages to weave in a romance and buddy-flick, not to mention a million and one references to a wide variety of modern pop culture.

(There are inside jokes pointing to other Pixar movies, multiple references to movies such as 2001 A Space Odyssey, not to mention multiple references to Apple, with Eve designed by Apple's design guru, Jon Ives, as well as Auto being "voiced" by Apple's MacTalker software.)

Listening to the audio featurette, I was indeed reminded of Quiet Earth, as I recall that film replaced the audio from some scenes with entirely studio/foley based sound to create a world devoid of all life - the same problem faced by the producers of Wall•E when creating the environs that Wall•E inhabited at the start of the film. QE had empty cans rolling across the street, whereas Wall•E had Wall•E trundling across the wastelands of humanity. It was also noted that there is no dialogue in Wall•E for the first 20 or so minutes. QE also lacks much dialogue until a good stretch into the film.


Whilst Wall•E provides both perhaps the least depressing of possible futures - one in which we have simply destroyed the planet through our disregard for nature, as opposed to greed or war-mongering, it is nonetheless a chilling consideration given how little we recycle as a world, and the fact that we are already over-running the planet with population and barely degradable waste products. Wall•E's attempts at rebuilding skyscrapers using compressed garbage somehow reminded me of the Red Dwarf novels, in which the Earth has been turned into a massive garbage dump, and one over zealous trashman spends his life spelling his name in giant letters made out of used diapers.

As often happens with these stories, the addition of new characters feels very intrusive. Indeed, Eve cannot be more intrusive and destructive! Watching Wall•E care for Eve raises laughter from my 3yo, and a wistful tear from myself. But it is the turn around towards the end of the film that really breaks the heart, first as Wall•E struggles to ensure Eve carries out her mission, and then Eve's frantic mission to save Wall•E.

Whilst you may not quite find Wall•E as a suitable pairing for I am Legend or Night of the Comet, whether you have a young child to watch the film with or not, I highly recommend this story.
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Graveyard Alive

December 8th 2008 11:44
Following my recent tangent into the full Zombie flick, I just came across SBS's Graveyard Alive weekly Zombie timeslot...

SBS - Special Broadcasting Service - is one of Australian's free-to-air networks, colloquially known as "Sex n Bloody Soccer", or currently touting itself as Six Billion Stories... I first noticed last week that SBS had a zombie flick on one night, but assumed it was a one-off. It was a European film, and I decided not to watch mostly because I wasn't in the mood for subtitles... but now I have discovered this seems to be a recurring slot, as this week there is another zombie movie to be found late Monday night.

So for anyone in Australia who likes this genre, why not give it a shot. No doubt you'll see things you have never seen or even thought of before - after all, how many non-English speaking Zombie movies have you watched in your life? Discover something new! See how "Grrrrrrrrrr" and "OhMyGod he's eating my brains!!!" is spelled in foreign languages.


Coming Zoon

Having referenced it several times... look here soon for my review of The Quiet Earth...
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I Am Legend

October 19th 2008 12:16
***WARNING --- moreso than other entries, this review has some pretty big spoilers, of a not-so old film.***

Straying away from the golden oldies of my childhood (and earlier), I'd like to have a look at this recent film starring somewhat of a modern day regular of the action blockbuster - Will Smith. I Am Legend (2007) was an interesting film, touching upon several genres and giving us lots of what we've come to expect from both Mr Smith and the modern SFX flick - some humour, some big CGI scenes, and a story that - almost - works.

I Am Legend is not quite a zombie flick, kind-of post apocalyptic, nearly Last-Man-On-Earth, and mostly enjoyable. The zombie aspect completely threw me, as I had not recalled seeing any such hints from the ads for the film. That said, I was started to EXPECT zombies, or something other than just zoo escapees, after realising that although Will's character was certainly in a world of hurt as he feared himself to be the last man alive, there was going to have to be something else going on in order to sustain the film's narrative.

As seen in a number of zombie films, particularly in recent times, it was fun to see the evolution of the zombie. Once mindless yet threatening creatures, zombies have taken adopting intelligent acts in recent times. The realisation that Will's character had been trapped by a "zombie" was a delight, and the suspense truly was palpable as he tried to free himself in time to escape the approaching darkness. The biggest crime was in the fact that the completely mindless zombies - known as studio executives - decided to reshoot the ending, and ignore the direction that was clearly being established throughout the film. For those who don't know what I'm talking about, Google the alternate ending to this film.

[For those that don't want to do the leg-work - the alternate ending sees Will's character not kill himself in a "heroic" act (which - in itself at least made me happy - I truly was pleased that a Hollywood film allowed the lead character to die), but instead he realises that the zombie leader is trying to get to the "girl" zombie that he had been experimenting upon. He thus releases the girl, and as a result, the clearly intelligent zombie leader allows the humans to live.]

If there is one thing that this film does do well, is give Will a chance to make us feel sad for him, as he tries to go about his "normal daily life"; playing happy family with his trusty dog, which ultimately it seems ends with him crying himself to sleep each night. When you realise that his one and only companion in this world is about to be taken away from him, it really is heartbreaking, and you know it is going to be the catalyst for a downward spiral in Smith's character.

The arrival of two new people, much like in The Quiet Earth (1985), comes at a cost. For The Quiet Earth, the newcomers seem to just slow the movie down and add conflicts that detract from the overall direction of the film. In I Am Legend, the newcomers (or at least the woman) saves Wil's character from death. As I watched the scene where Will carelessly tries to throw his life away, I was truly surprised when finally we met another "living" person. There was a necessity for the new character/s, though that said, they ultimately served little purpose after that.

I am Legend is an enjoyable film. We get to see scary zombie creatures, abandoned overgrown city streets (that probably means more for US citizens who recognise the features moreso than this Aussie citizen), a descent into insanity, some chilling flashbacks, and - then sadly an awful ending.

If you haven't seen this film, get a friend to edit the unused ending over top of the released one, and really get to enjoy yourself through til the end.
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Night of the Comet

July 26th 2008 15:54
On a completely different playing field, Night of the Comet (1984) is a motion picture release which should have been a telemovie. Either that, or it should have remained at the bottom of the script barrel, until it was properly cooked. From the opening scene of a deadly comet hurtling towards the Earth, complete with 1950's sci-fi/horror voice over, this zombie/end of civilisation/girl power flick really leaves you wishing for more - not more of the movie, but more time spent developing the plot, more money on special effects, and more recognisable actors.

Night of the Comet was a film that I first caught one Friday night back in the early 1990's. It has always remained in the "almost but not quite" box for me, mainly because unlike most good flicks of this genre, nothing really stood out about the film. Upon re-watching, and firstly hearing THAT voice over, I wondered if in fact could win by being a film that could laugh at itself, but - sadly - the rest of the film didn't follow that path


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The Day After

June 23rd 2008 12:44
Possibly one of the greatest examples from its time of a made-for-television movie that transcended that genre, The Day After (1983) first caught my attention I believe when being played as a propaganda piece during the first Gulf War. I was all of 13 year old, and living in the northern most capital of Australia – Darwin. Rumour had it that Saddam’s long-range missiles were pointed straight at us, and then one Saturday afternoon the sole commercial television station in Darwin decided to air The Day After. Needless to say, visions of missiles launching, followed by those big fluffy atomic clouds seared themselves onto my mindscape.

Admittedly, not much else about this movie did stay with me. Steve Guttenberg’s inclusion in the cast was pretty much the only way I was able to confirm the movie’s identity. My only other strong memory – that of a “walking dead” radiation victim feebly yelling at a group of similarly affected people to “Get out of my home!”, whilst standing amidst a pile of rubble – failed to gain any results on Google/IMDB


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A formal introduction...

April 10th 2008 13:54
Growing up in a small rural town I had no real idea of the big wide world that was existing around me. The occasional visit to the “big city” was only ever for a very specific reason, and without any sight-seeing. My understanding of the world as such was formed by television (did I mention “small” “rural” “town”? No cinema; just the odd screening of movies now and then in the town hall on a pull-down projector screen).

Get Smart, Battlestar Gallactica, You Can’t Do That On Television, Doctor Who, The Goodies… They are all a part of my psyche, having visited their worlds so often. But they were easily identified as “fake worlds” – unrealistic fantasies. What interested me on a quite a different level were films that were gigantic, and yet potentially real. I can remember watching Flood (1976) and Earthquake (1974) as a young kid (on tv in the 80’s) and just thinking how huge these films were, portraying such massive and scary events. Another movie I thought was called “Volcano” (no, not Mr Brosnan or Tommy Lee’s modern flicks) scared me with vision of an elevator’s floor being eaten away by molten lava


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Life as you know it...

March 18th 2008 13:22
Welcome to my movie blog.

Hands up who likes the good old apocalyptic End of the World movies, the ones that you both daydream about, and have nightmares over. Have you ever imagined being the last man or woman left alive on the planet? What would you do? How long would your sanity hold out? Who will you find waiting for you around the next corner, just when you thought you'd come to terms with the new status quo


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